The Fly II (1989)

The Son of Seth Brundle (Eric Stoltz) is raised in a laboratory by the company that funded Brundle's ground breaking research. He grows much faster than a normal man and is intellectually superior even at the age of 5, he is asked to continue his fathers work and begins to mix with other people, finally developing his young emotions; that is until the part of him that is Fly begins to take control.

The movie does start really well and has an interesting plot, but the acting is not sufficient enough to capture the complexities of the character and sell them to the audience.

The horror is really just a gore-fest that fails to be scary despite the desperate efforts of the sound engineers and the music score.

It's not awful, but it is inferior to the original 5/10

Fmovies: The Fly II picks up where the first Fly left off. Seth Brundle is dead, and Veronica Quaife is giving birth to their child. We learn that the child has rapid growth disorder, and we skip ahead to when he's 5 years old and a grown man. He is continuing his father's work under the watchful eye of Amos Bartok, a shrewd business man. Unknown to Martin Brundle, he carries his father's genes, and he begins to rapidly transform into a monstrous human/fly abhorration. Everything that made the first Fly so good is suddenly gone in this sequel. Just to name a few things: David Cronenberg, a good plot, good dialogue, good acting. They all decided to leave this project.

The Fly had everything. Tense, suspenseful horror, sci fi, drama, and even a sort of love story. The Fly II has got disgusting gory horror, little to no sci fi, no drama, and the love story is so underdeveloped that you might as well call it friendship with sex. The acting in this movie is so dull and unbelievable that it's pretty bad to watch. The only thing remotely okay in this movie is the FX, even though it's all used to show disgusting gore that the viewing audience doesn't really want to see.

The Fly II should only be watched if you're curious about the continuing storyline, but be warned that it is nowhere close to on par with the original.

2/10

"The Fly II"

As I write this review, I have never seen the remake of "The Fly" with Ian Malcolm - err, Jeff Goldblum - and Geena Davis. So I really have no basis to compare this sequel to. Therefore, I will continue with this review in light that I have not seen the original remake...

The film opens with a Geena Davis Lookalike giving birth to a son; she dies, the baby lives. Baby grows older, and because he is 1/4 fly, he grows at a rapid rate, for some reason. I'm not sure why this would make him bigger instead of smaller, but oh well. His name is Martin, and he turns into Eric Stoltz when he is five. Yes, you read that right. Five. Martin is looked over by the head of a company, where he is kept and given medication to keep him from turning into a fly...

But soon young Martin finds out that not everything is what it seems, and he begins to mutate into...THE LIZARD. Well, that's what he looks like, anyway.

As I watched this, I kept a careful eye on Eric Stoltz. Why? Well, as I'm sure everyone knows by now, he was originally cast for Marty McFly for "Back to the Future," and they filmed much of the movie with him before Bob Zemeckis dropped him for Fox. In fact, there is still a scene where he is diving into the Delorean that is intact. Freeze frame the film and you can see it's not Fox. I always thought that footage looked odd - like it wasn't Fox doing the stunt...

Anyway, I watched Stoltz and realized how bad he would have been as Marty McFly. He just isn't hyper enough - Michael J. Fox was perfect for Marty, Stoltz would have ruined it. He's not a bad actor, mind you. He's perfect for this role (well at least "good" for this role), but for Marty? Nah... On a side note, I'm not sure if this is a coincidence or bizarre in-joke, but Stoltz's character plays a kid named Martin...similar to Fox's character Marty McFly...Martin...Marty.... And, I thought of something else that I haven't seen someone point out before. Marty's last name in "BttF" is McFly. What does Martin turn into in this film? A FLY! Martin the Fly, Marty McFly...taking a quote from "Uncle Buck": "Is there a little similarity here? Ooh, I think there is!"

The film was directed by the creature effects artist of the original - and sequel: Chris Walas. You might recognize his name, because he wrote "Gremlins 2" and did the creature effects for "Gremlins," as well. Anyway, he directs the film pretty good for a creature effects artist...I guess...

What I like so much about this movie is its high campy quality. It is a hybrid of B horror movies from the fifties and sixties and the "new breed" of horror films in the eighties, that were like B horror movies with gore. Lots of gore. I guess it doesn't qualify as strictly campy, because the old horror movies were not so disgusting...so I just call these films the eighties B horror movies. Simple enough, eh?

I have always been a sucker for the campy horrors from the eighties, especially when they are sequels that tread into old territory. For example, in one scene we see footage of Jeff Goldblum being interviewed. Martin watches this with interest. And what I think is so interesting is that we can look back and say, "Oh, yes, that was before Goldblum knew he was turning into a fly." It's just interesting to do that. It seems like many films from the eighties would have archive footage from t

The Fly II fmovies. Yep, the same studio that made the original classic "The Fly" from the late Fifties decided that it was time to revisit the franchise a few decades later. But this sequel to the far superior David Cronenberg re-visitation is not so much a vehicle for its grade-B cast, as it is a showcase for its new director, special effects wiz Chris Walas. To his credit, he knew that this was his opportunity to go bananas, and that's exactly what he did.

