Casino Jack (2010)

Based on a real story and a real documentary releasing the same year, Casino Jack is just another fictional version of this fascinating story. Jack Abramoff, a super-lobbyist in DC, who's job is to influence the congress in voting the way he wants. In return, Jack gets a sum of money from the special interest group that the voting benefited. This job is perfectly legal and the law even states that Jack can accept the money from the groups. But in order to get the voting the way he wanted, Jack has to offer sporting events, private jets, hookers, vacations, and money to the congressmen that are willing to participate. THIS is perfectly illegal. In doing all of this most of his life, Jack found himself in a ditch once in awhile and decided to take the wrong path down the road. Performing illegal activities, involving in murders, and bribing congressmen. By the end, Casino Jack told the story of Jack Abramoff but did not tell a good one. Sure this is a fascinating story, but director George Hikenlooper added unnecessary elements to the story that made it a dull and uninteresting political crap. Kevin Spacey's Golden Globe nominated performance did help with the film's uneasy story-telling, but as good as it is, Casino Jack seems to fall flat while trying to shoot really high. OscarBuzz: Kevin Spacey, Best Actor (A slight chance)

Fmovies: "Casino Jack" tells the real life story of Jack Abramoff (Kevin Spacey), who at one time held a successful career as a lobbyist in Washington, DC. Abramoff, like most lobbyists, was paid by big companies and organizations to help convince Members of Congress to vote for or against certain things in the senate. The film focuses on a massive corruption scandal that led himself, two White House officials, and 10 other lobbyists and congressional members to be convicted. This film is an interesting and somewhat humorous tale of just how far greed and money will take you in America.

I am not a news junkie by any means but I do remember this news story when it happened back in 2006. For those who don't recall, Jack Abramoff became a big focus in the news back in 2006 because he was convicted of fraud, tax invasion, and conspiracy. The film itself never really discusses his sentence however focuses on all the events leading up to it. Now given the fact that this is a movie, I am sure they took some liberties on the story to make it more entertaining. I will have to admit however that this movie seemed pretty realistic and seemed like most of it was based on fact. The people involved in lobbying probably fear films like this because I am sure it shows their true colors. The film really shows how anyone can be bought for the right price and the right amount of negotiation.

Kevin Spacey nails the role of Jack Abramoff in the film. We all remember Spacey from the 1990's when he amazed us in "American Beauty," "L.A. Confidential," and "Usual Suspects" but recently his films just haven't been delivering. However, I am happy to say with "Casino Jack" I really enjoyed his role. It was a very interesting role, he was a little crazy, a bit of a smooth talker, but yet overall a likable guy. I noticed Spacey got nominated for a Golden Globe for his performance in this flick and I have to admit either him or Paul Giamatti should get it. This is the first time since 2005 where I think Spacey has actually found a role that fit him as an actor. He was really superb in this flick.

Other than Spacey, there were some good supporting actors here. Barry Pepper, does a good job of getting the audience to hate him. He plays a young clueless womanizer who is also a lobbyist helping out Jack. Kelly Preston plays Jack's wife and she doesn't have much of a part but does add a little bit of flair to some of the scenes. Jon Lovitz plays a great overweight and clueless man who doesn't know a thing about bad investments. He like Barry Pepper's character is also a bit of a womanizer but than again isn't that how most of those people in politics are.

The film was directed by George Hickenlooper, who oddly enough died before the film was actually released. This officially marks his final film as a director. I can't say I have seen any of his previous work but I definitely like his take on this story. It was a very dark and sometimes funny look at things. His vision for Spacey as I said above was dead on. Huckenlooper really unlocked the dark side of politics with this film and really showcased how everyone has a price and even the most likable guys can have dark side.

Norman Snider wrote the screenplay for "Casino Jack" and really did a wonderful job creating the man known to the world as Jack Abramoff. With the help of Hickenlooper directing, Snider's script really made these actors seem like the people they were suppose to present

How long can you screw someone before you get caught? The true story of super-lobbyist Jack Abramoff (Spacy) and his partner Michael Scanlon (Pepper). After finding a contribution loophole, Abramoff and Scanlon begin to exploit this and become very, very rich. I enjoyed this movie. I like true story movies, and I really enjoy political ones too. There was a lot of stuff in here I didn't know about. The amount he took and the favors he gave out are astounding. This movie really exposes the lengths that he and other senators will go to in order to get what they want. The movie is filled with different movie quotes from the "Godfather", "Rocky" and others, which is fun (Spacy is a pretty good impressionist). Overall I really liked this movie, and found myself liking Abramoff even less then before. The amount of money he through around to get his way is enough to make you sick, especially when you think a lot of our tax money went to helping him by a casino boat. Abramoff gets an F, as for the movie, I give it a B+.

Would I watch again? - Yes I would, this is the kind of movie I like

Casino Jack fmovies. Both gobsmakingingly awesome in its (true) take on Washington and just way OTT look at the Beltway, CJ is just so good. Honestly, if this had been made as fiction you'd shoot it down as implausible - the stink goes how high? - but here we see lobbyist and senators in cahoots to get the dollar in their pocket at the expense of just about every body else.

