An American Haunting (2005)

Despite being based on one of the most famous ghost stories in American history and including a solid cast, this 'horror' film is anything but scary, dramatic, or even interesting. Instead, the flick is largely boring, confusing, and poorly executed. Even though it clocks in at a running time of just 90 minutes or so, the film drags throughout most of the non-horror scenes, and even through some of the so-called 'scary' moments. All of it leads up to a conclusion that is baffling, illogical, and very stupid. The twist is one of the least sensible of its kind in recent memory, as there is nothing in the film, up to that point, to warrant such a move. Pretty much a terrible film.

Though the cast looks solid on paper, the acting here is quite bad. Everyone looks like they're just picking up a paycheck, from Sutherland, who looks bored, to Spacek, who's never been more shrill, to Rachel Hurd-Word, who attempts to do her best Linda Blair impression but ends up just screaming and staring around wide-eyed most of the time. The direction is absolutely abysmal, as all scenes with the spirit look incredibly amateurish with the swooping camera, and, for some reason, are shot in black and white. Although it's clear this was done with some foolish artistic idea in mind, it ends up standing out terribly and erases any small amount of suspense or tension that might have been built up. Most of the suspense, though, is destroyed by the absolutely atrocious editing, which is, at once, frustrating, annoying, and pointless. It all adds up to a lame excuse for a horror film.

The only thing that saves this from being a complete waste is that there are some cool visuals, and occasionally some decent cinematography. Other than that, though, this is an abomination of film, with terrible acting, dreadful directing, and awful editing. A complete waste of time.

Fmovies: I went to the theater too excited to see another true ghost story come to life on the big screen. READ READ READ online and their is so much to offer on the Bell Witch Haunting. One of the most documented case's ever. The only documented case in the United States that a ghost killed a human being. So with all the information known on the case, Why would they slaughter a story so much? Amityville was another example of a story that if they stuck to the fact's it would be great. Hollywood can take their movies and shove them. The acting was good, but that is the only positive thing I can say about this movie. For God's sake the effect's were B movie like. Sorry guy's, maybe next time they tell a true life story they should stick to THE STORY!

Let's say it flat out, An American Haunting is the scariest, most intelligent ghost story to hit the screen in two decades. More original than The Others (which was a watered down cocktail of The Innocents and The Sixth Sense), and ten times more effective than the pallid The Exorcism of Emily Rose, An American Haunting wastes no time in setting itself up as a thriller with something more on its mind than just simply rehashing the same old grab bag scare tactics that every 'Exorcist' remake/rehash resorts to. Based on The Bell Witch, an apparently true account of demonic possession that resulted in the first recorded case of a ghost actually killing a human being over a hundred and fifty years ago in Tennessee, the film elevates itself by not wallowing in cheap tricks to scare you, and by always taking the high road. And, by doing so it creates it's very own world, a unnerving mood and an a undercurrent that prevails throughout until, when you least expect it - it strikes out, grabs you by the throat, and doesn't let go until the very last frame. The sheer terror of waiting and watching until the entire story unfolds (in a way you least expect) is so original and surprising, that by the time the finale hits you, it shatters you like no other horror film you've ever seen . The performances by Donald Sutherland and Rachel Hurd-Wood are first rate. It's their story all the way, and the beauty and generosity of the other actors subtle, effective performance (especially Sissy Spacek) is a testament to their respect of the material. But the real star of this film is director/writer Courtney Solomon. After having recovered from the bollocking he took for the impossible task of bringing Dungeons & Dragons: The Movie, to the screen Mr Solomon has rebounded with a story he was born to tell, and the result is an assured, first rate thriller, told with intelligence, force, style and wit. It's a roller coaster ride all the way, so fasten your seat belts. The audience I saw it with at the AFI Film Festival could not have been more responsive. You could actually feel the hair on the back of your neck standing up. The cinematography by master Adrian Biddle and the score by Caine Davidson are first rate, and help propel you into an unforgettable ghost story that will linger in your memory and haunt your dreams/nightmares for months after.

An American Haunting fmovies. I was at the Sunday afternoon screening of "An American Haunting" at the AFI Fest in Los Angeles. I was waiting to see this film as I love this genre and am a fan of Sissy Spacek (Carrie) and Donald Sutherland. I did some research on the legend of the Bell Witch before seeing the film, and more after, so I had an idea of what to expect. First, I have to say that Rachel Hurd Wood was fantastic as Betsy. I did not see Peter Pan, but for 14 years old, she put on a restrained and haunting performance which she should be commended for. Onto the film. This film was scary, scary, scary and creepy. I was thinking about it for three days after, and my friends and I even talked about it at lunch today a week later. It really stays with you, which I think is the sign of a good film. If you are looking for blood and guts, then it will not be for you. But, if you are looking for tension, suspense, and creepiness, then it's definitely for you. I saw it with three friends and we were all on the edge of our seats. I had nail marks from my friend Lisa who kept covering her eyes because she was so scared. I don't want to give anything away, but there is a surprise ending which I was happy to see they obviously built the film around, instead of just added it at the end like a lot of films do these days. It reminded me a lot of the "The Others" with Nicloe Kidman. Anyway, the film really delivers and it says something important at the same time. I think, having read some other comments that this film will appeal more to women. You will see why. I did think that the score was a little large at times, and that the sound was a little loud, but really good and effective, just loud. The cinematography was great, and the way the director moved the camera to create a spirit view, I thought was really good and fresh. There is a scene where the spirit tracks down one of the characters, and it was truly amazing! Having recently seen Emily Rose, I would have to say that this film was much better and would highly recommend it. I can't wait to have a chance to see it again. If I had to rate it, I would give it a 8.5 out of 10. Matilda.

This should have been a Lifetime movie (or even an after-school special), since it felt exactly like that kind of overly sentimental dreck. Even the actress playing the mother in the present day looked like she stepped out of a beginning acting class for The Very Sad Divorced Wife (i.e., big bulky sweater, mussed hair, a bottle of vodka next to her on the desk).

How disheartening to see a film that could have been a great period piece end up as a big-screen version of every "victim of the week" TV movie, circa 1992. One point in its favor: excellent set design (it's nice to see a movie set in the South that doesn't automatically recall the plantations of _Gone with the Wind_). But overall, what a sad, stupid waste of Sissy Spacek and Donald Sutherland's talents.

Since most of the movie was utterly disappointing, I will start with the only positive aspect, Donald Sutherland and Sissy Spacek. Both of these actors played their part well and if it weren't for such a terrible story and generic scare tactics, they may have been able to save the movie. Alas, like many of the PG-13 horror films of today not even good acting can make up for a shady plot, bad directing and terrible editing. The film is based on the poltergeist story involving a family in rural Tennessee in the early 1800's. The story is filled with the garbled and incoherent dreams of seemingly possessed Betsy Bell, played by Rachel Hurd-Wood. In a movie built around a ghost story it was disappointing to see cheap scare tactics instead of making the movie all around eerie. I am not sure what director Courtney Solomon was thinking when he chose to film the movie with a style similar to a low budget "hack 'em slash 'em" film from the 80's, but clearly there are better ways of scaring an audience. While the filming style could have used some work, the editing and special effects were a disaster. It mostly resembled a bad soap opera. It jumps around between dreams and reality faster than Ricky Williams' in a Marijuana haze. A movie like this doesn't need a whole lot of special effects but the few that it had were terrible and even ruined the scenes. The poltergeist was nothing more than Betsy with a slight hue around her.

The only scary thing about this film was how many 13-year-old girls turned up to the theater to watch this on opening night. As a fan of horror films I understand if you want to judge this for yourself, but listen to my words wisely; don't bother.