Betrayed (1988)

If you want to make a film about a culture that you don't really know, this is what you'll end up with. Take every stereotype of the American small-town or rural community and mix it up with European sensibilities of politics, terrorists, prejudice and power struggles, and this is an example of the mess you get. Totally unbelievable, except to those who would use this fictional account to bolster their perverted views, thinking it to be a honest portrayal of an American community circa 1988. Since Hollywood is guilty of this same perversion of foreign cultures in many films, I suppose it's a sort of justice to have the same thing happen to Americans, but then why is it always done to those Americans who have a different political view from the powers in Hollywood? They would have us think that Nazi anti-semitism is fully engulfing our rural communities, yet they forget the roots of this prejudice come from those European cultures they so often admire, whereas the small-town Americans they slander gave thousands of lives to defeat such immorality, and still are doing so.

Fmovies: Debra Winger plays an FBI agent investigating the death of an obnoxious radio talk show host, but he may have been killed by some white supremacist group. She goes undercover in America's heartland and befriends farmer Tom Berenger, who may have had something to do with the whole thing.

Racism and political beliefs courtesy of Costa-Gavras. Many viewers feel this film completely missed the mark on both accounts. I, on the other hand, have always enjoyed the film very much and think of it mostly as a drama piece, focusing mostly on Berenger's and Winger's relationship. As a suspense flick it also delivers, with high tension especially during the climatic finale. Granted, some scenes are pretty tough to take, but from my point of view this is an excellent study of how many "pure" white folks see the world. They're not depicted here as complete and utter monsters, but regular folks who have radically different worldview than most (I hope).

On the trivia side, Berenger himself said in an interview that this was his favorite among all his films.

Federal agent Debra Winger goes undercover in rural Texas as a combine operator, infiltrating a group of down-home guys and their families in the hopes of linking them to white supremacy and the murder of a shock-talk radio host. Winger is romanced by the group's ringleader (Tom Berenger), and very quickly seems to cross many lines that aren't covered in the FBI trainee's manual. Berenger takes Winger to a KKK camp-out, to a human hunt (with a black man as the target) and to a bank robbery (to finance their cause), yet Debra's superiors actually request that she get more probing evidence! An exasperating movie, with facetious, halting dialogue leaving whole sequences feeling half-finished--and Winger's character without much personality. Director Costa-Gavras seems intent on underplaying this whole matter, to the point where even shocking moments come off as muted, matter-of-fact occurrences. **1/2 from ****

Betrayed fmovies. What do you get when you team up the director of MISSING and Z and the writer of SHOWGIRLS and FLASHDANCE? A political film where the FBI is portrayed as even less honorable than the Klansmen and neo-Nazis they're trying to fight, and the female lead (well played by Debra Winger) is a victim of both sides, valuable to the FBI only because of her sex appeal, and unable to trust anyone except her small stepdaughter. That said, BETRAYED is an interesting, very watchable and disturbingly credible movie with some powerful moments, and the cast (particularly Berenger, Winger and the juveniles) give excellent performances.

At a crucial moment in the movie, the racist militia group that is the focus of the movie robs a bank, and one of their own are killed by an FBI agent. When asked shortly thereafter how he felt about the killing, the agent says that it was no more than wiping dirt off of his shoe. We often like to think of those people who engage in hatred and violence as being completely "unhuman". We want to believe that they are without emotions, without humanity, without integrity and mostly without love. In short, we want to believe that those with monstrous attitudes are only monsters and nothing else. And it is not so, which is I think the point of "Betrayed". People who adhere to what mainstream society judges as dangerous prejudices are in fact much more complex and often have more of humanity than we would like to believe.

