What Maisie Knew (2012)

What Maisie Knew (2012)

A truly remarkable movie, filled with great acting, masterful editing and filming, and terrific writing. The basis of it all is the core here, a glimmering Henry James novel by the same title from over 100 years earlier. It's amazing how well the story holds up set in contemporary times, and changed in many necessary (and interesting) ways. What it keeps it going is the basic heartbreaking drama of a child tossed between two indifferent parents.

The mother might be seen as the main actor here, Julianne Moore, and this is the best I've ever seen her, I think. She gives a slightly fiery performance, and "slightly" is perfect, avoiding an overacting job suggested by her role as a slightly successful rock and roll star. She's terrifically awful and you come to hate her, appropriately.

The father (Steve Coogan) also puts in a sharp performance playing the lively, fun parent who is a selfish womanizer, hiding, sometimes, his flaws from his daughter. His relationship with the mother is not detailed very far because it is mostly one of distance and disdain. And mutual abuse.

The real star here is the girl, an utterly charming and beautifully effective actress, Onata, Aprile. She succeeds not by her delivery of great lines, but by her expressions. It's all because Henry James understood something delicate about children in these situations: they know what's going on and don't say it. And they also don't let it affect them because they simply can't afford to, or because they become hardened in some little ways, making them withdraw or act out. That Maisie maintains a delicious sweetness without playing the victim is quite remarkable, and Aprile is brilliant.

The secondary woman and man in the story are also terrific, and their roles grow as the movie grows. In fact, they become the sympathetic heart of things.

Pulling this together is the directing pair, McGehee and Siegel. This is their fifth movie together, and neither man has directed anything without the other. I've not seen any of the other four, but the reviews are middling to poor for all of them, so I'm not sure how far the novelty takes us. But it works here perfectly, making the complexity unfold quickly and coherently.

It's an ordinary drama on the surface, but let this one sink in over time. It's that good.

Fmovies: A gorgeous film that manages to convey the emotion of childhood at its more heart-wrenching. The central performance by Joanna Vanderham is absolutely extraordinary, and reminds me of some of the greatest child performances I've ever seen on film. As her parents, Julianne Moore and Steve Coogan make you feel like you are right in the middle of the tumult of family life. Directors Scott McGehee and David Siegel have created a movie that feels like life, the vulnerability, the abruptness, the comedy, the joy.

With intimacy at times almost startling, this is one of the best adaptations of a novel by Henry James I've ever seen.

This is what I hope Henry James would have written, were he alive today. The book is tough sledding, late James when he was dictating his novels (due to tendinitis), and there was no holding him back. At least one Harvard professor called him "the greatest American novelist," but this work is deservedly minor.

The movie was perfect, in the top 1% of all I've seen. The style was the antithesis of James, radical "showing" instead of "telling."

I think the title should have been "What Maisie SAW," but that's too titillating. What she knew or felt only her future therapist will learn. We do have a hint though when her father throws her mother's flowers away, and M explains, "He was allergic."

What Maisie Knew fmovies. What Maisie Knew (2012), directed by Scott McGehee and David Siegel, is an extraordinary movie about an extraordinary young girl. Maisie (Onata April) deserves better parents. Both her mother (Julianne Moore) and her father (Steve Coogan) are self-absorbed people who care about Maisie, but care about their careers more than about their daughter.

Maisie is cheerful, cooperative, and adaptive. Although her life has all the trappings of luxury--a nanny, an exclusive private school--she lives in a precarious world. Her parents make only haphazard arrangements for her care. Sometimes these arrangements work, sometimes they don't. Once, the haphazard plans fall through, and Maisie is literally abandoned among strangers. We don't know what will happen next to Maisie, but it probably won't be good. Her parents don't deserve such a great little girl. But, she is their daughter, and she'll have to play the cards she's been dealt.

The acting is strong in this movie, but I think the most impressive work is done by Julianne Moore. Moore is brave enough to take a role where she often looks tired and worn, and where her character is truly inadequate as a parent. You cringe at the way Moore makes stabs at being a good mother, but never quite works hard enough to actually achieve that goal. I think she deserves--and will get--an Oscar nomination for her work in this film.

There are a few lovely views of a beach and the ocean in the movie. These will work better in a theater, but everything else will work well on the small screen. This is definitely a film that is worth seeking out and seeing.

I've read five previously posted reviews of this film and see no reason to repeat what they've already said. I agree, for the most part, with the positive ones. And I suspect the negative ones were written by people whose established taste in movies should have steered them away from seeing this one in the first place.

What I'll add is, I guess, a mostly personal perspective. I've found that I am lately much more drawn to smaller, more deeply felt movies than to bigger, slicker, higher-production-value ones. To "What Maisie Knew," for example, than to "The Great Gatsby." Even though both source novels share a similar interior aesthetic, the treatment in the former stays inside the characters, where James focused the original (thus causing one of the previous reviewers' comments to the effect that "nothing happens" in the movie), while the latter (possibly because of Luhrmann's well-established directorial predilections)stays resolutely focused on the exterior spectacle and barely skims the surface of Fitzgerald's deeply rendered characterizations.

If you like smaller, more closely observed and deeply felt films, you'll like this one.

She knew who really loved her and who cared for her...

She also knew that mummy and daddy were too busy arguing to notice that the pizza guy had arrived. "What Maisie Knew" practically opens mid-tirade and Maisie, a wide-eyed six- year old girl has heard it all before, she skips innocently through their art-deco New York apartment, past her none-the-wiser parents, pulls out a fistful of dollar bills from her own piggy-bank and returns to the door to pay for the pizza.

"What Maisie Knew" is a re-visioning of the 19th-Century Henry James novel by the same name. The story follows Maisie, played by the captivating Onata Aprile , caught in the midst of a custody battle between her aging rock star mother Susanna and art-dealer father, Beale.

Susanna intensely played by the always-brilliant Julianne Moore and Beale (Steve Coogan) only unite in their neglect and emotional abandonment of little Maisie, and both of whom are not above using their daughter as a pawn in their war game.

As they battle on with the messy custody arrangements, Beale marries former nanny Margo (Joanna Vanderham), and in retaliation Susanna also remarries, to young bartender Lincoln, (Alexander Skargard).

As Maisie moves between her parents now separate lives, we unearth a natural connection between Maisie and Lincoln. You feel safe when he is around, even though he doesn't know what he is doing half the time and like Maisie, is out of his depth and unsure where he stands in Susanna's life.

Constantly, Susanna relies on Lincoln to pick Maisie up from school, drop her off, and spend time with her and improvise when necessary.  But as the affectionate bond between her new husband and her daughter grows, Susanna becomes jealous of the relationship to the point of enforcing to Lincoln "you don't get a bonus for making her like you".

"You don't deserve her," Lincoln lashes out as Susanna breaks up with him, expressing exactly what the viewer has been thinking. But as another relationship in Maisie's life ends, it's her resilience that keeps us captivated and in awe of such a brave girl.

The story is told from Maisie's perspective including many shots even captured from Maisie's eye level so we get a fresh look at an unoriginal story. Instead of finding out why a parent leaves her at school, we just see how the child remembers being left alone. Instead of knowing what the parents are fighting about, we see how it impacts the child and her memories of it.

"What Masie knew" is a bleak film but hopeful, it demonstrates that innocence is not something to be wasted and used but cherished and protected. What Masie knew is  to trust the people who actually take care of her - never voicing an allegiance against anyone but accepting love when it's offered