The Help (2011)

Look folks, I'm not the one to go watch a movie and then come and write a review. This is very rare, in fact this is the first time. First of all, I'm a black middle-aged male living in Australia. I'm not into that black-white-red-yellow affirmative action, divide or whatever you call it and I have not experienced that American slavery or racism history except seeing it presented one-sided or biased on TV.

Now having proclaimed my neutrality above, I will tell you this: this is one powerful movie that will sure touch and move you in one way or another whatever your political lining. The casting, directing and acting are top-of-the-shelf superb A+++. When my wife first told me about it, I said OK whatever. Man was I wrong! I cried and laughed at the same throughout the movie, and I'm a dude and where I come from men are not supposed to show their soft side. All I can say is go see the movie and it will be worth it.

Fmovies: I grew up in the 60's, the setting for The Help, a story of Southern prejudice and cruelty toward African Americans, who were chattel of the Southern rich treating their servants as expendable and marginal. I can say that as a Northerner with a black maid for our household, there was love but always a barrier, a carryover from the strict separation still prevailing after reconstruction.

Director Tate Taylor keeps the race relations taut but not strident, as if we were living through the emerging civil rights movement slowly but inevitably aimed at equality, not "separate but equal." Skeeter (Emma Stone) graduates, returns to Jackson, Miss., and decides to write about the black help, whose "perspective' needs to be told. As more maids join in the writing of the manuscript, the more possible it is to counter the assassination of Medgar Evers and eventually that of Martin Luther King.

While we have grown used to the base scatological humor of the Hangovers, Change-UP, and other rom-coms, the fundament motif in The Help is as low-key as will ever be depicted in film. Not only is the idea of the bad guys "eating s—t" effective, it is funny and poignant.

A note about the performances—Bryce Dallas Howard as the conservative, prejudiced Hilly, is remarkably successful, making her a full-fledged actress and not just a famous director's daughter. Jessica Chastain as the ditzy but big-hearted Celia Foote cements her place as a great modern actress following her memorable role as the compliant wife in Tree of Life. Emma Stone no longer need rely on rom-coms, for she stars in The Help with a performance nuanced and underplayed, just the way I like it, albeit a bit too hip for the times.

Although the film tends toward the simplistic, e.g., there are no bad blacks and most whites are obtuse, Viola Davis as maid Aibileen Clark successfully carries the film displaying the ambivalent nature of slavery ready to burst out of its chains.

Lovely performances makes this far too clean and neat story, not merely palatable but enjoyable. We know by now that the plight of the "colored" in the South wasn't that clean cut or gentle in any way or shape. Here we can sit and watch discovering the depth of he ordeal in the wonderful face of Viola Davis. But, it all remains in the mild margins of the real story. Entertaining yes but I couldn't forget documentaries of the period or "The Long Walk Home" with Whoopi Goldberg and Sissy Spacek. Sissy Spacek is in "The Help" too and she's very funny. It also shows Bryce Dallas Howard under a new light. The bitchy, almost evil light. She's better here than she's ever been. Emma Stone is lovely and the wonderful Allison Janney in a disturbingly recognizable character raises the film to unexpected levels. I felt the film was too long and too careful not to offend anybody and that's were its weaknesses lay. But, I do recommend it.

The Help fmovies. Oscar Oscar Oscar – Kathryn Stockett's beautiful book is Oscar worthy in this film -- for editing, screenplay, supporting actress (several deserving) – Emma Stone just shines – at just 22 years old, this film proves she is a force to be reckoned with in Hollywood. There are so few roles written for black women and I was thrilled to see such great roles filled by Viola Davis (Abigail) and Octavia Spencer (Minnie) - both should be nominated for supporting roles although in my opinion, along with Emma Stone, all three share top billing.