Spacey is in fine form, with a sterling support cast, and the film is best viewed as a buckle up and grin fair ride to the underbelly of politics - it really is so way beyond your standard black comedy or satire that it's just jaw dropping.

We enjoyed CJ - it doesn't aim to be a political thriller or have any great message but it is a lot of black comedy and seriously messed-up situations from beginning to end.....

Have fun now.....

The most awful thing about Casino Jack is knowing it is true, knowing all the good people being fleeced, taken for a ride, are real, knowing that the central theme of this story is alive, kicking and fuelled for take-off even now.

As a dramatisation it works because we do not have to dwell on the complexity of the deals being set up, who is ripping off who, who is the biggest liar. The film's smart pace allows us to soak up the facts like ink on blotting paper and at our own pace.

Thankfully we can lose ourselves in the characters, all of whom are played to perfection by a very strong cast, and all of whom resonate to the people we see and hear about on TV, in the media, even in show business. These are the folk who have more money than sense, or, more accurately, more credit and no shame if they can get away with making huge profits immorally. Less appealing are the players in real life who really are being torn apart through their desperation for attention, for expressions of interest, where any interest may be better than nothing. In this area we are left to feel morally lacking for not doing more to stop this kind of stuff. But the story simply keeps rolling along and we witness the demise of the main characters Abramoff (Spacey) and Scanlon (Pepper) just as it happened in real life.

The opening of the movie sets the scene well into the plot where much of the twisting and double crossing has already begun to unravel. Then we are witness to the events as they unfold through the deals, the double crosses, and the nasty side of greed (is there a nice side?). As the credits roll we also see a couple of the real life events depicted in the movie played back to us, to allow us to judge authenticity. I wonder if this was the only mistake the film makes. I felt the film spoke for itself.

As distressing and disturbing as the film's subject should be it is played out in such a way as we are information and knowledge gathering much like a media warning about "this is what lobbying really is". It is also a shrewd warning as to how shameless and immoral some people are when they are saying nice things to you, as if we needed a warning! I found it worthwhile to research the subject of lobbying a little more after I had seen this film and found myself disbelieving some of the things I have found out. This alone convinced me the film does not pull any punches.

Watch it just to wise up. Fortunately it is acted so powerfully and so sharply you will not want to look away.

2010 seems to be the year that Hollywood universally decided to take its look at one of the great government scandals this past decade, producing both the documentary Casino Jack and the United States of Money, and this accompanying (albeit more fictionalized) account of disgraced lobbyist Jack Abramoff. After seemingly searching for a juicy role since his duel Oscar winning performances in the mid to late '90s with The Usual Suspects and American Beauty, Kevin Spacey is back in fine form and dominates the screen in this frequently enjoyable, though heavily flawed, rise and fall fable.

Oddly, what makes this movie great also represents its largest shortcomings. The acting is as varied as Abramoff's excuses pertaining to the generous "donations" he receives in the film itself. Barry Pepper as Jack's right-hand man Michael steals scenes at a whim when given the chance and could have easily elevated the film further if given more screen time. Spacey is superb bringing a delicious blend of pompous charm and sleazy anger to the role, and even manages to deliver both a credible Sylvester Stallone and Al Pacino impression amidst the political turmoil his character eventually encounters.

On the other hand, there are some disastrously misguided casting choices, beginning with Kelly Preston as Jack's wife and even though she exhibits some swagger towards the beginning to the film, she is unable to keep up with more skilled thespians as situations escalate towards the finale. The most egregious error is most certainly the inclusion of Jon Lovitz as the owner of a cruise line and casino who undertakes business dealings with Abramoff. Lovitz has proved himself a skilled comedian in supporting roles and did consistently great voice work on The Simpsons. Here, he is an unmitigated disaster, single handily sinking the picture on multiple occasions. He seems oblivious as to when to calm down, his camera mugging and inflections are grinding, and he is apparently unable to quit being Jon Lovitz and simply shut up; this is simply a poor choice by late director George Hickenlooper.

The story at play is a fascinating one, and seeing Jack at his manipulative best even as his world comes crashing down is engrossing. The middle portion however does its bookend acts an injustice, sagging down the segments exploring the infamous lobbyist rise and his inevitable fall. Hickenlooper seems unable to decide how to structure the transition; not how Spacey handles the material pertaining to his character's downfall, but rather the jumble of events by which it is precipitated. Though the event itself makes for inspired reading in venues such as the news or a fact-based doc, perhaps there is not enough substantial material (or maybe too much) to make a fully compelling fictionalized account.

Though ultimately less than the sum of its parts, Casino Jack is timely, passionately constructed and true to its source events. Abramoff is successfully made into the three-dimensional character that those close to him likely knew, and that the media was never able to (or more likely never wanted to) capture. Spacey is without a doubt a large part of this indelibly fiery characterization and strangely (obviously for reasons we will never know) seems more invested in this character than he has in any during the last ten years. Casino Jack's follies are all the more disappointingly glaring considering how strong the hard-hitting portions were, and though better than the average fact-based account, good enough is ne