The Firm (1993)

When "The Firm" came out was - believe it or not - the first time that I had ever heard of Tom Cruise (although I didn't see the movie until several years later). And let me tell you, this was a great introduction. Cruise plays novice lawyer Mitch McDeere, who goes to work for a Memphis firm. With this firm, he has everything that anyone could want. But there's the question: why does everything seem so perfect? The answer lies in the firm's unseemly other side. And they're not just going to let Mitch blow their cover.

Sydney Pollack pulled off everything perfectly here. It's sort of like an Ira Levin novel how everything plays out. You may be suspicious of everything after seeing this movie. Above all, it shows that Tom Cruise can actually do a good job when he tries. Also starring Jeanne Tripplehorn, Gene Hackman, Hal Holbrook, Wilford Brimley, Ed Harris, Holly Hunter, David Strathairn and Gary Busey.

It's hard to believe that this was the first movie adaptation of a John Grisham novel.

Fmovies: I wanted to get a copy of the screenplay to compare the movie with the dialog and directions, but initially received the FIRST draft by David Rabe. I finally got the shooting script later. All I can say is that it ended with Mc Deere blowing away all the partners in a restaurant with an AK-47. It really made me appreciate the re-write by David Rayfiel and Robert Towne. I have watched this movie many times and enjoy the suspense, romance, and Grusin's solo piano score, which always blows me away. But the one thing that impressed me most with multiple viewing, is how Gene Hackman really makes the movie work. His portrayal of this corrupt, but incredably likeable character is the one thread that holds the movie together for me and goes down as one of his most memorable acting performances.

Though not the best of the Grisham adaptations, this is up to the usual high standard in plot and stars that Grisham movies have become associated with. The plot on this one is a little more far-fetched probably on account of the fact that this was one of Grisham's first works, escapism and entertainment seem to be the most prominent here, other Grisham works had begun to develop other traits alongside populism, like being almost topical and seeming to make social comment on issues that Grisham must have had an inside eye on when he was actually involved in the legal business for all those years. The Rainmaker is a great example of this when a young lawyer takes on a pro bono case of a widow's suit against a rogue insurance company that wouldn't pay up on a claim for her son's illness, and who as a result died from it. You will find none of this in the Firm, it is the straightforward story of a young lawyer whose life becomes entangled in the law firm from hell, which has all the usual mafia connections and all the usual FBI hardball characters battling with the caricatures from the Mafia. It does however make great entertainment , you will soon forget how far-fetched and improbable it all is, as you will become instantly fascinated, and stick with 155 minutes of plot twists and turns.

The Firm fmovies. This movie was the movie that finally drove the fact home to me that Tom Cruise was a good actor and pushed him to the front of the line. The casting was really really great and the plot was first rate. Cruise is a fresh out of college law student named Mitch with a pretty new wife who is dreaming of becoming a successful and big name lawyer. So as any other graduate he is sending out resumes and getting offers from different firms. But one firm from Memphis, Tennessee gives him an offer he can't refuse. It seems like a small homegrown firm that is very wealthy and prosperous and prides itself on being the best. But this isn't any ordinary law firm. It's a "Family" with a history of partners having premature deaths and now Mitch is part of it. And he can't get out. Not alive anyways. So Mitch has to find a way out without joining the list of expired former associates. Gene Hackman in this is incredibly, stunningly, unbelievably great. His character quickly becomes Cruise's mentor. He is an unhappy, alcoholic, womanizing ambulance chaser (albeit an highly powerful and prosperous one) who also cannot escape either and is the linchpin in the unfolding drama that Cruise and Tripplehorn find themselves square in the middle of. Hackman is the one you should despise and dislike right from the beginning but you can't even if you try very hard because he is a likable person and you know he is in serious trouble which makes you emphasize with him right from the get go. My favorite Grisham book adaptation it made him a household name to this very day. Also features appearances by Paul Sorvino, Gary Busey, and Holly Hunter.

The Firm (1993)

The twist in the plot as you realize this Memphis law firm is not what it seems, and the rather innocent freshman lawyer played by Tom Cruise is slow to catch on, is the core of the movie, and a relief. It starts steadily, or slowly, depending on your patience, and in fact plays many scenes out in more detail than we need for a kind of bookish thriller. It's not a bad ride, and there are some further, minor twists, but it's not packed tightly enough, or frankly original enough, to lift its boots out of the sand.

Director Sydney Pollack, hugely successful as a director and actor, might have just had bad scriptwriting here by David Rabe, because John Grisham's book had proved itself. The acting is really solid (I'm no Cruise fan, but he's fine), but the characters are often doing things that just don't quite follow, or that are improbable or stupid. Or they end up doing something dangerous and the danger is either watered down or ridiculous. Examples that come to mind are how they show Cruise discovering or stealing or xeroxing files. We get the plot, but it lumbers along, or is just shown, not built up with suspense. The cinematographer takes a hit here, I think. Things are often nicely framed and routinely well done, but a thriller needs to hide some things, show some things, create ambiance and mystery, and so on, visually. It doesn't really happen.

So, for a kind of technical high-stakes, rich person's good-guy bad-guy suspense film, it will get you through, but barely. By the last five minutes, if you aren't sucked in, you'll want to scream "hurry up!"

This is a long (154 minutes) but pretty solid drama-suspense story about corporate corruption. The film features a well-known cast, and as soon as the action kicks in this becomes a very tense story.

Tom Cruise is very good as the hotshot lawyer, as is Jeanne Tripplehorn who plays his unhappy wife. This is a complex story at times, one not always easily understood, especially the ending. So much is explained so fast at the end it's tough to comprehend it all.

Wilfred Brimley, Gene Hackman, Hal Holbrook, Holly Hunter, Robert Strathairn and Ed Harris all make this a really deep, impressive cast. For more details of the story, check some of the other reviews.