The Quatermass Xperiment (1955)

The Quatermass Xperiment is the movie that, deservedly, put Hammer Studios on the map. 1955 was a bad year for film production in Great Britain, and Hammer's fate largely depended on the returns from the slate of pictures made in 1954, the last of which was Xperiment. Of course, The Quatermass Xperiment turned out to be something of a phenomenon, and the rest is history.

The Quatermass Xperiment benefits from a riveting, groundbreaking story by the hugely imaginative writer Nigel Kneale, which had been such a success when broadcast by the BBC in 1953; a taut screenplay by Richard Landau and Val Guest, which condensed Kneale's three hour teleplay into a more compact 82 minutes; and Guest's expressive, grittily newsreel-like direction. The sensitive, haunted, wordless performance of Richard Wordsworth, great-great-grandson of the poet William Wordsworth, as the stricken astronaut Victor Carroon, ranks among the greatest of this, or any other genre. Also, Brian Donlevy, legendarily drunk throughout the shoot, and whose performance Kneale famously hated, is, in my opinion, excellent as the brusque, blunt, belligerent scientist Bernard Quatermass. As Guest noted, Donlevy "gave it absolute reality".

The Quatermass Xperiment is the type of low budget, B-level, profoundly professional movie-making that, not long ago, was the glory of cinema. The level of skill and dedication on display here is extraordinary. Guest, a talented, no-nonsense director, who, sadly, passed away not long ago, is clearly influenced by American genre film-making, most obviously the Warner's crime dramas of the 30's, and 40's film noir. His photographic style is stark, simple, and moody; his dialog overlaps; and his mis-en-scene is documentary-like in its relentless intensity, which makes this essentially fantastic story that much more believable.

There is really no reason for The Quatermass Xperiment to be this good, other than the fact that a lot of very talented people, such as cinematographer Walter Harvey; art director J. Elder Wills; editor James Needs; make-up artist Phil Leakey; and special effects artist Les Bowie; not necessarily artists but, perhaps more importantly, superior craftsmen, did the best they could with what they had. After watching the endless parade of multi-million dollar digitized swill that is out in the theaters and on DVD these days, this is a movie to make you fall in love with the movies again. Hats off.

Fmovies: Unfortunately Nigel Kneal had absolutely no input into the film version of THE QUATERMASS EXPERIMENT . Out goes the philosophy and long discussions of the human condition and in comes the more formuliac and streamlined plotting of a hostile alien endangering the human race , but to be fair to Richard Landau he also jettisoned many underdeveloped subplots from the serial ( When episode one of TQE was broadcast on television Kneale was still writing episode 5 so some subplots were abandoned by Kneale in order to meet the deadline ) and - unlike film viewers in 2002 - the oft used premise of an alien entity coming back to Earth from a spaceship would still be very new to cinema audiences in the mid 50s. I might even be right in saying this is the first time this idea had appeared in cinema .

Director Val Guest treats THE QUATERMASS EXPERIMENT as SF film noir and brings in a heavy dose of mood and atmosphere especially during the night time zoo sequence. Unlike QUATERMASS 2 there`s no feeling that the night scenes were achieved by sticking a dark filter over the camera . Guest is less successful with his cast . Donlevy is relatively good at playing double crossing mobsters in the likes of THE BIG COMBO but he`s utterly unconvincing as a rocket scientist and it doesn`t help that he keeps pronouncing his name as " Qittermiss ", Margia Dean is utterly appalling as Judith Carroon , but Richard Wordsworth is outstanding as Victor Carroon even if he doesn`t have a single line of dialogue.

The BBC serial of THE QUATERMASS EXPERIMENT shocked the viewers of Britain when it was broadcast and in its own way the film version is almost as groundbreaking , it was a big hit at the UK box office which led to Hammer Films to concentrate solely on horror films something they would excell at for the next 10-15 years .