Eric Stoltz is given the unenviable task of picking up where Jeff Goldblum left off, as the equally hapless son of the Seth Brundle character. Geena Davis wisely took a time-out, so a lookalike actress takes her place as Veronica "Ronnie" Quaife, who conveniently gets to die in the first few minutes, in a childbirth sequence that may make anything in the "Alien" series pale by comparison.

As ooky and icky as Cronenberg's bodily mutation-horror point of view was in the previous outing, Walas takes those cues to the 'nth' degree here, so those who are animal lovers or possessing delicate stomachs are hereby given fair warning: this is NOT a pretty picture.

Cinephiles who have wasted oceans of print criticizing THE FLY II should take note: the notices were equally severe all those years ago for RETURN OF THE FLY, when Fox tried to cash in then on the predecessor that had such a great pedigree. That cast included Vincent Price, Herbert Marshall, Patricia Medina and Al (David) Hedison.

With the new-fangled model starring Jeff Goldblum and Geena Davis, didn't anyone get even a hint of "deja vu all over again?" C'est la vie. The only person sticking around (pun intended) from the "new original" is John Getz as the unfortunate bastard Stathis Borans, and to his credit, he played it with deadpan perfection, not to mention that his character is given the sequel's best dialogue. In other words, it's pretty obvious from the way he played things that Getz "gets" it.

Even if Stoltz and the non-descript Daphne Zuniga had been up to the task of overcoming the FX bombast on display (which they obviously weren't), the producers, writers and director weren't out to surpass the last episode in quality, as much as in the queaze quotient. Only Lee Richardson as Anton Bartok, the wicked, narrow-minded industrialist bent on exploiting the late Dr. Brundle's experiments to the max, does his job admirably well. You love to hate him on first sight, and the fact that he delivers the goods makes the gruesome fate his character suffers that much more satisfying.

So, in closing, let's sum up the main points here: for classic terror and the not-so classic follow up, go back to the Fifties original and its progeny. For modern-day mayhem and mounds of moldering makeup effects, go to the creepy Cronenberg version, then do not pass go, skip lunch and try this ordeal of offal on for size. You will be grossed-out, guaranteed, and popcorn is definitely optional, skipping the extra butter, of course.

Seth Brundle's offspring, Martin, is born and begins his life in a controlled lab environment at Bartok Industries. He grows at an accelerated rate both physically and intellectually. After seeing some of the ruthless ethic that the company has towards its experiments and the length they go for results Martin goes on a rampage and escapes. Also, his mysterious and idling chromosomes start to become active and he begins to mutate. First he has better strength and speed and soon he turns into a monster.

Much of the visceral symbols and themes from David Cronenberg's film are lost at the expense of gore and special effects, but parts of this obviously inferior film are nonetheless engaging. The character's motivation is clear, the atmosphere is pretty defined, and the film's last act is pretty exciting. Featuring some good gore effects and a ruthless act of revenge against an evil character ultimately make this film more satisfying than its reputation would suggest. 5/10

Rated R for violence, gore/gruesome images, and a sex scene

I caught this movie on cable last night; this is one of those films where the memory of having seen it years ago is better than the actual film.

The production design is actually quite good, surprising when, upon closer inspection, they apparently only built one set (the lab), and the rest of the scenes-- all brief ones-- were shot at cheap locations, such as Beth's houseboat, Martin's condo, and such. The acting is decent, considering the lack of any character at all (especially braindead Beth). Eric Stoltz and Daphne Zuniga actually put some effort forth here, which is nice, considering this was probably little more than a paycheck for both.

The problem is the script. First-time director Chris Walas does well with what he was handed-- probably in pieces, from four different screenwriters-- but I got the feeling that a coherent, dramatic story arc was chopped down to a lightning-paced 111 minutes. It seems like entire scenes are missing-- or else they were never written. The bare bones I watched were perhaps merely excuses to link together special effects and make-up from Walas's FX company.

In that sense, it's kinda like a porno film. No one cares about the plot, the just wanna see the "money shot." And this one has a few-- they spent all their money on a) mutant dog ($100), b) Unlucky Security Guard #2 ($1000), c) fly cocoon ($50), and d) Alterna-Stoltz (priceless). This explains why, with the exception of Unlucky Security Guard #2, the deaths are not nearly graphic enough, and thus unsatisfying... considering how great a length the "story"-tellers go to make us hate everyone in the film who ISN'T Martin or Beth (or Borans).

The film is shot well, considering how few locations are used, though several directing mistakes jumped out, not necessarily worthy of the "goofs" section. For example, note how when Beth enters the lab, never having been there before.... at the end of scene, she somehow knows the exact command to type into the computer to open the doors on the OTHER SIDE of the room. How does she expect to find her way back to her desk? (which is apparently down the hall, less than 100 feet away... just like everything else in this building, which, by the way, we never see from the outside)

More proof there's another hour of this movie that's either on a cutting room floor somewhere, or just never got filmed. Pity the entire movie couldn't fulfill the promise of the single, memorable final shot, as the credits appear.

5/10, cuz it's half a film.