The Nun's Story (1959)

Honestly, if my family hadn't already owned this movie I probably would have past over it again and again without much hesitation. However, given the limited amount of movies I had to chose from, I decided to give this movie a fair shot. Wow. To think that I only viewed this movie out of desperation is embarrassing! The inner-struggle that Sr. Luke (Audrey Hepburn)undergoes from postulant to nun is incredibly human, not strictly religious. I thought, given the movie's topic, that I would be bored and lost, yet found myself completely in touch with the reality of her life. Its almost impossible not to become in touch with her character, especially once she reaches the Congo and faces the underplayed romantic tension between herself and Peter Finch. While I have absolutely no intention of suddenly becoming a nun or running off to the Congo, I will always be up for another viewing of this movie. So ignore the title and give this movie a chance!

Fmovies: This film shows the life of a Belgian nun, from the moment she enter to the convent and through successive crises of vocation and a mission in Belgian Congo. Directed by Fred Zinnemann, the film has a screenplay by Robert Anderson, based on a fictional novel by Kathryn Hulme. The cast is led by Audrey Hepburn, in the lead role.

Despite having been nominated for eight Oscars (Best Picture, Best Actress, Best Director, Best Adapted Screenplay, Best Sound, Best Cinematography Color, Best Soundtrack and Best Editing), this film has been ignored by people over the last few decades, which makes it probably one of the most unknown movies in Hepburn's career. Of course, many people think, reading the title, this film is pure Catholic propaganda, and maybe that's why its not widely spoken. But its far from propaganda, despite showing, with accuracy, the modus vivendi of the nuns in the beginning of the last century. Keep track of time is very important to understand the film, which passes through in the end of World War II, and also helps to understand one thing that the film doesn't say but any person will notice quickly: the way of life that the nuns of this film lead fell into disuse for decades ago, due to the massive modernization that the Catholic Church suffered.

The script is excellent, though not (as some people think) a true story. Much of the film is fiction inspired by real facts, but fiction. Its a history of sacrifice, overcoming, love to a vocation and a profession: medicine, that the young nun exercises as religious. But its also a film about doubts, inner conflicts and people trying to be better by facing their failures and humanity. Audrey Hepburn shone as Gabrielle/Sister Luke, her beautiful face gave her an almost angelic appearance and a truly powerful presence on screen. The way she counter-acts with Peter Finch, who played a doctor in Congo, with very specific ideas and almost devoid of faith, its delicious. The scenarios are very good, recreating well the religious ambiance and the almost savage Africa, that Europeans pioneered in those years.

The end of the film is one of the most amazing I've seen, mainly for two reasons: First, its absolutely silent, having no music; second, after seeing this nun suffer so much by her dreams, its impossible for her not to win the public's affection, so the end becomes difficult to accept for the public.

Decidedly, this film is worthy and deserves to be seen more often by the current public.

"The Nun's Story" is the best movie dealing with religion that I have ever seen. The movie has what is possibly Audrey Hepburn's greatest performance;

anyone who thinks she was only a fashion model is well advised to see this film. I first saw it in a theatre, in 1959. I went in about five minutes before the end--and the theatre was completely sold out. At the end of the movie, no one moved--everyone remained seated for about thirty seconds. Then the audience got up and filed out--without a single sound. I stayed through to see the ending again. The audience behavior was the same. I have never seen an audience reaction like this.

Hepburn should have received an Oscar for this performance, as well as another for "Two for the Road," for which she wasn't even nominated. She has been sadly underrated and undervalued as an actress. Her high placement in many Best Actress Ever polls has been entirely justified and very pleasing.

The Nun's Story fmovies. The image of water gradually sharpens the reflections of objects above...as soon as we get to know the leading character of NUN'S STORY, it is not hard to predict that it is all going to be an involving, mesmerizing viewing experience - yet, nothing for the vast majority of audience.

In the eyes of her father, Dr Van Der Mal (Dean Jagger), our protagonist - young Gabrielle (Audrey Hepburn) is not really a strong willed girl obedient to the bells. Perhaps he sees other future for her. However, she makes up her mind to resign from engagement with one Jean and sacrifice her life for interior and exterior silence, for the detachment of worldly goods, for obedience and penance doing good and disappearing for the sake of the Kingdom of God. Although she manages to go through the agonies of various inner struggles and tests, will she be able to exercise and bring into action the spirit of charity for all, to face Christianity's hardest obedience - forgive everyone, all evil-doers for anything harmful done to them or their beloved ones?

The truest merit of Fred Zinneman's movie, at first sight, seems to lie in the execution of the storyline (the film's literary source is the book by Kathryn Hulme). It is, as the title implies, a nun's story not so much supplied with laughable aspects (as it is the case with a number of movies nowadays) but a very insightful, thought provoking depiction of virtues enforced and exercised behind the 'bars' of the convent. With this in mind, we deservedly prepare for an excellent glimpse of the atmospheric mystique, for prayers, hymns clothed in unearthly tunes of sublime music. Here, great credit goes not only to the cinematographer Franz Planer, a winner at Academy Awards, who supplies us with cinematographic pearls, including the tremendously effective shots of interior silence of the specific place, but also to Franz Waxman for his brilliantly atmospheric, accurate and vibrant music score. He memorably incorporates certain tunes derived from almost 'iconic' chants to particular scenes. In this way, the score sets the right tone for the story, changes and controls the moods of various scenes. That refers to such pieces of music as 'Salve Regina' and 'Veni Creator Spiritus' - milestones of Christian music.

