Wilde (1997)

Playwright, celebrated wit and persecuted homosexual Oscar Wilde is excellently portrayed by Stephen Fry in this biopic but without a hint of the expected waspishness. Instead, we see Wilde as a kindly, sensitive, almost avuncular man. What's more surprising is the parallel absence of manifest sordidness, self-loathing, or desperation, which one might have assumed would have been par for the course in an age where homosexuality was stigmatised and criminal. But as 'Wilde' tells it, Oscar, on discovering his true nature in early middle age, then enjoyed a number of halcyon years in a gay literary milieu, tensioned only by the childish behaviour of his lover, Bosie, and was taken quite by surprise when he suddenly became a figure of public scandal. Which may have been the case, but it makes for a less pressing and gripping drama than one might have hoped for. What's interesting is Wilde's defence in court, which has very little to do with "normal" homosexual behaviour or ordinary human relationships, but which rather comprised a divine idealisation of the bond between a wise older person and a beautiful younger one: hardly the sort of argument that gay rights campaigners would make today. A special credit should go to the team responsible for allowing Fry to appear so convincingly both a dashing young twenty year old and a ruined man, on the verge of death. But this is a mild and indulgent film.

Fmovies: This film portrays Oscar Wilde in a totally remarkable way. It should probably have focused more on his writing than on his personal life, but beyond that choice, the film is almost perfect.

When it isn't completely perfect, it has to do with the plot, which has some rather weak points. The love between Wilde and Bosie is somewhat difficult to understand. They are completely different. Maybe opposites attract, but not when two people live in two completely different worlds, like Wilde and Bosie seem to do. Of course, one could look at it from a cynical point of view, and say that they both have what the other one want; Wilde has money and Bosie looks, but one can also look at it in a romantic way, give them the benefit of the doubt, and think that they really are in love. That makes the story nicer (for a while), and much, MUCH more interesting!

Beyond that, I have only positive things to say about "Wilde". The script is fabulous, and adding a double story by putting in one of his nursery stories, was a great move! One of the most best parts of the film, is Wilde's speech in court. Really touching! The ending could easily have become extremely sentimental, but that is cleverly avoided.

Stephen Fry shines as Oscar Wilde. He is so credible, and does his job so well that if I didn't know better, I'd actually think that it really WAS Wilde I saw on the screen. Law and Redgrave also put in top notch performances.

Everyone will probably not appreciate this film as much as I did (it is a matter of whether you can deal with gay sex or not, and like dramas of course), but give it a try! It deserves two hours of your time, and much much more!

"Wilde" is an elegant film with sterling performances by Fry, the title character, and a superb supporting cast. However, "Wilde" is also a shaded and skewed partial portrait of the 19th century playwright, poet, and master of the epigram. The film is not so much a biopic as it is a drama: A drama which spends too much time on the sensational aspects of the writer's life and not enough on his history, early life, idiosyncrasies, works, and last years. Nonetheless, "Wilde" is solid entertainment for anyone interested in Victorian period dramas or the man himself. (B+)

Wilde fmovies. Wilde is a film about a man's passions destroying his life. Oscar Wilde was a very interesting man and discovered his dormant homosexuality late in life. The film was very tragic in a lot of ways. The love story between Wilde and Douglas was venomous and sweet. The performances by Jude Law and Stephen Fry were top notch. The direction was a little sluggish I thought and the film could have been better paced. The production design was great though and I loved listening to Wilde's sarcasm of the British class system. If you are a fan of Oscar Wilde, you will probably like this film more than the average movie fan.

The mid-life years of (now genteel) decadent behavior by one of late Victorian England's celebrities, the Irish-born novelist-poet-playwright Oscar Wills Wilde (1854–1900). Director Brian Gilbert doesn't bandy about giving us the childhood torments of a literary genius; instead, he and screenwriter Julian Mitchell delve right into the more prominent chapters of Wilde's life, his marriage to a woman--producing two children--before realizing his homosexual desires, leading to some promiscuous indiscretions before finding love with churlish, childish poet Lord Alfred Douglas. Stephen Fry gives a masterful performance as Wilde, and the portrait allows for many shadings (this isn't a plea for the misunderstood gay artist, as Wilde himself is shown to be occasionally fickle, lusting, and selfish). Jude Law is equally good as ornery, demanding lover 'Bosie', whose tyrannical father brought about a court-case and two-year jail term for Wilde (covered previously in 1960's "The Man with the Green Carnation"), contributing to his early demise. A provoking, insightful, eloquent film--not at all stuffy or coy--which is due in large part to Gilbert's dexterous way with his actors and a keen sense of pacing and audience-involvement. *** from ****

I've seen Oscar Wilde portrayed on film before. I remember Robert Morley and also Peter Finch. They both provided inklings into the heart and mind of of one of the literary giants of the 19th Century. But one aspect of the tragedy, because, let's face it, it is a tragedy. His relationship with Alfred Douglas that in a very direct way, will mark his destiny. It was so difficult to believe that Peter Finch's Wilde will go to war for someone like John Frazer's Bosie. Good looking yes but devoid of the most important element, if you are going to believe in the power that Bosie had over Wilde. Finch and Frazer have the sexual chemistry of two slices of white bread but here, in this 1997 Wilde with Stephen Fry in the title role the mystery is revealed, Jude Law makes the whole thing totally believable. The desire he inspires we see in Oscar Wilde's eyes. Stephen Fry is another Humbert Humbert to Jude Law's Lolita. Amazing when the most incomprehensible action becomes totally understandable in the face of an actor. That alone, makes this Wilde my favorite.