Beyond a Reasonable Doubt (2009)

This is a deep review of the justice system to reveal faults in its administration , in which a reporter allows himself to be incriminated in a killing . It is a remake of the 1956 film noir film "Beyond a Reasonable Doubt" in which a writer's plan to expose a corrupt district attorney takes an unexpected turn. It deals with a young journalist (Jesse Metcalf) aided by his colleague (Joel Moore) conspires to frame himself in the murder of a woman as part of a effort to uncover a corrupt prosecutor . Reporter sets himself up to take murder rap to show the errors of circumstantial evidence and discredit (D.A.) District Attorney (Michael Douglas who also starred other judicial thriller for Peter Hyams titled Star Chamber) . With a friend holding back evidence so he can prove his innocence at the last minute, he goes to trial . But during the trial , the one man who can exonerate him gets problems and things go awry . The journalist is unable to prove himself innocent later on .

This interesting film contains judicial thriller , intrigue , plot twists , suspense and some far-fetched elements including plausible events . This is a real critical on the American justice system ; as this tale develops , a variety of submerged elements slowly surfaces to make this picture far more one of intrigue . The screenwriter has created a story that is thought-provoking and quite predictable and it works a treat in that it gets you thinking about the fact that with this kind of law ; someone really could be framed for something they didn't do . Intriguing idea sometimes doesn't hold up because of several twists and turns . The picture results to be a remake from classic film (1956) by Fritz Lang ¨Beyond a reasonable doubt¨, a brilliant and masterly exposition of American justice as part of an effort to ban capital punishment and in which Lang gets a first-hand view of Justice system , being starred by Dana Andrews , Joan Fontaine , Barbara Nichols and Sidney Blackmer . Acceptable acting from protagonist trio , as Jesse Metcalf as a young reporter who pretends to be guilty of a murder to get first-hand view of corruption , enjoyable Amber Tamblyn as his girlfriend as well as prosecutor assistant and Michael Douglas as a nasty D.A. Thrilling and atmospheric musical score by David Shire . Functional and dark cinematography by the same director , Peter Hyams , who usually is in charge of his owns photography labors . This thrilling motion picture was finely photographed and compellingly directed by Peter Hyams , though with no originality . However it results to be an inferior remake of its predecessor, a noir classic directed by Fritz Lang . Peter Hyams is an irregular director with hits (Relic, End of days, Outland, Capricorn one) and flops (Sound and thunder, The Muskeeter , Stay tuned) . Rating : acceptable and passable thriller . The flick will appeal to Michael Douglas fans .

Fmovies: Despite the almost unanimous negative reviews by viewers and professional critics, I liked "Beyond a Reasonable Doubt". Why? This movie is a combination of an old-fashioned mystery story combined with an indie film style.

I have been a longtime fan of old detective films and I also like modern low-budget independent movies like "Management" and "Little Miss Sunshine". This combination of styles; old-fashioned mystery and indie low-budget, didn't bother me.

I accepted that many of the actors were not the greatest around today, or that the lighting and sound was almost never polished and was often primitive. And that the music soundtrack was just adequate.

But what I very much enjoyed was the story itself. This is a great mystery plot which kept me guessing. And I like those kinds of stories.

The only thing which stood out for me in the mediocre film Beyond a Reasonable Doubt (2009) was seeing the logo of the company RKO during the opening credits.Sure, it is a modernized digital version (I wish they had kept the "retro" look), but it was still nice to see that that legendary studio keeps being active (or maybe, a nostalgic investor simply bought the rights...I do not know).Unfortunately, that trivial detail was one of the best elements from this movie, because despite the main idea being slightly ingenious, the screenplay develops it on a boring and uninteresting way, at the same time the movie also has bad performances and bland direction from the mercenary Peter Hyams.