The character development in this movie is really outstanding – I hate movies with flat single dimension characters and these from the lowest to those with the most screen time are just remarkably developed – even the newspaper editor, the lines they chose for him to keep gave you enough information that even he is a memorable character with only three scenes, maybe 4 in the entire movie. Same for Stuart, Skeeter's love interest – you actually like him then hate him and he only has maybe 3 minutes of air time. Great great job. Sissy Spacek with so few speaking moments is great as is Cicely Tyson who speaks volumes even in scenes with no words. Admittedly, being based on an amazing book the background story was already set out and tracks the book closely without some of the details but they have done a great job of putting it to film –

This movie sets out beautifully a terrible time in our history that unfortunately is not over – it is better, but not over by a long shot. Being a child of the south and coming up during that time, being raised by such bigoted grandparents and parents, it leaves me pause to wonder how I avoided this rabid virus of hate and takes me back to long hot lazy days in the deep south before every building was air conditioned – such attention detail right down to the Jesus fans they waved in church – awesome flick. You FEEL the heat, the tension, the pain, the injustice of the time but still you laugh with them even as you cry for them - both races - ignorance is to be wept over.

However, I think this movie does more, goes further in its exploration of the behavior of the privileged during that time. They were rabid toward blacks but were not that much better toward anyone who did not share their socio-economic status (the way the "Junior League" treated Celia) and the enormous peer pressure they put on one another (the club encouraging Skeeter's mother to make a poor decision). It visits the sins of the parents passed on to their children – the bigotry and injustice that is learned at the knee of our elders. OMG it is just an awesome, poignant, moving, NOT TO BE MISSED film.

Mesmerizing from start to finish – never once drags – just an easy easy easy 10

Recently the other Dude and I were discussing that not many award worthy movies come out during the summer; then I see The Help. To say it is not a story that I am normally interested in would be an understatement. I wasn't around during the time of segregation to fully appreciate the depth of this story. Additionally, if there was ever a movie that screamed "chick flick" it would be this one. In spite of that, I've heard wonderful things about the book and decided to view the movie. I'm happy to say that I'm glad that I did. Virtually unknown director Tate Taylor put together a cast of relatively unknown actors and actresses that truly made the story go.

Taylor, whose last movie was the little seen Pretty Ugly People, grabbed a familiar actress to join him in making The Help, Allison Janney. Other than Janney the only other familiar actresses in the movie are Cicely Tyson and Sissy Spacek. The rather unknown cast has a fresh feeling on the story and there are no preconceived notions based on a past actor or actresses work. That being said Emma Stone (Easy A), and Viola Davis had a true coming out party in The Help. Both women played fantastic parts, which really made the cast mesh nicely together. Bryce Dallas Howard, Octavia Spencer and Jessica Chastain were all spectacular in supporting roles alongside Stone and Davis.

When a movie doesn't have the explosions, crazy action or crude humor that we've become accustomed to seeing in newer movies there has got to be a great story attached in order to maintain your interest; The Help had that great story. There aren't many movies that have you laughing, crying, or getting angry and end up still being fantastic and that is where this one had me. With my common rule of no movie should be over 2 hours unless it is special; this one is very special. I would be surprised if there aren't a number of nominations coming.

Children: If they can handle a lot of dialog it is age appropriate for 10+ Award Worthy: YES! Nominations for: Best Actress, Best Supporting Actress, Screenplay, Picture, Director Entertaining: Yes Summer Movie Grade: A+ Is it Worth the Price of a Movie ticket: Yes Would I watch It Again: Yes

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Having never read the book but always wanting too, The help was an obvious choice whilst choosing a film for a quiet night in with friends.

Set in the 1960's, The Help tells the story of two black maids trying to make a decent living in the south. A heart warming, controversial tale of a struggle to be heard in a civilisation full of deaf ears.

Kudos to Taylor for representing both sides of the story. She portrays the ignorant racists as well as Skeeter's endeavour to make the world realise the immorality of the oppression. Emma Stone plays this well, despite bordering patronising a few times. Minny on the other hand manages to find a balance between an eye rolling, finger snapping, sarcastic stereotype and a headstrong, witty character. Aibileen also does this and still manages to keep it genuine as she creates a bond with one of the children she cares for telling her 'you is kind, you is smart, you is important' this was an important relationship in the film because it educates the audience about the emotional bond that developed between maids and those that they cared for.

Skeeter's tell all book provides an opportunity for a power shift from the black staff to their white owners and back and forth, providing a roller coaster of entertainment for the viewer.