Total Eclipse (1995)

Genius is by nature sui generis. Most of us can only observe and wonder, and from time to time pretend we are similarly gifted. As for the actual behavior of genius, it almost always entails what is commonly known as bad manners.

The other striking feature of genius, for some but not all, is what is commonly known as insanity. Although modern science has defined various types of mental disorder and found causes and cures for some of them, it really begs the question to try to judge character or morality on the basis of scientific data. Art lies after all outside the realm of science, and always will do.

Having said that, I believe the film Total Eclipse must be reviewed or criticized solely on whether it is a good work of art. My opinion is that it succeeds at some levels, and fails at others.

I accept that the writer and director knew exactly what they were doing at every step. Except for a few quibbles about editing, I agree that the artistic concept and the technique are first rate. The musical score is excellent. The camera angles are generally adept at conveying the actions and emotions of the cast. Outdoor scenes tend to be well conceived.

Unfortunately, all that falls by the wayside because of flaws in relating the story accurately and well to its origins. Anyone familiar with the lives and work of Verlaine and Rimbaud can only cringe at the superficiality of this film. As many others have pointed out, scant attention is paid to verse, and then only in a language -- English -- that only approximates the original. It would have been a graceful beginning to make this film in France with French characters speaking French, then allowing the subtitles to fill in the gaps for non-French-speaking viewers.

What that conclusion implies, of course, is that the primary cast is wrong for this film. I really hate to say that, because DiCaprio and Thewlis are great actors doing the best they can to carry the film forward. Although I would have picked a different physical specimen for the role of Verlaine (for some odd reason the face of the late German director Fassbinder comes to mind), the choice of an androgyne for Rimbaud was physically right on target.

Finally, I am appalled at some of the comments here that betray a preoccupation with sex. "Zany" is the only word one can apply to subjective and even judgmental interpretations of this film about this or that scene or bit of action not in accord with a viewer's personal sexual expectations. My own view is that this was, if anything, a highly bowdlerized adaptation of reality.

In short, recast this in French, and focus more on the full text of Rimbaud's genius.

Fmovies: Throughout the ages, there has always been a fine line between Genius and Insanity. The only way one discover which is which, is to troll the depths of hell and what you emerge with is the true nature of the man. Such is the story behind the movie " Total Eclipse " and the historical meeting between two notable French poets of the 19th century. The life of Paul Verlaine (David Thewlis) begins in 1871 when he was 28 as that is when he discovered young Arthur Rimbaud (Leonardo DiCaprio) age 17. Sharing a love for poetry, art, writing Absinthe, hashish and a zest for passionate living, the two embarked on a deep loving physical relationship and a troubling tumultuous affair which took the two over several countries and even prison. The movie is a fine rendition of the two tortured souls trying to fathom each other both physically and spiritually. Although each considered the other a wellspring of inspiration, their literary work often exacted a heavy toll on their relationship. Suffering for their art became a quest for self discovery and loathing of the boundaries set by the world. Eventually, thorough the haze of hatred and love, we see in the film the passion they left behind. The film is savagely real as director Agnieszka Holland and writer Christopher Hampton developed it. The end result is a monumental triumph for the lives of these giants. A real accomplishment in cinematic art and a definite Classic for the attentive viewer. ****

There will be those who watch this film for DiCaprio, which is fine, then there will be those who watch this for the fact that it's about a French Poet, Rimbaud. The former is most likely the more probable, unfortunately, thus the rating of 5.7 at the time I'm writing this review, 4, September, 2004. Rimbaud was a poet who came to fame early on. Born in 1854, Jean-Nicolas-Arthur Rimbaud was one of four other siblings, a brother and three sisters, however, two of the three sisters passed. By fourteen, he was "winning nearly every academic competition he entered and by fifteen, had his first poem published in a literary review" (Mason, 2003). The police took interest in him as he was a trouble maker.

