Black Sunday (1977)

Despite being set in the 1970s I couldn`t help noticing that Robert Shaw`s Mossad agent Kabakov is shown as being a violent ruthless cold blooded killer who`s almost as bad as the terrorists he`s hunting . This goes slightly against the common perception in much of the world at the time of Israelis being heroic and plucky freedom fighters striving to defeat terrorism and it should be remembered Israel carried out the legendary raid on Entebbe the year before . It wasn`t untill Israel`s invasion of Lebanon in 1982 that this perception changed towards the state of Israel somewhat . Well I suppose the producers should be congratulated on bringing ambiguity to the story . Likewise the " villain " Lander is a terrorist motivated by the fact that his country has turned his back on him . Sent to fight people in South East Asia he was shot down and left to rot in a North Vietnamese POW camp and on returning home from the most dirty and needless war of the 20th century he finds that even his own wife has forgotten about him . The point being that terrorists are never born but made .

BLACK SUNDAY is a very good political thriller full of good but often violent action scenes which means it`s not a film for everyone . Likewise watching this film in the 21st century which involves a plot to kill tens of thousands of innocent people at a public event means many viewers will be uneasy watching this . Sometimes you can take a plot and make it a little too realistic

Fmovies: Hang on tight for this one, folks! This flick moves so fast sometimes that you might think you missed something along the way. Basic story line holds up well through the years. Good chase scene on the Florida streets! Excellent camera work all the way through. Cast is excellent--especially Mr. Shaw (as usual). He gives David Kabakov a healthy measure of humanity that sprays out of the film and covers you like a heavy wool coat; his suffering makes your heart ache. And boy, is that blimp a pest! This one is worth the view--from beginning to end. A classic!

With so much crap on the dvd store shelves, you gotta wonder who's in charge from preventing this (sadly) prophetic minor classic from being available.

Unless this is presented in widescreen, I refuse to see it again because the pan & scan version skips out half of the visuals; it's just not the same movie.

I saw this in 77' at the theater and again at the drive-in and my heart raced twice as fast (the 2nd time seeing it) during the last half of the movie because Frankenheimer had such a grasp on building tension. A couple of years later, I saw it broadcast on CBS, Sunday night AFTER the televised Pittsburg vs Dallas Super Bowl (in the late 70's, the Super Bowl started much earlier...CBS executives must of had a field day on the irony of that match up). I couldn't believe the epic scope that was lost on the pan & scan.

Everyone is top notch (yes, I had read the book). The 'good' guys are almost as ruthless as the terrorists in their quest to prevent thousands of innocent lives lost. Don't expect any snappy one liners after someone is dispatched; these are harsh, brutal portrayals. In these times, the movie is no longer escapism, but a frightening reality that (arguably) may be preventing the dvd release.

And the world lost so much with Robert Shaw's untimely passing. What a range of talent!

8.5 out of 10! One of the most gripping thrillers I've ever seen.

Black Sunday fmovies. The late John Frankenheimer was one of our greatest movie directors and Black Sunday was one of his greatest films that showed him as a true master of suspense. I recently bought the DVD for the film and it still "holds up" today as well as ever. There isn't a suspense film today that can hold a candle to it just like Frankenheimer's other great film The Manchurian Candidate (I cannot believe that they are re-making it with Denzel Washington!). Robert Shaw was a truly overlooked and underused talent. He was a true Renaissance man in every sense of the word. People don't realize that he wasn't only a great actor but a playwright and novelist as well. He wrote the Broadway play The Man In The Glass Booth. He is best remembered for his role as Quint in Jaws but he gave many other fine performances as well and this is surely one as the heroic Israeli agent who has to stop a terrorist threat to kill 80,000 Superbowl fans. Watching this film in 1977 was chilling when you saw what the psychotic Vietnam vet Bruce Dern and Martha Keller were going to do. These were two terrorists who were willing to die for their cause and take thousands of innocent people with them. Watching this film today is even MORE chilling! Back when it was released, most probably thought it was too farfetched. These two terrorists were going to use an "aircraft" (in this case a Goodyear blimp) as a weapon of mass murder. DOES THIS SEEM FARFETCHED TODAY!!!!Black Sunday was made a quarter century before 9/11. As a matter of fact, when the Oklahoma City Bombing happened, CNN showed a clip of Black Sunday as an example of how Hollywood has treated the subject of domestic terrorism. It is chiling that Frankenheimer and Thoams Harris (the author of the novel who later wrote the Hannibal Lecter trilogy) could have that much foresight. All the actors in this film are awesome and what really shocked me was Fritz Weaver's heroic FBI agent (usually movies show the FBI as stupid and corrupt) Critics have often commented on the climax of the film where Lander and her take off in the blimp to set the bomb off and Kabakov and Corley try to stop them. It is the most intense and suspenseful ending you can possibly imagine and the music is awesome. The stunt people must have had a field day doing the climax where they haul the blimp out of the stadium.

John Frankenheimer gets to direct one of the biggest stars...the Goodyear blimp. An ex-Navy pilot and prisoner of war(Bruce Dern) teams with a devout member(Marthe Keller) of the Black September terrorist group to hijack/fly the Goodyear blimp and shoot a quarter million rifle darts into the Orange Bowl. Among the 80,000 football fans in attendance watching the Dallas Cowboys and Pittsburgh Steelers in Super Bowl X is the President of the United States. Trying to prevent the disaster is an Israeli anti-terrorist expert(Robert Shaw)who is as ruthless as the people he tracks down. This action thriller is based on the Thomas Harris novel. And accenting the action is a gripping musical score by John Williams.

Shaw is solid and determined. Dern is like a lunatic tightroping the edge of sanity. Keller is as solemn as she is fetching. In support are Fritz Weaver, Steven Keats and Bekim Fehmiu. The violence is vivid while the special effects are average for the time period.

Black Sunday was considered a "what if" disaster movie in the '70s, although it's not a disaster movie along the lines of Earthquake!, Flood! or the others. Now of course it seems less like a "what if" movie and some of the lines of "fictional" dialogue have actually been quoted in the news recently. This is an absorbing thriller, and does not rely on the special effects that so many thrillers like "The Siege" (and probably The Sum of All Fears, which I haven't seen) employ. Too bad Robert Shaw passed at such a relatively young age--in all of the movies I've seen him in (The Sting, The Taking of Pelham 1, 2, 3, Jaws and this one), he created such different types of characters. I didn't even recognize him at first in this one, going from the Irish accent of Jaws to the Israeli accent in Black Sunday. John Frankenheimer gripped my attention for the whole movie, and considering its length (nearly 3 hours) this is no small feat. Even Bruce Dern, doing his usual psycho thing, was good. Highly recommended.