Beloved (1998)

Famous feminist writer, Toni Morrison, deserved to win a Pulitzer Prize for her historical novel that represents Black American's struggles with slavery and freedom.

How anyone, let alone hundreds of voters here, could rate this marvelously directed & performed film a 1 is beyond me. Oprah Winfrey is the leading lady of the cast who ultimately demonstrates what is an Oscar-entitled performance.

Sethe, the character Winfrey plays is one of the most complex & challenging ones that I can imagine for any actor to take upon themselves. In fact, Winfrey stayed so true to her character, in my mind, she became Sethe: a former slave mother, a million & a half miles away from a Oprah the billionaire guest show host in Chicago! Danny Glover also gave a grand performance that was equally far from any other role I've seen him play. He & Winfrey together are a fine big screen match who I hope are in movies with Pulitzer prize winning plots as thick as is this one.

Fmovies: Is the only word that I can describe how I felt--directly after viewing the film and for several days afterwards. I was disturbed by the comments from people who don't have any feeling for what the film is saying or from people who don't grasp what is the result from slavery, guilt, survival and how to go one. Those who say the film is too long --that is how slavery was it went on for too long, and still goes on. Comments about the quality of the film the flow of the film. People seldom think in chronological order--feelings, taste, smells return in bursts . I have not experienced slavery(although I am African American) but only the results of slavery - mentally, emotionally, physically, socially, and economically--The film starts out with the reunion of Sethe and Paul D-(who both did time(as in prison) on Sweet Home)--the haunting of the home that Sethe occupies with her daughter Denver--this is similar to haunting women experience when they have had an abortion --you never get over it and even though I understood Sethe's need to destroy her children rather than have them experience slavery I just could not do it--I would rather inflict something on myself to prevent the ability to have any more children. But it is the same people that with courage and hope that is responsible for my life today. People(those with the negative comments) should stick to movies such as Austin Powers--they are uncomfortable with movies that invoke any thought, or feeling.

READ THE BOOK, PEOPLE, READ THE BOOK! The book helped me understand the film and the film helped me understand the book. This is an amazing piece of work. Winfrey gives a moving and observant performance and Thandie Newton is startling. Some scenes are intense, making you think whether you would kill your child. I didn't notice any gliches and I think the film screams for Oscars. I think this whole slave movie thing going on is getting boring but when they are made with such power and great directing and acting, I praise God for it! Demme gives us one of the most touching ghost stories and certainly the strangest, in a while.

Beloved fmovies. I saw this amazing film at the theatre and was skeptical going in due to Oprah's campaigning for it so heavily but was blown away regardless--after watching it again I understand her pleas. This stunning story and its brilliant execution by an outstanding director, cast and crew was seen by far too few people. It should have swept the oscars and if I recall--was merely nominated for costume design the same year that literally no black actors, directors, or films were nominated in any of their categories. wow--a real eye opener on how little respect good art recieves even today--let alone artists of color. I'd like the opportunity to tell each and every member of the cast how astonished I was even hours later. A beautiful, rich, and generous film. An earnest thank you to everyone who helped get it made. Bravo and thank you!

I found it difficult to understand the movie, and some of the dialogue, but it mattered little. I wish I'd read the book--perhaps I will, but I don't think so. A film must stand by itself, or it is not a film.

"Beloved" has long passages of greatness. First, it contains one of the best and most fascinating performances I've seen in years, given by Thandie Newton. She spent most of "Gridlock'd" in a coma, unfortunately, and that's the most notable role she's had until this one. Her first speaking (if you'll call it that) line is gripping, frightening, and amusing, and she plays a mental defective in a manner which I've never seen before. She has the loudest, rudest character, and many actresses would be put off by some of the things she must do throughout the film. However, our attention is also held by her quiet moments, as well as a few shots where the camera is content to gaze tranquilly into her beautiful eyes.

That camera is conducted with the supreme artistry of one of my favorite photographers, Tak Fujimoto, who was with director Jonathan Demme since the late '70s. Fujimoto is in love with earth and flesh tones here, but he also shoots his actors' eyes as if they were a part of the human body we'd never really noticed before, and wanted to give them the attention they deserved. It's a great approach to cinematography that pays off an infinite number of times, from the first major shot, of Sethe and Paul D reuniting (as Winfrey and Glover look at each other, they look not just into the camera, but directly into OUR eyes), to the last major shot, Jason Robards (God love him) staring in horror at a most unusual scene in front of Sethe's home.

This film is no "The Color Purple", with Welles-influenced camera angles and sacchirine-induced uplift. "Beloved" is a long, difficult, often off-putting film which doesn't really provide the big payoff at the end. This isn't necessarily good, but it isn't necessarily bad, either. Highlighted sequences include two truly remarkable sermons in the woods by Baby Suggs (Beah Richards--Oscar-nominated in '68 for "Guess Who's Coming to Dinner?"), a horrifying opening which features the most gruesome use of animatronics to date, and the notorious flashback which explain what has haunted Sethe all these years, and who Beloved really is.

I compare this film with "The Thin Red Line". Both come from notable directors, are based on famous novels, used huge budgets, and were very long. Both films disappointed many, many people. Most importantly, however, they both had parts which were greater than the whole, occasional strokes of genius, and were made by men who took the art of filmmaking seriously.

After reading Beloved at least 6 or 7 times, needless to say I was thrilled when I learned it was going to be filmed. But after hearing the mixed reviews while it was in the theaters I decided to wait for the video. I wasn't disappointed. How were they going to portray Beloved, I wondered? The same way I wondered how they would portray the young girl in Interview with a Vampire? Difficult to translate to a screen, but in each case the director and actors developed believable characters. Yes, Beloved was bizarre, like someone under the ground too long: her infant wailing, unusual gait, halting speech patterns, rages, etc. Who was she? Do we really know? The ambiguity prevails. When Forester was asked if Adela was really raped in A Passage to India, he replied, "What do *you* think?"

I loved this film, and hung on every word. One complaint: There should have been more of Baby Suggs sermon. It was the moment of strength and power on which the theme of the film rested. The entire cast was brilliant.