The Fourth Protocol (1987)

Rogue spies try to undermine the Fourth Protocol, which is a secret agreement between the USA, Britain and Russia to cease smuggling nuclear weapons into their respective countries. A Soviet agent is sent to the UK to stage a nuclear accident that could be blamed on the Americans and set off a chain reaction of events to unbalance this stand-off.

The Fourth Protocol is based on a novel written by Frederick Forsyth. I have never read it but have read others by this author. His style focuses on the intricate detail of the spy/politics of his thrillers, while his characters contrastingly always seem to be really cardboard, with very little recognisably human about them. With this in mind it's not too surprising that The Day of the Jackal was his most successful book, seeing as the very blankness of the central character was an actual important plot point. But usually this weakness in characterisation is more noticeable. The Fourth Protocol is a quite typical Forsyth spy thriller, in that it has a fairly detailed plot and paper thin characters. Michael Caine phones it in as a Harry Palmer type spy who doesn't play by the rules. It's a quite weak and clichéd character and to be honest Caine doesn't bring much to the table with this one. Pierce Brosnan, on the other hand, is pretty good as the cold Soviet killer. Like in Day of the Jackal, it's this villain who is the more interesting when set alongside the dull heroes, meaning that its actually the bad guy whom we want to succeed, which I'm sure could not have exactly been the original intention. Unlike Caine, Brosnan is playing against type and certainly makes better work of what he is given and is certainly the best thing about the movie. On the whole, this is a pretty standard spy film, with nothing very distinctive about it. Despite its generic nature, it is quite enjoyable though.

Fmovies: Fascinating old-fashioned spy thriller with (for the 80s) new high tech elements. Pierce Brosnan is very good as the smiling sociopathic Russian deep cover agent. Michael Caine is, well, Michael Caine. Ian Richardson has a lot of WONDERFUL lines as Caine's superior. Ray McNally and Ned Beatty are fine as old Cold War veterans whose time is passing.

My personal view is that Caines interpretation of the character made TFP one of his best films to date, it reflected the Forsythes hero very acurately and was easily the best performance of the film. Again, my view is that the film was grossly under rated by the critics at the time and even today stands up well among films of this type. Well worth watching even today.

The Fourth Protocol fmovies. I hadn't seen this for ages. Then it was given away free with the Daily Mail.It really has aged well. The plot is still believable. Just substitute Islamic terrorists for Russian ones. Caine was brilliant and doing his 'laser' style acting in all the close ups. Something he doesn't bother with in his many pot boilers. I have to agree with some of the other posters. It really should have been promoted as Harry Palmer's midlife crisis. He would have developed just like this. The hero in the book reads like an ex-Para version of Freddie Forsythe. Caine makes the role his own and adds his own interpretation. Another of my favourites Pierce Brosnan acts his heart out too, as the stone killer Petrofsky. The Ian Richardson and Anton Rogers scene has to be a career best for both of them. Only a side plot but absolutely brilliant.

Based on the bestselling novel by thriller writer Fredrick Forsyth, The Fourth Protocol stands out as one of the last of the breed of Cold War spy thrillers. Set amongst the issues of 1980's Cold War tensions, the film is the story of a KGB plot to detonate an atomic bomb in the UK near a US Air Force base, causing the deterioration of NATO as a result if UK security services don't stop it first. With good performances and a fine script that make up for some of the films shortcomings, The Fourth Protocol is a good example of the Cold War spy thriller.

The films has good performances throughout. The cast is led by Micahel Caine and Pierce Brosnan. Caine is British agent John Preston, a bit of a loose cannon himself, who stumbles upon the plot and has to face his superiors skepticism before he can stop the plot. Brosnan is KGB agent Valeri Petrofsky who, masquerading as James Ross, is the man with the atomic bomb. The supporting cast is like a whose who of fine character actors including Joanna Cassidy, Ned Beatty, Julian Glover, Michael Gough, Ray McAnally and Ian Richardson. Sadly the actors playing Russian characters struggle with their accents at times but for the most part the performances work and help the film rather then hinder it.

For the most part the film has good production values. The direction of John Mackenzie, coupled with the cinematography of Phil Meheux, the production design of Allan Cameron and the costumes of Tiny Nicholls mean the the film has a very realistic feel to it. For the most part the editing of Graham Walker helps as well, especially in the sequence where the bomb is assembled by the Brosnan and Cassidy characters. Unfortunately there's moments where the editing is rather hap-hazard with scenes of Petrofsky on his motorcycle, then packing his car, then on his motorcycle again. Another example is the sequences involving the McWhirter couple (played by Matt Frewer and Betsy Brantley) with Petrofsky which, while a fault of the script admittedly, should have been cut from the film as they serve no purpose and slow down the film's pace. Even with the issues with the film's editing, the production values hold up well.

The film also has a fine script as well. Frederick Forsyth adapts his own best-selling novel, with help from writers George Axelrod and Richard Burridge. The script remains fairly faithful to the original novel though there are some significant differences (such as the amount of time spent investigating soviet agent Jan Marais at the beginning for example). This helps the film plot wise as it focuses the film more on the tense build-up to the possible detonation of an atomic bomb on British soil. The film nicely contrasts the arrival of the bomb's components from Petrofsky's side with Preston's attempts to derail the plot. The script also reveals a world of crosses, double-crosses and triple-crosses as the plot keeps getting more and more complicated as it goes on. The result is a well-written thriller.

With good performances, good production values and a well-written script from noted thriller Fredrick Forsyth, The Fourth Protocol is a good example of the Cold War spy thriller. Even with editing issues, the film is a well-paced and tense story of Cold War intrigue and a story of how things might have bee. Even more surprising is that despite its being entrenched in 1980's Cold War politics the films dealing with the on-going threat of nuclear terrorism means it has relevance over two decades later. Thus the film remains a t

I wouldn't consider this movie a "classic" or even particularly "great", but for some reason I really enjoy watching this film. I haven't read the book, however I used to own "The Fourth Protocol" computer game for the Commodore 64, and was vaguely familiar with the basic storyline.

I can't pinpoint what exactly it is I like about this movie, but I did enjoy seeing Michael Caine as a British agent tracking down the nuclear bomb. I could probably watch a whole series of films based around his character. I also liked some of the other characters and I think it had a good cast of actors. The workings of government agents was very compelling to watch, but it was good to see that the film wasn't overwhelmed by ridiculous gadgets and stuck to the drama involved.

The 80's technology in the film also had an element of nostalgia about it. This film reminds me of a bygone age of the BBC Micro and Ford transit vans. In fact, I love watching the film just to see the various parts of England as well.

I liked the fact that its a rather 'quiet' movie, but I do think it needed to be re-edited. Some parts of the film just skimmed through major plot developments without giving them time to breath, and other times the film would show a character hopping from various locations in England without giving a sense of the travelling in between. Watching this film would give the impression that England is only about 10 miles wide! Some elements of the film really needed to be fleshed out a bit more.

This isn't the sort of movie I would go to a cinema to see, its more of a "Friday night in" movie that I would watch on TV. I would only recommend it to someone if they were die-hard fans of this genre.