Bend of the River (1952)

Not only is Bend Of the River a fine adventure, shot on location (an unusual location for a western: the Columbia River and Mount Hood, Oregon), but it's a nifty psychological western, with fascinating characters whose motives will keep you guessing throughout, and some I-never-saw-that-coming plot twists that really will surprise you.

The cast is first-rate. James Stewart is extraordinary in one of his finest, most likable, most heroic, most intense performances. Stewart was finally coming into his own in the early fifties, as a tougher, more mature actor, and his work here is every bit as good as in any of the dramatic films he made later. His work is so deceptively simple.

Arthur Kennedy (who worked with costar Julia Adams the year before, in his Oscar-nominated performance in Universal's Bright Victory) is fantastic as the enigmatic Emerson Cole, brilliant at making you like him but also distrust him. He plays it just right.

Julia Adams and young Rock Hudson - Universal contract stars, at that time - also play characters whose loyalties seem to shift and twist - we're never quite sure of anyone in this film - not even Stewart - and that's one reason it's so gripping and enjoyable.

Cast, locations, music, screenplay, and direction are top-notch in this refreshing, exciting "Northern." My favorite of the Stewart-Mann collaborations.

Fmovies: The second of five genre defining Westerns that director Anthony Mann made with James Stewart, Bend Of The River was the first one to be made in colour. The slick screenplay is written by Borden Chase, adapted from William Gulick's novel "Bend Of The Snake," with support for Stewart coming from Arthur Kennedy, Julie Adams, Rock Hudson & Jay C. Flippen.

Stewart plays guide Glyn McLyntock who in 1847 is leading a wagon - train of homesteaders from troubled Missouri to the Oregon Territory. What the group are hoping for is a new start, a paradise, with McLyntock himself hoping for a new identity to escape his own troubled past. Unfortunately, after rescuing Emerson Cole (Kennedy) from a lynching, it's an act that once McLyntock and the group get to Portland turns out to have far reaching consequences.

In typical Anthony Mann style, McLyntock is a man tested to the maximum as he seeks to throw off his shackles and find a new redemption within a peaceful community. Cloaked in what would be become Mann's trademark stunning vistas (cinematography courtesy of Irving Glassberg), Bend Of The River is often thought of as the lighter tale from the Stewart/Mann partnership. This is most likely because it has more action and no little amount of comedy in the mix, yet although it's a simple story in essence, it is however given a hard boiled and psychological edge by the makers. An edge that asks searching questions of the "hero" in waiting. Can "McLyntock" indeed escape his past? And as a "hero" is it OK to use violence when he is wronged? This is potent stuff that is acted with tremendous gravitas by Stewart.

One of the main plus points on offer is that of having a strong cast operating within. It's thrilling for a Western fan to see Stewart and Kenendy side by side, particularly as the screenplay provides them much opportunities for machismo play. There's also a surprise in store, further allowing two fine actors of their era to solidify the film's credentials. Flippen is a reassuring presence, overseeing things like a genre uncle, Hudson rocks up for some dandy dude duties who joins in the gun play, and Adams (here billed as Julia Adams) is beautifully vivid under Glassberg's colour lenses.

Bend of the River is very much a recommended picture, as in fact are the other four films on the Mann/Stewart CV. 7.5/10

The story revolves around a group of pioneers traveling the Oregon Trail on their way to start new lives in the Oregon territory. After purchasing supplies in Portland and a promise to have them delivered before winter, they begin building their settlements in the valley they have chosen. In the meantime, gold is discovered in the territory and a dispute arises as to who will get those precious wagon loads of supplies.

There is much to enjoy. The cinematography, filmed in the Columbia River Gorge and around Mt. Hood in Oregon, is wonderful. We also get a glimpse of Celilo Falls, once a sacred fishing site for native Americans in the area but now buried beneath the waters backed up behind the Dalles Dam. The music score blends in nicely with the action and there is plenty of that. Of the actors, Rock Hudson seems out of place, but James Stewart more than makes up for it with his frenzied performance. He is electric when, left behind on the mountain side, he tells his adversary, "You'll be seeing me!"

However, this film is not without its faults. Quite a lot of blood is shed trying to get those wagons delivered but it doesn't seem to be much cause for concern or regret, as if life out on the frontier didn't hold much value. Characters are introduced one moment to be summarily disposed of the next. Trail boss Stewart, a former border raider during the Civil War looking to change his life, still uses violence on behalf of the settlers, who seem to enjoy moral superiority over the miners.

Thus, I don't consider "Bend of the River" among the best of several director Mann/actor Stewart collaborations of the 1950's. Even so, it is a cut above usual Western fare. The scenery, music and steel-eyed Stewart are all magnificent.

