The Hand (1981)

As a psychological thriller this actually works. In large part because of Michael Caine. As a B movie about a killer hand or a schizo cartoonist it features Olive Stone's tortured man, driven to ruin by a woman, whose lack of self-knowledge and unchecked rage propel him to violence. I kind of agree with another reviewer's disappointment at the ending not wrapping it up, but The Hand is enough of a thing that I feel neither way about the end. Stone's vitriol for women, a characterization many have stuck on throughout his career, is very apparent here. Caine as Johnathan Lansdale is comfortable in his beautiful country home, crafting a semi-popular syndicated cartoon. But his yogic wife Anne (Andrea Marcovicci) wants to do something with her life and demands a move to NYC. This ends up undoing him, but not before he struggles with having his writing/drawing hand severed. Without saying more, I'd recommend this for Caine's gradual unraveling, an engrossing trip into The Mind and even a good Oliver Stone cameo.

Fmovies: The comic book writer and cartoonist Jonathan "Jon" Lansdale (Michael Caine) is the creator of the successful hero "Mandro" and lives with his wife Anne Lansdale (Andrea Marcovicci) and their daughter Lizzie in the countryside. Anne wants to move to New York and has an argument with Jon while driving on the road. She distracts with an impatient driver and has a car accident with a truck where Jon loses his right hand. The hand is not found and Jon needs to use prosthesis. They move to New York and his editor Karen Wagner (Rosemary Murphy) offers another cartoonist to proceed with "Mandro". However Jon is not happy with the modifications introduced in his character by the new cartoonist and Karen let him go.

Without money, Jon moves to California to teach in a college while Anne and Lizzie stay in New York for a few more months. Jon has a love affair with his student Stella Roche (Annie McEnroe) and he feels attracted by her. However when his colleague Brian Ferguson (Bruce McGill) tells that Stella is an easy woman, Jon does not want to see her. However, his severed hand kills Stella and when Brian tells that he is going to the police to report that Stella is missing, his hand also kills him. Meanwhile Anne and Lizzie come to his house to spend Christmas with him. Soon he learns that Anne is betraying him and that she intends to go to Los Angeles with Lizzie. Out of the blue, his hand tries to strangle Anne and Jon follows it. Is it possible that the hand does exist to kill whoever anger him?

"The Hand" is an early film directed by Oliver Stone with a creepy story. The plot is developed in slow pace and the mystery remains until the last scene when the viewer finally understands what happened. Michael Caine has a great performance as usual and the movie is intriguing and engaging. My vote is seven.

Title (Brazil): "A Mão" ("The Hand")

I really don't know what's wrong with this movie to get an average rating around 5. There was never a dull moment in this movie. Everybody acted perfectly in this movie. Story is excellent, especially the end, that was a very clever double-twist end i.e a twist followed by another twist. Since it's a supernatural story, we need not worry about logic. Lovers of thriller movies should not ignore this movie.

The Hand fmovies. This movie does not have all the makings of a terrible movie. The directing seems fairly decent, the acting is great. But boy this movie is devoid of any real point. The whole time you watch this movie you just wonder why the hell you are watching it. You remember why you started watching it (early Oliver Stone written/directed horror film about a comic book writer who's hand comes alive and kills people), but despite the fact that that group of words seem like they could equal anything that could do any wrong, it sure does not deliver. I think my first complaint is Michael caine as the comic book writer. It just doesn't make any sense. You see his character draw comics, but he leads a life of the bourgeois. He is the very last person I would ever cast in this role. Like, the complete last. You could have altered the script to make him an "arteest", painting some post modern whatever's and what nots and it would of worked. It would have felt like it had a point! But as a comic book writer, uh-uh. This movie definitely should have been a schlocky slice and dice em, maybe with a sort of tongue and cheak, in your face style similar to Natural Born Killers. Instead you get a wannabe sophisticated slow masterpiece theatre type horror film, with unbelievable pointless B and C stories, with great acting that doesn't make any sense, directed by someone who would prove to be a genius just 5 years later.

