The Secret Life of Walter Mitty (2013)

I have given this a "10" rating. There was one minor issue I had with the movie that would make it not quite that in my mind, but a "9" rating would be an injustice to this extraordinary film and, since I'm unable to give it a 9.75 or something like that, "10" it is.

This movie strikes an incredible balance between indy/art-house and Hollywood epic. The pathos of the main character is well-captured in subtle ways, as are the feelings of triumph when he is able to go beyond his own self-imposed limitations. The cinematography is extraordinary-- this is a drama that *must* be seen in theaters. I expect that most adults with any sensitivity at all will find this a highly satisfying experience that speaks to their very cores. My wife and I were privileged to see it in an advanced screening, and can't believe we have to wait another couple of weeks for the official release to go back and see it again.

Fmovies: I saw this movie on a special sneak preview event. I admit being utterly mesmerized by some of the trailers. I did really enjoy the film. It has a nice message and is definitely a feel good movie. There is nothing wrong with that. For me, this is the most beautifully looking film I've seen this year. The cinematography and camera shots were fantastic - right up there with Life of Pi and Gravity. It's definitely worth seeing on the big screen. I personally enjoyed Ben Stiller in a more serious role. The film has comedic elements but everything is a bit more subtle and reflective of a man trying to find his inner courage and voice.

In Afghanistan on the snow covered Himalayan Mountains grizzled and world wise Sean O'Connell played by Sean Penn gazes at his coveted photo moment. Sean says that all he wants is to be "in the moment". Sean Penn is selfless gravitas in this moment as he confides in Ben Stiller's exasperated mild mannered Walter Mitty, who literally travels to the ends of the earth to track down the maverick old-school legendary photographer. Be in the moment and be present in life--are the eloquently poignant lyrics of Director Ben Stiller's "The Secret Life of Walter Mitty".

I loved the James Thurber short story which Writer Steve Conrad based his update. Walter is the chronic day dreamer, an escape from his ordinary life. At times Director Stiller and Writer Conrad teeter capriciously all over the narrative landscape including a hysterical and touching eHarmony thread. Granted they humorously frame Walter's "zone outs" from reality. One obscure gag from "Benjamin Button" is nearly wacky enough to spiral into incoherence—fortunately it does not. There is the amazing upside. In a joyously freeing scene Walter skateboards down the winding roads of Iceland; spectacularly filmed by Stuart Dryburgh. Kristen Wiig in a touching turn goes unplugged with David Bowie's "Ground Control to Major Tom". All the curious rifting I think is forgivable for its noble purpose. "The Secret Life of Walter Mitty" celebrates being present in life. No one is alone.

Ben Stiller is quietly heroic navigating Walter's transformation into the unknown. His blank stares as Walter "zones out" touch the depth of our own vulnerabilities. He is bold, funny, and aware. Walter Mitty (Stiller) is a photo negative archiver at Life Magazine. He has given up on his dreams, taking on the financial and emotional stress of his aging Mom brilliantly played by Shirley MacLaine, about to enter a care home. His sister is flighty wannabe actress Odessa (good Kathryn Hahn), dreams of playing Rizzo in "Grease". Walter joined eHarmony so he can date Cheryl Melhof (Kristen Wiig), who works in the same office. Wiig charms as Cheryl, the quirky single Mom of skateboarder son Rich (Marcus Antturi). Cheryl is smart and pretty, and is actually interested in Walter, if he had a clue.

Life Magazine has been taken over by another Company. To transition over to an on-line magazine, Ted Hendricks (brilliantly arrogant Adam Scott) heads the restructuring corporate team. Ted is a major jerk— arrogant and not as smart as he thinks. Walter is the sole personal contact of legendary cover photographer Sean O'Connell (Penn). When Sean's photo negative for the cover of Life's last newsstand issue is missing, Ted focuses his attention on Walter. Sean claims this is his best photo of his career. Walter must find the missing negative to save his job and possibly win over Cheryl. Working with Cheryl, Walter starts his search in Greenland. Somehow diverting to Iceland, Walter calls Cheryl from a Papa John's Pizza there. It all ties in.