The screenplay from Beyond a Reasonable Doubt (2009) discards any consistency, and it makes the characters to commit stupid mistakes which go against their character and the most basic common sense.We also feel the squeaks in the narrative gears when the screenplay tries to justify action scenes or moments of suspense in order to bring some life to the inert drama and also distract us from the multiple holes from the story.This film is the remake of a film which was directed in 1956 by the great Fritz Lang (1890-1976), and I suppose that many elements from the original film would feel anachronistic on a contemporary version, so Hyams (on his work as a screenwriter) faced the ungrateful homework of conciliating old concepts with modern technology.As a consequence, we have an erratic logic where the advanced digital analysis of a photograph is possible, but at the same time, the facility of duplicating the digital content of a DVD is ignored.So, the abundance of inconsistencies such as that one, hollow characters and hasty deductions are the main elements which make Beyond a Reasonable Doubt (2009) to be mediocre, boring and disposable.

So, in conclusion I cannot recommend this movie.It may not be bad, but it is so mediocre and insipid that I feel I could have used the time I invested in watching it doing something more interesting.

Beyond a Reasonable Doubt fmovies. Peter Hyams's 2009 remake of "Beyond a Reasonable Doubt" has a low-budget amateurish air, that is only underscored by the mediocre cinematography and the inept performances of the two leads. Restless from conducting coffee taste comparisons, an ambitious investigative reporter suspects that the District Attorney is planting last-minute DNA evidence to win an unbroken string of convictions. With information taken from the DA's office by a willing young assistant and the help of his buddy and co-worker, the reporter frames himself for a murder. He intends to reveal the corrupt District Attorney when the manufactured evidence is introduced into his trial. Jaws will drop at the ridiculous proposal, which is intended to win a Pulitzer, and at the ease of gaining access to confidential information. Heads will shake in disbelief as the reporter openly queries a police officer about the murderer's shoes, clothing, injuries, and weapon and then proceeds to purchase all the required circumstantial evidence to implicate himself. That the police, the judge, the jury, or the viewers are gullible enough to swallow this nonsense is pure fantasy.

Fritz Lang directed the 1956 original of the same title with a cast that included Dana Andrews and Joan Fontaine; however, that earlier decade was a period when purely circumstantial evidence could convict the innocent. Today, modern forensics, DNA testing, and social media have reduced the odds of wrongful convictions, especially with evidence as trumped up as the remake suggests. While the murder trial was in progress, Facebook alone would have turned up witnesses to the reporter's purchases and whereabouts, and any episode of CSI shows what forensics can accomplish.

Like a fresh-faced Boy Scout rather than an ambition-driven reporter, hunky Jesse Metcalfe is out of his depth in a shallow role. His unconvincing love interest, Amber Tamblyn, has a passing resemblance to the young Diane Keaton, but in looks only, not in talent. Only Michael Douglas retains his dignity; as the ruthless DA intent on a governorship, Douglas plays these smooth villains as though born to them. His effortless performance is all the more sterling in comparison to the non-support he receives from Metcalfe and Tamblyn. Joel David Moore as Metcalfe's sidekick brings some life and humor to a thankless role.

In today's world of DNA testing, Photoshop manipulation, social media awareness, and police forensics, Peter Hyams's reworked script is incredulous and beyond absurd. To coin a phrase, the plot has more holes than Swiss cheese. Nothing and nobody is believable. A gratuitous, poorly filmed car chase does little but help extend the film's running time 25 minutes beyond that of the original and create a plot twist. Yet another "solitary woman alone in an empty parking garage" scene will elicit groans; DA assistants should see more movies to avoid these clichéd situations. Any defense attorney with a correspondence-school education could locate witnesses and evidence to prove his client was faking. Any judge worthy of sitting on the bench would wince at a lengthy string of last-minute DNA introductions. Any jury told to convict only if the evidence is "beyond a reasonable doubt" would throw up their hands. Any competent District Attorney worth his salary and certainly one as experienced and ruthless as Douglas would immediately see that he was being set up. Even a professional performance from Douglas fails to save this laughable misfire; viewers s