If the premise to this movie seems awesome, and you are looking for something similar that is actually pretty dope(if you're into super B movie type stuff), check out Cellar Dweller directedby John Carl Buechler, the amazing special effects artist; written but don Mancini (childs play), and produced by Charles Band(the doll obsessed puppet master). That movie has a lot of cool comic art mixed with some great horror, I believe the monster in his comics comes alive and kills people. Again, B movie gold.

There's also a great Tales From the crypt episode that delivers a similar vibe. Anyways, I really would say don't watch this, even if you're a completist of horror. Maybe if you're a Stone completist it might be worth it, but it really made me question my place in this pointless, meaningless world.

This is an exciting psychological thriller based on the novel by Mark Brandel "The tail of the lizard" , though was consistently underrated by most reviewers . It's a surprising flick and very intriguing whose value more remarkable is the ambiguity that its filmmaker Oliver Stone poses in this . A surreal psycho-horror pastiche in which a famous cartoonist of comics named "Jonathan Lansdale" (Michael Caine) who lives unhappily with his wife (Andrea Marcovicci) loses a hand , being severed in an unfortunate car accident that ends with his career and creates a strong tension in their marriage . Soon after , the hand is on the loose with a mind of its own . As a harrowing nightmare, the lost hand appears seeking out victims , committing atrocious murders with an obsessive revenge.

This first important Oliver Stone film contains chills , thrills , suspenseful and is quite entertaining . It's the first commercial outing in medium budget from Oliver Stone, which was not well received by the criticism at the time. . Stone's sophomore directorial shows us a dense , unique , atmospheric and surreal ambient , where the subjectivity seizes the story . There are times when the film that we question whether what we recount and we see is really the case or any other remedy used to deceive and confuse the spectator . Through the film and gradual manner the story is complicating and becomes increasingly difficult to distinguish reality from fantasy . This theme about a hand on the loose with a a mind on its own is already been seen in former films such as The Hands of Orlac (1924 by Rober Wiene , Mad Love (1934) by Karl Freund with Peter Lorre and Hands of Orlac (1960) by Edmond T Greville with Christopher Lee and Mel Ferrer . First rate acting by Michael Caine as Jon Lansdale , a comic book artist who loses his right hand in a car accident , though Michael said in a TV interview that the only reason he did this film was to earn enough to put a down payment on a new garage he was having built .Oliver Stone initially wanted Jon Voight to play the lead role, but was turned down by him ; Christopher Walken and Dustin Hoffman also declined the role . Very good support cast formed by expert secondary actors such as Bruce McGill , Viveca Lindfords , Rosemary Murphy , among others . Furthermore , a cameo by Oliver Stone as Bum . Colorful cinematography with a right management of the camera by Baggot , as the picture packs a turbid, dark, surreal, disturbing atmosphere . Thrilling and tense musical score by the great James Horner .

The motion picture was professionally directed by Oliver Stone , though usually panned by mostly critics , nowadays is best considered .Stone returning from the Vietnam war did his first film , it was a student film entitled Last Year in Viet Nam (1971), followed by the gritty horror film Seizure (1974) for which he also wrote the screenplay. The next seven years saw him direct two films: Mad Man of Martinique (1979) and this The Hand (1981) . He also wrote many screenplays for films such as Midnight express (1978), Conan (1982), and Scarface (1983). Stone won his first Oscar for Midnight express (1978), but his fame was just beginning to show.

I remember watching this movie soon after it came out and the special effects were not bad for the time period that it came out despite what people say. Remember, Star Wars had only been out a few years by this time. As far as the movie goes, Caine does quite well with his part and the plot is believable in the way Freddie Kruger is believable. If you've seen many "creature" movies, then this one could seem to be predictable and thus lose some of it's "boo" effect. Wait until the end and watch closely. If you've seen this movie you should know what I mean, if not then pay close attention. After seeing that final scene you suddenly realize that maybe all wasn't as it seemed. Go back through this movie and keep in mind that last scene. Suddenly the whole movie transcends the Freddie Kruger believable and becomes in fact quite plausible. It's like watching Star Wars Episode 4 after just watching Episode 3, it all takes on new meaning!