Some of his more famous writings, "A Season in Hell," "A Drunken Boat," and "First Night," are what he accomplished before giving up on writing at an equally young age, eighteen! Because he was so young, and maintained such excellence, he's been likened to similar prodigies such as Mozart, and Picasso. His is a work of certain genius which we can peer into - via this short dramatic biography - if we allow ourselves to pay close enough attention. I recommend this movie to any scholar, anyone interested in poetry/writing, anyone interested in prodigies, artists (or their madd, sometimes megalomania temperament), or depressives. Overall, it was good, it sparked remembrances of Robin Williams in "Dead Poet's Society" (1989), Gwyneth Paltrow in "Sylvia" (2003), and Sean Connery in "Finding Forrester" (2000). All are great writing flicks about love, loss, overcoming the human condition, or being ruined by it.

Total Eclipse fmovies. Total Eclipse is the story of the relationship between two men who definitely made their mark on French literature. Poets Paul Verlaine and Arthur Rimbaud have been compared to Oscar Wilde and Lord Alfred Douglas, but aside from being gay the pairs have little in common. Wilde is a universally recognized talent who had the misfortune to fall in love with a spoiled young aristocrat in Douglas who had some pretenses to literary talent. Douglas was spoiled, but both he and Wilde conducted themselves well in public.

Verlaine and Rimbaud were a pair of talented louts as Total Eclipse shows us in graphic detail. Wilde married for convention's sake at the time and did have two sons and was a loving husband. His is a Victorian Brokeback Mountain story. Verlaine was a drunk and an abusive husband who regularly beat on his wife and child who was totally fascinated by young Rimbaud. He was ten years older than Rimbaud in real life, the film does make him seem a great deal older. He did read some of Rimbaud's work as a teenage prodigy and sent for the country lad. You can feel sorry for Wilde and do in the films that tell his story. Verlaine as played by David Thewlis is a really hateful person, gay audiences can't work up any sympathy for him.

However Rimbaud as played by Leonardo DiCaprio by look and talent makes you perfectly understand why Rimbaud became so obsessed with him. Verlaine was a political man, he was a supporter of the Paris Commune and was in fear of the police who would have loved to nail him on a morals charge if not on a political one. Rimbaud didn't have a political opinion in the world, he was a peasant kid from the Ardennes who partied hardy, drove Verlaine crazy and jealous, but both learned and fed off each other artistically. I found it interesting that Rimbaud and Verlaine flee to Great Britain of all places to be freer, the same place that in the next generation would persecute poor Oscar Wilde.

DiCaprio and Thewlis play a couple of louts, but a fascinating pair of louts. Total Eclipse has both these guys eclipsing the supporting cast around them, that probably is the main weakness of the film. Still fans of both men shouldn't miss this film.

"Total Eclipses" narrates the romance that is born among the poets Paul Verlaine (David Thewlis, in a courageous and excellent performance, Thewlis plays strong scenes with experience and professionalism) and Arthur Rimbaud (Leonardo Di Caprio, before being thrown to the Hollywood's stardom in "Titanic"). The film documents, without make-ups,Paul Verlaine's slow destruction,a man who is consumed by the love and hate that he fells for Rimbauld.Director Agniezka Holland accomplished a touching and beautiful work,counting with a perfect plasticity that reconstitutes the time and the romance among the two men in a detailed way and without shame, what can,in fact,shock Di Caprio's fans in some delicate moments.Even being a little slow in a lot of parts of the story, "Total Eclipse" is efficient when its seen as a drama that lectures about the difficulty of being homosexual, but besides this topic, it analyzes what happens when people abdicate of their happiness and suffer due to social conventions, and finally it ends up in a intelligent conclusion:that only through the courage and through the love it's possible not only to break such barriers but also to achieve redemption.Director Agnieszka Holland conducts with experience a story that, in the hands of another director, could be reduced into a common and not very innovative denominator, and the lenses of her camera shows, without make-ups and courts to alleviate the impact of the scenes, the whole suffering, the prejudice and the pain that marks the relationship between Rimbaud and Verlaine. The two poets' love is realistically developed by Holland, starting by the friendship, in which the two writers begin to know important things about theirselves and discover that they have a lot in common, in terms that both are unhappy with the path their lives acquired, the doubts, the fears and the frustrations,till the beginning of the romance. The scene in which the first kiss happens, when Rimbauld seduces Verlaine and tries to get closer to him and ease his nervousness,is strong,touching and beautiful,this decisive and provocative part is filmed and written in a sweet and human way. The focus that the production gives to the story, therefore,is natural and realistic, what can scare many people away of the box- offices for the context declaredly homosexual of the story."Total Eclipse" explores and studies the relationship without making concessions and without allowing any demagogy or fear. There are rough scenes such as the one in which Thewlis is tirelessly sodomized by Di Caprio, there are moments of fondness when the two kiss each other,but in the same way the sick and morbid aspect of the relationship is expressed, when, for example, Rimbauld stabs Rimbaud's hand to prove his love.Being a heterosexual, i concluded that, instead of adopting a dogmatic and racist posture, it would be better if i could appreciate the film not as just another plot about two gay guys who are in love but I tried to enlarge my point of view, understanding that the film was, actually, a simple feeble love history marked by the suffering and resignation. Thus, I recommend "Total Eclipse" as an intelligent and efficient drama, a work that deserves to be applauded by its initiative and courage, for the excellent performances and for the safe and kind work by Agnieszka Holland, who tells a love story in a distressing and realist form. "Total Eclipses" i rated for strong sexuality and nudity, language, and some startling violence and

