Let Me In (2010)

"Let Me In" is a breath of fresh air for fans of the vampire-horror genre that are suffocating on the current teenie-bopper "Twilight" trend. The vampire lifestyle is not romanticized or glamorized, with the undead being iconic, aloof, seductive, or misunderstood in the world. A little girl and her father move into a low rent apartment, becoming nameless neighbors, in this instance with the inability to afford shoes. Though presumably this vampire has survived for decades or centuries, she is just a little girl, fumbling through a relationship for the first time. She is not a wizened old soul in the body of a child. She is a child like any other, until her hunger takes control and she becomes something feral. An original, enveloping, American horror movie has not been presented in years. This movie is not an exception (it is a Swedish remake), but it is nice to see something that isn't a remake of a film that is Japanese, or from the 70's. This film is well made and well performed, with a story line new to American audiences, making it definitely worth the ever-inflating price of theater admission.

Fmovies: I am ashamed to say I have not yet seen the original Swedish version of this movie although it is on my list of to do's for the very near future especially after seeing the Hollywood remake which is in one hyphenated word.; Jaw-dropping.

From the very first frames it captivates you with every cinematic tool available. The scary bits are very scary, the photography stunning and the acting beyond description for a cast starring two 12(ish) year olds. But then Kodi Smit McPhee has previous starring as "the boy" in The Road, another mature and beautiful performance. One wonders just how far he can go on the basis of these two Oscar quality performances. Abby, the vampire is played by Chloe Moretz who absolutely stunned in Kick Ass as Hit Girl.

It's billed as a horror movie but it's actually a love story and a very moving one at that. The quietness and intensity of the young couple's illicit (in so many ways) relationship is at the core of the movie and their shared screen time are the real beating pulse of the movie. You will not see a better and more intimate love story this year.

Matt Reeves, as director, is surely one of the most promising Hollywood talents out there. His previous film, Cloverfield, is one of the most underrated films I've ever seen. Why is it not considered amongst the best aliens movie ever made? Anyway, you can be sure, that after this he will be moving onto the A list.

Whether you are a fan of Gothic horror or not Let Me In is well worth a viewing and by no means is it just a "scary film" it is so much more than that. Before I go into the film itself I have to comment that this is a re-make of a Swedish film called "Let The Right One In" from 2008 and both films come from the novel of the same name by Swedish author Tomas Alfredson.

The film itself is a masterpiece and hats off to director Matt Reeves for brilliant work on what was a difficult task re-making an already loved film for American audiences (and all those who don't like subtitles). The film is shot in the eerie Los Alamos, New Mexico snow, mostly at night time and it is truly gorgeous and the dark, cold land gives a real genuine vibe to the tale and you feel Owen's despair .

The story itself centers on Owen (Kodi Smit-McPhee) who is a twelve year old child whose parents are going through a divorce and is a victim of bullying, he lives with his mother and is dangerously isolated and becoming slightly weird. All his problems are answered when the amazing Abby (Chloë Moretz) moves into the apartment next door. She is a self assured twelve year old who helps Owen overcome his bullying problems, gives him someone to love and their friendship blossoms.

However all is not right with Abby who is played by the highly capable Chloë Moretz, (Hit Girl in Kickass) her performance is remarkable and the chemistry with her and Kodi Smit is all the more special when you take into account they are only children. You feel every touch, you love every second Abby and Owen are together their bond is beautiful yet you know all is not well. Abby is a vampire, she "needs blood to live" and she will do anything to get it, indeed even jump on an innocent persons back as they go for a nice jog and feast on their blood. Yes there are plenty of shock moments in this film it is scary but its more than that.

Like Owen we (the audience) has to see past the fact Abby is a vampire and become immersed in this special and beautiful friendship and we do; thanks to the performances of both Kodi and Chloë, that are nothing short of brilliant, and long may they succeed.

Let Me In fmovies. Given the background to this film, I must start by saying I have neither read the book it is based on, nor seen the 2008 Swedish original. After watching this masterpiece, I intend to do both.

This is a truly sensational film. When you can't really pin a film down to a specific genre, you know you're onto something special. Calling this film a "vampire movie" doesn't really do it justice, given the preconceived notions most film goers bring to the genre. It is part horror, part dark family drama, part love story, with all 3 categories succeeding admirably.