Bend of the River fmovies. Moving Western in which a gunfighter called McLyntock must battle nasty miners , ambitious prospectors and a corrupt owner , including spectacular landscapes . From Universal-international a breathtaking as well as rip-snorting Western that shows the greatness , the glory , the fury of the untamed Northwest frontier . Stars a tough , hardened gunslinger guide McLyntock (James Stewart) who leads his wagon train challenging the gold-rich glory that was Oregon full of mountains with snow , scarlet with sin , yellow with the dust that lured him on . As a self-minded , haunted cowboy (James Stewart) leads his wagons plenty of settlers (Julie Adams , Lori Nelson , J.C.Flippen) and herd to Portland , in hopes of huge profits . Glyn McLyntock saves from a lynching and befriends another gunfighter , Cole (Arthur Kennedy) , and when they arrive in Portland both of whom lead and transport cows by boat . At last , they arrive in Portland , a bustling little town filled with prospectors and usual saloons . Later on , they have to escape from nasty town boss who confiscated homesteader's supplies after gold is discovered nearby . McLyntock and his partners end up having supplies and herd back from the villain baron .

One of a series made by star Stewart with director Anthony Mann , it features splendid Western vistas , fierce gun-play and fist-play , ambiguous roles , impressively busy crowd sequences and many other things . Adventure western movie in which a two-fisted cowboy leads his wagons and herd through Oregon territory , pitting himself against the wilderness , bandits , mean prospectors , traitors and an ambitious , corrupt boss town . This is an epic western filled with ambiguity , thrills , emotion , dual characters , some ambivalent roles in which stand out their corruption and ambition and being ¨Greed¨ their essential objective . The film is divided in three parts , the first one describes on rout to their destination ; the intervening period dealing with the busy town Portland and third part concerning on the trip back to the settlement , up river and over a mountain . Set late XIX Century , it shows the moral obligation to build a civilized community and need to a collective effort , joining individuals against corrupt and selfish people . Interesting and stirring screenplay based on the novel titled ¨Bend of the snake¨ by Bill Gulich . Sympathetic as well as brave acting by the great James Stewart as the stubborn Mclyntock who must fight frontier lawlessness and locks horns with a crooked colleague , magnificently played by Arthur Kennedy . Stewart is top-drawer as an ex-Pistolero who risks his life to attempt and get provisions to homesteaders to build their promised land . Stewart has top grade character written all over it . Gorgeous Julie Adams as the good-bad girl who must be forgiven in the end . Support cast is frankly extraordinary with a large plethora of illustrious names , such as : Lori Nelson , Harry Morgan , Jack Lambert , Frank Ferguson , Royal Dano , Cliff Lyons , and special mention for Jay C. Flippen as the grizzled westerner and a show-stealing acting by the always great Chubby Johnson who gives the comic relief talking about river Mississipi . And one of the first important roles for Rock Hudson who received extreme cheering and applause at the premiere .

Lyric and stirring musical score by Hans J. Salter . Colorful cinematography in Technicolor Irving Glassberg , and the Oregon sets takes it out of the ordinary Western scenarios , being shot in Oregon , mostly in Mount Hood, Timberlin

Jimmy Stewart leads a wagon train to the Oregon wilderness and settles down to help build a settlement and after a gold rush, having to battle thieves and a greedy merchant to get a shipment of supplies back before the settlers are snowed in for the winter.

Tense, exciting, and extremely violent for a fifties movie, this film really delivers the goods in terms of action and drama.

Jimmy Stewart is especially hard boiled in (for him) a darker-than-usual role.

Arthur Kennedy and Rock Hudson are excellent as a couple of shifty gunmen who are tentatively on the side of good. They try hard (Kennedy especially) to steal the movie away from Stewart!

Julie Adams was one of the most beautiful women of the nineteen-fifties. Despite a long career in films, (which isn't over yet) she's almost entirely remembered as the girl that made the gill-man go Ga-Ga in The Creature From The Black Lagoon.

Now that this is out on DVD, I hope to be able to view this on a better format: widescreen and a clearer prettier transfer. As with many westerns, there is a lot to like visually. That includes Julia Adams, who plays one of the leads: "Laura Baile." Adams was a decent actress and had a very pretty face. I wonder why she never made it as a "star?"

Overall, this classic-era western has a pretty good story, a good cast led by James Stewart, and enough action to keep ones interest for the hour-and-a-half. I enjoyed most of the characters. Arthur Kennedy, Jay C. Flippen, Rock Hudson, Lori Nelson, Stephin Fetchit and Henry Morgan all comprise a well-known cast.

My only complaint was the "Rambo mentality," with two scenes in which good-guy Stewart should have been easily shot, but wasn't. In summary, pretty good storytelling and one to have in your collection if you are a fan of westerns, especially when Anthony Mann is the director. He and Stewart teamed up on several very good westerns in their day, and this is one of them.