However, the greatest praise is not deservedly directed towards the crew members, even to the director Fred Zinneman but to Audrey Hepburn in the lead. It seems quite obvious that not every actress can play a nun convincingly. Simply because we, as viewers with certain background experiences (both visual and conceptual), are heavily influenced by certain expectations, even clichéd expectations. In that respect, Ms Hepburn really meets our expectations...more to say, she makes for a perfect portrayal of a nun. There is a combination of certainty and doubt, subtlety and strictness in her face and her entire portrayal, which makes her character easily empathized with. Because the gist that lies behind the fact who Gabrielle/Sister Lukas really is appears to be underlined in her struggles to learn obedience and humility. These virtues that are so memorably and timelessly revealed in Culpa and Penance evoke in her performance. Ms Hepburn portrays a very human character, a very gentle young girl, a subtle nun and a dedicated nurse. Simply a superb performance! A sophisticated portrayal! She is funny at times (mind you the lovely scene with little Felix) and genuinely dramatic when the moment requires that perfectly switching from one b

When Audrey Hepburn, as Sister Luke returns from the Belgian Congo, she has a brief meeting with her father, whom she has not seen in years. So much time has gone by that they engage mostly in small talk. He when he finally asks her how she is "inside" (gesturing to her heart), she responds with, "Fine, how are you, Father"?. He replies, "Still very lonesome for you". That scene alone is enough to break your heart.

The Nun's Story is filled with such scenes. Fred Zinnemann directed this film so perfectly that you don't even realize that for the first 40 minutes or so, you are being instructed on how nuns learn to "act like nuns".

There are lots of famous actors in those habits, too. Beatrice Straight (Network), Barbara O'Neill (Gone with the Wind), as well as a glorious performance by Dame Edith Evans as Mother Emmanuel.

The amount of emotion that Audrey Hepburn can portray with just her eyes, a turn of her head, or a subtle facial expression is simply incredible. Without giving away any important plot element, there is one scene where she is in her cell trying to cope with a letter that she received. It is one of the most painful scenes in the entire film.

Sister Luke's struggles are balanced by scenes that are so beautiful in their simplicity, that to attempt description here would be impossible.

And the film score by Franz Waxman is one of the best things he has ever written - most of the melodic motifs are based on ancient Gregorian chant, and the orchestration is superb. When we reach a climactic scene involving Colleen Dewhurst, he switches from his Romanticized writing style to a 20th century 12-tone technique, and the shock of the dissonant music fits the action of the scene perfectly.

Sister Luke's struggle is universal. Anyone who has looked deep into their own soul for whatever reason can identify with her.

When Sister Luke is asked by her father to describe her doctor in the Congo, she smiles and says, "Exceptional". The same can be said for this beautiful film.

An intense conflict between spirituality and humanity lies at the core of Fred Zinneman's excellent adaptation of Katherine Hulme's "The Nun's Story." Young Gabrielle enters the convent and, as Sister Luke, strives to attain the difficult qualities of sisterhood, but at the same time her talents and skills at medicine and research pull her in another direction. Gabrielle is taught that a nun not only takes vows of chastity and poverty, but must also be obedient and humble. Although not overtly discussed, Sister Luke's decision to enter the convent may have been connected to a romantic affair, the only evidence of which are a ring, a photograph, and a comment from her father. Although Sister Luke tries to obey the rules of silence and obedience, she is the daughter of a prominent physician, and she harbors ambitions to work in medicine and serve in the Congo. The conflict between the two competing ambitions reaches a crisis point when a sister superior suggests to her that she fail her medical examinations in order to show humility.

Audrey Hepburn imbues Sister Luke with a radiance and glow that illuminates the screen. In what is arguably her finest performance, Hepburn displays the subtle shades of conflict and doubt that creep into her persona as she struggles between her roles as a Bride of Christ and a practical nurse to the sick and dying. Reportedly, Hepburn's interest in helping the needy of Africa began during the location shooting for this film.

A galaxy of fine actresses shine as the sisters with whom Sister Luke interacts. Such luminaries as Edith Evans, Peggy Ashcroft, Mildred Dunnock, Barbara O'Neil, and Beatrice Straight offer their own special glow as patient and understanding nuns. Colleen Dewhurst has only a couple of memorable scenes as a hospital inmate, but, with few lines of dialog, she creates an enduring character. Peter Finch and Dean Jagger are solid and effective as, respectively, Dr. Fortunati, who works with Sister Luke in the Congo, and as Gabrielle's disappointed father.

While "The Nun's Story" is comparatively long, the fascinating detail of the young nun's years as a novice, medical student, asylum aide, missionary, and hospital nurse in Belgium and the Congo during the 1930's is engrossing and tastefully filmed by Fred Zinneman. With beautiful cinematography by Franz Planer and a spare, but lovely, score by Franz Waxman, "The Nun's Story" is one of the most religious movies ever filmed. Few films have ever so successfully explored the demands of a spiritual life and the conflict those demands can create in someone with strong human needs. With Audrey Hepburn at her zenith, "The Nun's Story" was among the finest films of the 1950's and still remains a rewarding emotional experience.