Ben Stiller is inspiring, as "Walter Mitty" amazingly never takes itself seriously. The movie joyfully celebrates life as illustrated by the beautiful soccer game with Walter and Sean in the Afghan mountains. Stiller makes us pull for Walter as he reclaims his power. Kristen Wiig is funny and compassionate as Walter's gentle muse. She is surprising. Sean Penn is awesome as Sean O'Connell, strong and whimsically wis

The Secret Life of Walter Mitty fmovies. It might be difficult for choosy audiences with cynical dispositions, but if we can look past the pesky product placement in "The Secret Life Of Walter Mitty", we're left with one very, very good film. Ben Stiller, who usually seems to have little clue how to use his specific talents, gives his best performance to date in front of and behind the camera. This is a film that may not resemble the source material verbatim, but the spirit is clearly alive, with a few touches to modernize the idea. As a whole, it's a sweet, confident, and poignant film that has a lot to say, but I think it speaks only to those willing to listen.

Walter Mitty (Stiller) is a negative asset manager for Life magazine- basically, his is the department responsible for bringing in and processing the film from the field that will go into the magazine (and by his 'department', I mean Walter and his assistant (Martinez) ). In essence, in the time Walter has worked at the publication, the very soul of the magazine has been processed on his watch. It's prescient, that his seemingly simple position holds so much sway, but we'll return to that idea.

His problem, it seems, is that he daydreams. Mind you, this isn't the type of absent-mindedness that you or I take part in. Walter misses large chunks of actual time in his fantasy land, jolted back to reality by silence, love interests, or transition managers. In his escapes, Walter is well-traveled and mysterious, interesting and not invisible to others. He's confident and allowed to pursue that which he wants. In other words, he's the full version of himself. I like how this film pulls back the comedic reigns here- Stiller too often becomes, well, Stiller, and overdoses on the comedy. Here, the humor is subtle and fits the tone of the film. It also doesn't pander, or make us feel sorry for Walter. There's a very good reason his life is the way it is, and again, it's presented without pretense.

I mentioned a transition manager, profiled in full douchebag by Adam Scott. Well, the print version of Life is going under in this film, and switching to an online format. Positions like Walter's are likely to be eliminated, as well as accounting spots like the one Cheryl (Wiig) holds down. However, before the end, they want to send up one last issue, and long-time contributor Sean O'Connell (Penn), who has sent a roll of film containing an image he specifically wants to become the last cover. The problem is that Walter has either misplaced it, or it was lost along the way. This causes him to seek it out, thus finally spurring him to make his fantasies become, well, realities.

I think a good portion of society can identify with an individual that finally lets loose a bit, that allows himself, finally, the adventure he deserves. A lesser film would make these emotional breakthroughs farcical, ala "Last Holiday", but this is subtle and decent. That's why the big reveal of what that last cover image is a fantastic moment. I believed in this Walter Mitty as a hard- working guy who missed out on life thus far due to some bad luck. It was wonderfully refreshing to see a character, despite his quirks, find happiness in the midst of just being, well, a good guy.

I caution those looking simply for a pandering, feel-good story around the holidays. That's not what this is. Instead, Stiller and crew have taken the spirit of the source material and adapted it to our world. Granted, there are a few goofs- for example, Wa

I loved this movie. I know some critics say this movie is like flicking through a National Geographic magazine. I disagree, this movie is a well-balanced triumph. Fantastic views, simple yet wonderfully poignant story line and strong lead actor. Kristen wig and Sean Penn had unidimensional roles within the movie but they are not the leads. The humor was tasteful, adequate and well placed. It was such a pleasant surprise from your day to day blockbuster and I strongly prefer this movie to the desolation of Smaug which I watched the night before. Ben Stiller has managed to achieve an impossible feat with this movie, an elegant contemporary film without excessive emotional histrionics or sexual overtones. Strongly recommend this movie to anyone looking for a modern take on life. Just like the lead, Walter Mitty is your everyday guy doing an everyday job faced with realistic modern day issues. One day, he takes a leap of faith and that has made all the difference. How can anyone not love this movie?

One really has to wonder what the professional reviewers are really thinking. We looked over the family movie list and barely decided to go to this one based on lackluster reviews. Six out of six of us REALLY liked it and found it deep and entertaining, and easy to watch. By all means, if you are looking to enjoy a movie, go see this one.

If you are looking for a connection to the original story, the connection happens during the first 45 minutes and then seems to go in its own direction. Big deal. The movie moves through characters development, plot lines, and geographies smoothly, and does not reveal its final hand until the end.