London to Brighton (2006)

Britain from time to time produces brilliantly realistic urban films, and here in Paul Andrew Wiliams' debut feature we have a truly great genre entry that is awash with realism.

Joanne is a 12 year old runaway befriended by young prostitute Kelly, a tragic event leads to them fleeing from London to Brighton on the train, in furious pursuit is a pimp and a gangsters son, and all of their lives are hurtling towards a night of reckoning.

This film contains prostitutes, paedophiles, drugs, and violence, yet to even think that this film panders to genre stereotypes would be doing it an injustice. This is a gritty realistic picture that thru its bleak story telling manages to make the viewer feel a part of the events unfolding, it's harsh and unrelenting in its portrayal of the dark parts of city life that do exist in our world. The screenplay is as lean as a prize featherweight boxer, no saggy tag ons, no sub plots to bog the story down, just a hard as nails story culminating in a wonderful final reel.

Lorraine Stanley, Georgia Groome, Johnny Harris, and Sam Pruell, your names, I hope, will get to be known outside of England, because you all excellently realised characters that reminded me of people I have encountered during my life. I do hope that you will not be consigned to the forgotten filing cabinet that contains the one film wonders.

Excellent and unforgettable picture 9/10

Fmovies: In London, the pimp Derek (Johnny Harris) assigns the prostitute Kelly (Lorraine Stanley) that works for him to find a young girl on the streets to escort the powerful mobster Duncan Allen (Alexander Morton). Kelly finds the twelve year-old runaway Joanne (Georgia Groome) in the train station and Derek proposes one hundred pounds for the service and the girl accepts. Kelly befriends Joanne and takes her to Duncan's mansion. When Joanne cries in the bedroom where she is with Duncan, Kelly runs and defends the girl. At 3:07 AM, the bruised Kelly and the tearful Joanne lock themselves in a public toilet. Kelly asks Joanne to stay there because she will raise some money for them to travel to Brighton. Meanwhile, Duncan's son Stuart Allen (Sam Spruell) calls Derek and asks him to meet him in a night-club. When Derek arrives, Stuart tells that his father is dead and he wants the responsible; further, he cuts his knee sinew to prove that he is not kidding. Derek calls his associate Chum (Nathan Constance) and they begin to chase the girls.

The excellent "London to Brighton" has a magnificent screenplay that discloses a crude and dark tale of friendship and lost of innocence through flashbacks and a surprising conclusion. This low-budget gem has a stunning cast, with top-notch performances, and the debut of director (and writer) Paul Andrew Williams in a feature could not be better. In the DVD, there is an awesome and cruel alternative ending that should not be deleted, as well the sequence in Duncan's bedroom with the two girls. The comradeship of Kelly and Joanne and the final redemption of Kelly protecting the girl are touching and beautiful. My vote is eight.

Title (Brazil): "Londres Proibida" ("Forbidden London")

This film really took me by surprise. What I was expecting was some amateurish first film effort which I hoped would have enough good ideas to make it worth a full viewing; what I got instead was a minor masterpiece of cinema. I cannot remember the last time I saw a British film with such story-telling verve. It's amazing to think that this is a first feature from writerdirector Paul Andrew Williams, made on a nothing budget. I can't wait to see what he produces in the years to come.

The unfolding of the story is masterfully done. The small details of character interaction are incredibly well observed. This is the future of British cinema, not endless rehashes of Jane Austen and insipid rom coms.

London to Brighton fmovies. Gritty Dramas are not usually my thing, but I saw this by chance and was very impressed by it. It's nearly impossible to make a first feature film. It's nearly impossible to make it good on as tight a budget as this was obviously shot on. The fact that it was made in such a short time is also another factor to be considered. And my consideration, after taking all these factors in to account is, this is brilliant! It is a strong story with plenty of moral interest, it has strong performances and a nicely done twist. I wish Paul every success with whatever he does next! He is a directing and writing talent to watch out for!

The plot of London to Brighton is simple, the budget minimal, the actors and writer/director unknown. But the result is an unexpectedly captivating movie.

London to Brighton follows a prostitute and a young run-away as they flee from their recent past: From London to Brighton, no less. Through a well-balanced series of flashbacks, we gradually learn how they came to be running. The movie's tension slowly builds as those who are chasing them draw closer. The premise isn't revolutionary, but the delivery is robust. Half the characters spend half the time not knowing what is happening around them. Like the best thrillers, there is still enough to keep the audience guessing right to the end.

The movie is underscored by a very British portrayal of urban mob violence - gritty and selectively brutal, with language to match. The characters are explored just enough to give the movie some depth.

The issues contained within the movie are morally challenging. While there is little explicit sexual content, the mere context will be enough to make some viewers uncomfortable. It would be easy to impose "middle-class" morality, but fortunately that doesn't happen. Instead the characters react only at the extremes: The prostitute with misgivings about sex involving very young children; not the prostitute with misgivings about prostitution.

London to Brighton is notable because it places a 13 year old actor in one of the leading roles. The performance is raw and the look of innocence genuine. Yet she portrays events and emotions that she can have no experience of with disturbing competence. To paraphrase the director, "she certainly won't be allowed to see the film when it released in the cinema".

The movie is rough round the edges. It drags in places. Sometimes the acting doesn't quite convey all the emotions it could do. It is easy to find fault in the detail. But overall London to Brighton is an impressive first feature by 'Paul Andrew Williams' and most of the cast.

I also saw London to Brighton at the Edinburgh film festival, the buzz after the film was all so positive and I think this film will do really well based on this word of mouth. Wining awards at both Edinburgh and rain dance can't be a bad sign. For a first time director Paul Andrew Williams pulls off a very confident film, it can be quite hard hitting, very well written with some really good performances. The two central characters particularly shine in the darker moments in the film, the combination of there acting and the directors ability to create such a tangible atmosphere creates some truly gripping scenes. In short Its the kind of film the British film industry should be making more of, challenging, entertaining and decidedly British and hopefully it will get a large release. Highly Recommend!!