To Sir, with Love Poster

To Sir, with Love (1967)

Drama  
Rayting:   7.7/10 15.8K votes
Country: UK
Language: English
Release date: 14 June 1967

Idealistic engineer trainee and his experiences in teaching a group of rambunctious white high school students from the slums of London's East End.

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User Reviews

TWBarkley 25 July 2003

This is one of my favorite movies of all time. I can honestly say that it helped to inspire me to become a school teacher, because of the influence that one can have on the lives of young students. In this sense, this movie is probably the one that had the most profound effect on my life...

chrisdl_heath 18 September 2002

Fmovies: Novice teacher, Mark Thackeray, arrives at a secondary school in a depressed area of London's East End and transforms a class of jeuvenile delinquents into a group of responsible, mature and caring young people, confounding his critics amongst the jaundiced teaching staff.

From the very beginning, members of the class try to bait him into losing his temper so that he'll quit. Their previous teacher committed suicide, we are told. Gradually, he gains their trust and helps them overcome their personal struggles, thus winning their respect and friendship.

Its a slice of sixties social idealism that may appear dated and oversentimental to some, but it loses none of its sincerity or good intentions. The book by E.R. Braithwaite was based on his own real life experiences in the 1950's. Once again, James Clavell displays his winning touch with the screenplay and direction. The role of Thackeray had strong appeal to Sidney Poitiers for its portrayal of African-American characters as responsible role-models, a theme common to many of his films. There is a notable screen debut for Judy Geeson who went onto become one of the most fashionable jeuvenile actresses of the late 1960's. With a schoolgirl crush, she competes with beautiful teacher Suzy Kendall for the attentions of Thackeray.

The films sound-track provides good material for another debutante, Lulu, who sings the main title. It went onto become the top-selling record in the U.S. for 1967, but inexplicably, was never released in the U.K. as a single. The lyrics are provided by the highly talented Don Black who had also written the themes to 'Born Free' and 'The Italian Job' as well as collaborating with John Barry on three of the James Bond Films of that period. The backing group are The Mindbenders who provide the school band sound. They had a U.K. No.2 in the charts at the time with 'A Groovy Kind of Love' and in collaboration with Wayne Fontana, a U.S. No.1 with 'Game of Love' the previous year.

The recently released DVD provides a good quality print of this thoroughly enjoyable film and is well worth viewing. I give it ten out of ten.

lee_eisenberg 13 August 2005

As one of the movies (along with "In the Heat of the Night" and "Guess Who's Coming to Dinner") that made 1967 Sidney Poitier's annus mirabilis, "To Sir, with Love" shows a man forced to take charge in a less-than-pleasant situation. Poitier plays Mark Thackeray, a Guyanese engineer hired to teach in a high school in a rough London neighborhood. The students not only have little interest in school, but are not quite ready to be taught by a black man. Mark is forced to show the students that he will not tolerate insubordination.

Poitier did great in this role, with good support from the rest of the cast (including Lulu, who sang the theme song). It affirms his status as one of the greatest actors in movie history. And also, I hope that nobody tries to compare this with "Dangerous Minds"; the latter was in my opinion an insult. "To Sir, with Love" was a masterpiece.

suzy q123 16 May 2001

To Sir, with Love fmovies. Rent this movie. Don't read any reviews of it, just go out and rent it.

It's one of the best movies of the last forty years, and Sidney Poitier is just beautiful in it. The movie glows, has a soul even, and actually dares to say something of value. I wish they made more movies like this today! Just a gorgeous movie going experience........

Buskieboy 20 November 2005

The first time I had watched TSWL, I was probably about 14, but not from the era the film is from. None the less, I found it fascinating, poignant, funny at times, and warm.

The funny thing is that while the clothes, music and styles may change, the feelings we have are common and do not change much over the years. Kids rebel, test and resist authority, and push the rules. We've all done it in some way or another. I smoked cigs, drank beer and had long hair. Others hung-out with the wrong crowd, drank beer or skipped class.

TSWL as is "The Blackboard Jungle" are dated today, but so are "Class of 1984" and "Stand and Deliver", but they all share the same premise, emotions and struggles. If a movie can convey them honestly, as does "To Sir, with Love", then it deserves recognition. I always like to watch TSWL, it does make you feel good in the long run. Even after all your disobedience at school, most of us grew up and realized the importance of what we had learned and were now sad to leave the memories, friends and teachers.

I think we also realize that we are also leaving a young version of us behind and it's sad to let that childlike version go. It's time to start growing up.

robb_772 30 April 2006

Sidney Poitier's exceptional lead performance anchors this touching film about that special person who changes your life. As the first time teacher to a group of undisciplined British youth, Poitier is in virtually every frame of this picture. It is a role that calls for a high degree of character development, and Poitier meets and expands the challenge by totally inhabiting the character he is playing. I honestly cannot think of any way his performance could be better, and this is a huge compliment for any actor - even one of Mr. Poitier's immense talents.

While not in the same league, the young cast of then-unknowns also perform quite well. Particularly effective of the young cast members is fresh-faced Judy Geeson, who brings unexpected depth to the stereotypical role of the young schoolgirl love-struck over Mr. Poitier (who could blame her). Director/writer/producer James Clavell avoids over-sentimentalization by inject his well-written script with a healthy dose of realism. The film may not be particularly striking, in the visual sense, but Clavell is a perfectly competent film maker, and his love of the material is evident throughout the entire picture.

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