The story centers around two characters: Gary Simmons, played with much tact and depth by Tom Berenger, a leader of a local white supremacist militia group, and Catherine Weaver, alias Katie Phillips (played with complete believability and subtleness by Debra Winger), the FBI Agent who infiltrates the group. Her goal: to link Simmons and his group with the slaying of a leftist shock-jock who is slain at the beginning of the film, an incident which closely resembles the real-life assassination of Denver radio talk show host Alan Berg, a leftist personality known for hanging up on callers and other on-the-air rudeness. (In real life he was the most popular and simultaneously the most hated radio host in his geographic area.) The FBI also wants to undercover any future plans the group may be concocting that might involve assassinating celebrities and/or politicians.

At first, Phillips believes the FBI have targeted the wrong people since despite their use of the N-word and occasional racist jokes, they appear to be peaceful friendly and neighborly, they appear to respect women, and they often give a helping hand to those in need. Gary Simmons is a loyal father, a model citizen who speaks his mind, a hard-worker, and a straight-shooter. He always tries to do the right thing. He is low key and doesn't speak often about his political views. And Phillips also finds herself quite taken with his two beautiful children who are innocent while simultaneously being indoctrinated with prejudice that may manifest itself later as hate and violence. To add to the confusion, Phillips finds herself falling for Simmons, wanting to believe that he is the wrong man.

But as Phillips sinks deeper into the family and friends of those around Simmons, she learns she is very wrong. After Simmons takes her "hunting", a deadly game in which a captured African-American is then hunted by a group of whites like a British Fox Hunt with automatic weapons, she realizes there is more to this group than her initial observations would indicate. Then a camping trip reveals that it is true, that Simmons and his close associates are members of a complex supremacist group with connections all over the country to people who believe that Jews, African-Americans, Gays, and Lesbians, and almost any other non-white ethnic group are intending to exterminate their livelihoods if not their lives. They have rationalized that they have to fight back. And these groups are their targets for not only hatred but for proposed violent engagements.

Phillips' other world is her FBI associates that keep pushing her to stay the course and complete her mission by staying within the family. Unlike her mid-west &qu

This was one of those mythological films that I speak so highly of in other reviews. This was a gem hidden in the darkness. Looking at the cover, you would never guess that this would be such a powerhouse of a film, but let me be the first to say that it was.

Berenger and Winger are amazing in their roles. Winger giving the best performance that I have ever seen her do, while Berenger takes a character riddled with evil and makes him human. When I first began this film, I was expecting a very true Hollywood production. One that would be dark at first, but all of the sudden create this happy world at the end. This film did nothing close to that. What was amazing about this film was that it let the audience make it's own decisions. Not much was handed to you on a silver platter.

Upon the first ten minutes of this film, you would probably assume that it was a love story. It is anything BUT a love story. It is a crime/thriller/drama film, and quite possibly one of the strongest that I have seen in some time. There are some scenes in this film that I couldn't believe I was watching. The sheer brilliance of the director left me wondering if this film was really made in 1988. The cinematography was outstanding. There is one scene that stands out the most in my mind. After Berenger tries to "put down" his dying horse, he can't pull himself to shoot a living creature, so he has his side-kick do it. After it is done, he runs out into the rain behind Berenger wrapped in a plastic tarp. The image here is of the devil riding close behind. It is so vivid and so beautifully done that you can't help to wonder what that may represent. There are a couple of scenes very similar to this as well.

Now, this isn't a film without some small flaws. The young girl was annoying. Perhaps I find young children in these types of films always to be annoying, but in this case it was especially bad. Also, there were some dopey scenes to this film. There were some parts that I felt I was the director of the film watching some bad lines happen between Berenger and Winger ... but it was only a couple.

Betrayed ends like an open-ended question. It tells you that justice has been served, but not eliminated. It does not paint a pretty picture of our society. Be prepared if you see this for some embarrassing, yet disturbing images of ethnic hatred in this film. Some scenes that you will not believe ever happens in our country, but in the back of your mind you know certain evils do exist. But then also be prepared to see John Mahoney (of Say Anything... fame) do his best work ever. The war took his son, the bank took his land, why shouldn't he fight in this battle of supremacy? Dark and impressive ... WOW, I am lucky to have found this one.

Grade: ***** out of *****