This is a worthy and successful attempt to make a film about the famous literary and personal relationship between two great poets, Paul Verlaine and the young Arthur Rimbaud. How the French must have resented its being made in English! (But why did the French themselves never film this story, which is so fundamental to the mythology of their literature?) There is no use viewers and reviewers complaining that the characters are disgusting: everybody knows they were, and they would have been the first to admit it. This film has not been made for the wrong reasons, with fictional characters, but is a true story. It is rather disturbing to realize that absinthe has been legalised again and people are drinking it once more, when we see how it drove these two poets insane, which is what is really does, you know! The banning of absinthe should never have been lifted. It may be a pretty green colour, but it is not romantic or at all glamorous. One strange omission from this film is any of the poetry of either poet! Very few decent translations of Verlaine into English exist, because he used rhyme so much. But he was a great and soaring poet, and of course Rimbaud shattered all the moulds and basically founded modern poetry, and had the status of a god to the Surrealists. So it would have been good to hear some of their work, especially as it is all out of copyright and no one could have objected. The lack of the poetry stops people who do not already know it from appreciating the point of all this carrying-on. Verlaine and Rimbaud were appalling, violent, disorderly, and to call them extreme Bohemians doesn't go far enough: they were both quite mad as well. But then, many poets are, and often the finest poetry comes from the ones who are the craziest (David Gascoyne, whom I knew well, is an example, and Ezra Pound whom I knew less well was not what you could call well-balanced). It is often said that there is a fine line between genius and madness, but with poets, the situation is even more dire: to be a divinely inspired poet it seems that it is almost a requirement that you first lose your mind. (Exceptions are those with no fire in their temperament at all: Eliot, Perse, Valery, or those who have become spiritual beings while still on earth, such as Rilke.) Well, the performances and direction are excellent here. Agnieszka Holland is an inspired director, a protégé of Wajda, and perhaps her greatest achievement was 'Washington Square' (1997). She is interested in art, not commerce, and congratulations to her for that! The young Leonardo Di Caprio, aged 20, was a scintillating, wild, and wholly convincing Rimbaud. You could believe every scene. David Thewlis was equally convincing as Verlaine, despite being rather too thin for the part (Verlaine was stockier and plumper, and Thewlis looks like he hasn't had a decent meal for ten years). Romane Bohringer was an excellent choice for Verlaine's wife, and plays it just right. The next year she would make her staggering pair of films, 'L'Appartement' and 'Portraits Chinois', in both of which she sets the cinema on fire. So the talent is there, and the film is delivered. If we find these people disturbing, it is because they were. But without this bizarre tale, twentieth century poetry would not have come into existence, because it was created by Arthur Rimbaud, and without Verlaine taking him under his wing it would never have happened. Christopher Hampton's screenplay is intelligent and thoughtful and well-crafted throughout. But then, that is what