Trivia point 1 - The montage scenes of soldiers searching for Carroon at night time are actually culled from another British SF flick - SEVEN DAYS TO NOON

Trivia point 2- The last four episodes of the BBC serial were shown live on television but because of an industrial dispute they weren`t - unlike the first two episodes - recorded onto film which means no one will ever see the complete BBC QUATERMASS EXPERIMENT

A British spaceship returns to Earth but instead of celebrating this first space shot, there is a lot of confusion, as two of the three crew members are missing. Additionally, the one who DID return just doesn't look or act right and he's kept under supervision and monitored as his body seems to be undergoing some sort of metamorphosis.

This isn't exactly your standard 1950s sci-fi/monster film, as the story itself is more tightly written and seems more credible than the typical "bug-eyed monster" film. Instead of the over the top acting and silly special effects, this is a more cerebral style film and the "monster" doesn't even make an appearance until near the very end. Instead, the story slowly unfolds and at the same time, simple makeup does the trick--no ping pong ball eyes, giant killer lobsters or any of the sort of tripe seen in the sillier examples of the genre. About the only negative was the whole subplot of the wife trying to kidnap her husband away from the hospital--this didn't make a lot of sense. Still, overall it's a dandy sci-fi film and worth a look.

The Quatermass Xperiment fmovies. Horror/science fiction films have rarely been singled out for the quality of the acting in them. Over the decades, a couple of "monsters" have been tapped for praise: Fredric March won an Oscar for his turn at Jekyll and Hyde, & Jeff Goldblum was rightly seen as an example of "inspired casting" in David Cronenberg's remake of _The Fly_.

But I think Richard Wordsworth has them both beat.

I enjoy _The Creeping Unknown_ overall, but it is Wordsworth's performance as Victor Caroon that lifts it into the stratosphere for me. I mean, sheesh, _look_ at him! This is an incredibly painful and, yes, passionate portrait of a man whose _body_ is being taken over and is changing into something else, even as he fights to retain possession of it. What might such a battle _feel_ like? Wordsworth lets you know, and in doing so anchors an almost cliché science-fiction "what if ...?" in raw human nerve endings. Watch him battle the frightening desires that overcome him; watch him try to stay ... human. He's first class, and why his career never really took off ...

I am probably all alone on a windswept plain in this, but I think Wordsworth's acting here is as frenzied and solid as that of Klaus Kinski in any of the great movies he did with Werner Herzog. So shoot me! :)

Well written and terminally fascinating British sci-fi thriller from director Val Guest and writer Nigel Neale. It is a film of big ideas and planet-sized concepts that stares up into the unknown with a combination of wonderment and dread.

Originally a highly popular TV series, it spawned two excellent sequels and decades of creative Hollywood pilfering.

Brian Donlevy is wonderful as Quatermass, a scientist with the bullying manner of a military drill Sargent and a fierce, pragmatic streak. After a rocket that he sent into space crashes back to Earth, Quatermass and unofficial partner-in-crime Inspector Lomax (Jack Warner) uncover a bizarre alien conspiracy in which a surviving astronauts's body has been "borrowed" by extraterrestrials keen on relocating.

Director Guest gives the drama a no-nonsense, almost documentary feel. The special effects are perfectly acceptable for the period and the brooding sense of mid-century paranoia is well conveyed.

The hero is the script, though. The dialogue is fresh and colourful and writers Guest and Neale always keep the scientific jargon interesting. All the characters are believable and the performances are top notch.

Despite the fact that James Bernard's solid score is a little overbearing at times, this is a dashingly good science fiction film with a strong stench of horror.

A secret rocket expedition to Space unexpectedly crashes back to Earth. One lone astronaut is found to have survived only he's disheveled, not quite himself as he seems to be on the verge of some bizarre transformation! And what happened to the other two astronauts on board - all that seems to be left of them is two empty spacesuits?! How and why? What and when? A mystery that needs unraveling, a strange journey into unknown previously unexplored territory and a scientist hero named Quatermass whose methods the viewing audience are not always going to be inclined to agree with even if he is in essence correct in his line of thinking on many levels. A likely inspiration for many later film and TV works including THE BLOB, THE FLY, "The X-Files" and much more. Science fiction does not get much better than this film which grips you with its terrific suspense as we see Victor Caroon (played as a tragic and terrifying figure all at once in a terrific performance from Richard Wordsworth) go where no man has gone before in more ways than one might imagine.