In my estimation, the director has come on in leaps and bounds since "Cloverfield", a movie with a clever idea that was hampered by a poor cast and so-so execution. Here the director sets a mood of oppression and isolation from the very earliest frames and never lets up. The locations are used superbly, as are lighting and sound to create the gloomy world poor Owen is stranded in.

The film undeniably belongs to Chloe Grace Moretz as the young vampire Abby. This girl is an absolute powerhouse of an actress, turning in a dark, subtle and convincing performance that belies her tender age of 12. If she does not make the shortlist for next year's Oscars, the Academy needs its collective head examined. She embodies the potent mixture of lovable innocence and animalistic darkness within Abby with such ease, you will be genuinely astounded.

My fellow Aussie, Kodi Smit-McPhee, is also excellent, making you really feel for the put-upon Owen and share in his joy at finding a spark of happiness with the mysterious Abby. The entire film falls apart if this pair fail to convince, so it is a testimony to their respective talents (particularly Moretz') that you invest so heavily in their relationship.

Don't let the press about this film being a remake put you off. I must say I'm very disappointed to see this hasn't done too well at the box office in the USA, as it is a vastly superior film to the likes of "Paranormal Activity 2".

If anyone is in two minds about seeing this film, take the gamble and shell out your hard-earned. You'll be glad you did, if for no other reason than witnessing one of the most impressive performances by a child actor in cinema history.

As a fan of the 2008 Swedish film "Let The Right One In", I was originally very frustrated when I heard the news about the upcoming remake. "How do you ameliorate something that is already perfect?", I asked myself. I treated the remake with hostility and vowed to stay away from it. And then, I decided to open my mind.

I attended the world premiere of this film at the Toronto International Film Festival on Monday, September 13. I am very lucky to live in the proximity. This was the first year that I've attended the festival. Before seeing "Let Me In", I saw "127 Hours".

I liked the idea of seeing the remake of a film that I recently gave a second viewing. I thought it would be a fun challenge to sit there and compare both films while watching.

Before the screening (or it might have been after), the director, Matt Reeves (who launched his career with "Cloverfield"), was welcomed on stage to say a few words. It surprised me to find out that he, too, thought the original was fantastic and didn't understand why he was asked to remake it. However, after reading the book as well, he had the desire to work on his interpretation of it. After this speech, I gained a significant amount of respect for this man.

When the movie began, I was only expecting something satisfactory. But as the story progressed, I was breathless. It was a very captivating, interesting take, and I loved all the little modifications. I honestly believe that "Let Me In" is one of the greatest American remakes of all time.

Nevertheless, I still see the original, "Let The Right One In", as a superior film. Although it may be a biased opinion, I preferred the mood, atmosphere, and cinematography in the original. While the remake seemed to take a greater interest in the horrific violence, the original had the perfect blend of genres (thriller, romance, horror, fantasy). Both films had many beautiful contrasts: coldness vs warmth, chaos vs peace, guilt vs innocence, darkness vs delicacy, and despair vs hope.

I must also mention that I preferred the sense of ambiguity presented in the original. Very few questions were answered, and the whole film was more of a mystery left to interpretation. In contrast, Matt Reeves was more clear and direct in his screenplay with the mystery surrounding his characters. It's all a matter of personal preference, though. I believe that most people will prefer what Matt did, since the original has a certain style that less people can appreciate.

Despite the comparison, I believe that they are both great movies that can be enjoyed by everyone. Fans of the original-- rather than being narrow-minded and boycotting this version-- should give it a chance and appreciate it for what it is. Wouldn't you want more people in North America to discover this mesmerizing vampire tale, anyway?

I really enjoyed every aspect of "Let Me In". The child actors, Chloe Moretz (Kick-Ass) and Kodi Smit-McPhee (The Road) were both excellent choices. They proved to us, once again, that they are among the only child actors who actually have talent. Now that I think of it, the only thing that didn't impress me was the music. For an original score composed by Michael Giacchino (Up), I was quite disappointed. It was mediocre, in my opinion. It didn't convey the same emotion as Johan Soderqvist's music in "Let The Right One In".

Aside from that, "Let Me In" is a s