The Nile Hilton Incident (2017)

This movie does a very good job of showing a realistic view of modern day Egypt.

Corruption permeates everywhere. It is a way of life, especially among government employees under the regime of Hosni Mubarak.

Police Commander Noredin is corrupt and at a low point in his life: he works, collects bribes, browses facebook at an internet cafe, heads home and watches tv while drinking a beer and smoking a joint. He then goes to sleep for the cycle to repeat. Noredin's wife and child had been killed in an auto-crash and is it heavily alluded to that he got his job thanks to police General Kammal, his uncle. He helps his disabled father but has lost his respect, due to his corruption.

A murder then occurs at the Nile Hilton hotel. Noredin is unable to decide whether to commit to the case or just collect the appropriate bribes and close it. He eventually decides to pursue the case at all costs.

This film touches on many aspects of Egyptian society. From the Sudanese immigrants to the working class, middle class, artisans and elite - we get a perspective of what daily life in Cairo is like.

Being unfamiliar with Egypt, the dialogue was very amusing and fresh. Some of the idioms and digs had me laughing out loud.

I must also give a lot of credit to many of the actors that made this film particularly engaging. Fares Fares plays Noredin very well as we can sense his perspectives and viewpoints clearly. Oddly enough, he reminded me of Harrison Ford in Blade Runner: cold, detached but intrigued nonetheless. Another nod should go to Mari Malek, who plays Salma - the Sudanese murder witness. She really shows the helplessness and vulnerability of an immigrant in her situation.

I highly recommend this film, especially to anyone who like murder-mysteries, film noir or historical dramas as it has shades of all those genres in it.

Fmovies: The best police murder drama that I have seen in sometime. Excellent acting by both Fares Fares and the witness to the crime, Mari Malek. We are led into Mubarek's Egypt, a world where corruption is the norm and no one, even Noredin Mostafa, the police detective investigating the murder, is immune.

The film contrasts the lives of the rich and poor in Cairo, with the corruption reaching the highest levels and where respect for human rights is non-existent. The story is not so much about solving the mystery, but more about whether justice is possible in such a setting. In the background is the mounting tension of the political changes. The plot takes a new direction when the revolution and political upheaval impinge on the drama and suddenly the pace of the movie becomes frantic. I particularly enjoyed the ironic ending, which may be something of a political commentary.

It is unfortunate that the movie cannot be seen in Egypt at this time, but hopefully sometime in the future, Egyptians will be able to enjoy it!

"Chinatown" it isn't, though hardly a film can be blamed for not getting close to the archetype, still this is the fountain it draws from. There is a sense of impending doom to it, an urgent cry for some kind political change; unfortunately though, it somehow lacks in editing sharpness while, more importantly, suffering from some kind of belief that the Egyptian revolution would make things better. Yet, I must admit, that its historical naivete is overthrown by its imprinted fatalism and the humanity in Fares presence.

The Nile Hilton Incident fmovies. Not you "Visit to Egypt" postcard movie, this European-Egyptian coproduction had me grabbed to my seat at the local cinema.

Noredin Mostafa is not the talkative kind, nor a very likeable chap. Salwa, the slave labourer living on the edge of Egyptian society, isn't very chatty either, she probably suffered too much already. But what she saw is key to the movie. People like Salwa or "Clinton" are invisible to powerful people like Hatem Shafiq and Kammal Mostafa, Noredin's uncle, who may not be very bright but knows how to defend the status quo. Gina is very beautiful but also, not a very nice character.

Nobody is very clean morally yet this Nordic film shot in Egypt succeeds because of that, it doesn't preach when the truth is all there is to have.

The "cinema verité" approach, nervous camera, gritty social conditions, "trust nobody" psychology, cheap music, "public project" (cheap) buildings shot as if they were the main character. And maybe they are: social classes, specially the very poor (Salwa), the low middle class (the corrupt cops) and the mega rich (Hatem) show all the contradictions of capitalist society painfully. There, on camera, it seems too much to be endured by the people, specially given the corruption everywhere. And in fact this movie, set on 2011 revolutionary times in Egypt, show what happens when the people can't bear enough. I've seldom seen so much police brutality under a "democracy". Surely reality was much worse.

They all preach on moral values, on bad TV, in the family, your bosses, the national security (like a third world FBI), but act on double standards. Gold rules. Money may be a "burning steel" when you go to paradise, as one character says, but in this life, it seems to buy life and death. The poor can be killed like flies and nobody cares.

Violent and beautiful film, great music and photography. Acting, that looks non-professional, is all the better for it.

Watching this movie is like going to Egypt, but the real Egypt. That is probably like any other third world or "developing" country. Only watching it confortably makes it all the more visible and painful. Italian filmmaker Nanni Moretti at "Caro diario" says that he'd like to shoot a film only with buildings. This film is close to Moretti's dream. You live in this film's buildings. Cheap pensions where people live like animals, bad "unhomely homes" like Noredin's, pricey yet vulgar "love nest" like Gina's place. Palaces like construction tycoon Hatem's, with so many employees at his service it's hard enough to count them all.

I hope this underdog movie gets the popularity it deserves. And people flocking to Egypt, but the real one.

Egyptian film star Fares Fares is the beleaguered police detective trying to solve the murder of a prostitute at the Nile Hilton, but encounters nothing but roadblocks and misdirection, some laid by his own superiors. In Egypt, they apparently frown on attempts to solve crimes committed by top government figures. And to get information or to get out of trouble, everything has a price. Money is always changing hands. The viewer wonders if the detective will ever get the chance to find the killer.

Sounds like an interesting murder mystery, but truth be told, it's not as exciting or mysterious as it could be. Director Tarik Saleh tries mightily but his efforts come up short. "The Nile Hilton Incident" is heavy on atmosphere but lacks clarity to hold the audience's interest. Corruption, graft and bribery abound and the bleak, washed out color photography is in keeping with the squalid streets of the Egyptian cities and the moral underpinnings of local officials. The 'perp' is known early on but his identity gets lost the muddled mix of names and titles of all the government employees involved. And, without giving it away, noir fans are used to a more satisfying resolution of matters than Director Saleh has afforded us.

Fares Fares (born in Lebanon) is a very well known actor in Sweden where he starred in the Department Q series; he has some presence in other countries but sadly not in an important role like the one in The Nile Hilton Incident

Fares is Noredin Mostafa; a very corrupt cop in Egypt in 2011. The first few minutes of the movie shows the small scams the Egyptian police commits until a horrible assassination occurred in the Nile Hilton hotel.

Based on real facts and with the background of the Egyptian revolution in 2011, the movie paced spiraling events keep you tied to the screen until the formidable ending (which has nothing to do with the feel good American endings)

A singer is killed in his room. The killer identity emerges immediately; however the investigation is not important; but the corruption of a system that protects rich and punish lower classes and immigrants (ring a bell ?)

Some events sound like joke but are far from it. It was (or still is) the tragic reality of countries where the political system became the enemy of the people.

In brief; a hard but very necessary movie