The Children of Huang Shi (2008)

After I exited the theater that screened 'The Children Of Huang Shi', I was on a cloud. This is easily one of the best films of 2008 (so far the other is Mongol). The plot concerns a foreign correspondent from Australia in China covering the Chinese/Japanese war in 1937, who gets in over his head by venturing out of the safety zone of Bejing, into the thick of the war, and gets involved helping an orphanage of Chinese war orphans. A woman doctor also gets tossed in for good measure in the proceedings. This is a finely acted drama that is a bit rough to watch at times, but is well worth the effort. You could do a lot worse than 'The Children Of Huang Shi' (does 'You Don't Mess With The Zohan' mean anything?)

Fmovies: So the posters have Chow Yun Fat's mug splattered in the center and given top billing. However, this is actually Jonathan Rhys Meyers' vehicle as he plays the central character of George Hogg, an Associated Press reporter who smuggles himself into Nanjing pre-WWII and witnessed the atrocities of the invading Japanese army. Inspired by a true story, this is about the life of Hogg as he takes it upon himself to do whatever he can to save a group of orphans he gets set up and acquainted with.

What of Chow? His Chen Hansheng, a communist fighting against the Japanese, gets relegated to supporting appearances, to give us some brief history lessons on the uneasy alliance between the communists and Chiang Kai-shek's Nationalists, as they only link up with each other to fight a common enemy when it conveniences both parties. You would come to think that, from the trailers, this is gonna be quite an action packed movie with Chow leading his group of merry men to do battle against the Japanese, but the movie employs a "fight another day" stance, and the central plot has nothing to do with that too.

And pairing up in the same movie after their Crouching Tiger, Hidden Dragon stint is Michelle Yeoh, only this time, they don't get to share any scene together, and worse, Yeoh's role as a rich merchant Mrs Wang gets severely diminished. No doubt it is clear that the prospects of uniting Chow and Yeoh together would bring in curious crowds who can't wait to savour the opportune moment, but alas they happen to be just the side dishes.

Jonathan Rhys Meyers, joined by Radha Mitchell, fresh from her battle with a beastly crocodile, takes on leading man status, as the reporter who finds himself thrusts into Huang Shi, and into the enclave of 60 male orphans, living in filth, and without hope. Strongly encouraged to stay behind and take care of them, he becomes the reluctant and unwilling teacher, but slowly wins over the hearts and trust of the children, and hence begins a fairy tale like environment that seemingly is remotely away from the war in China, except for the enemy planes flying overhead serving as a reminder.

However, it's soon that they find themselves between a rock and a hard place, with the Japanese inching closer, and the Nationalists wanting to possess their land for their use, as well as to conscript those boys into warfare. Not wanting that to happen, Hogg packs them all up, and so begins the journey proper as per what the title says.

The events that unfold are just plain sailing without any tension involved, nor any excitement built up. It just flat-lines its way through beautiful environments of mountains and plains, coupled with treacherous snows and sandstorms, but otherwise, it seemed that their 1000km trek looked quite peanuts. What's more amusing here though is how the Chinese cast look so much more comfortable speaking English - I thought Chow has improved by leaps and bounds, but Meyers and Mitchell really sounded very off in their Mandarin diction, that you'll find it quite ridiculous that the parties they speak to, can understand them totally. Brownie points have to be given for their courage to speak, and give the language a go, though again it could be playing to character as one cannot master the language in such a short period of time.

At the end of the day, this played out more like a simple account of an event that had happened (of course again with artistic license taken), and the documentary-styled interview segments at

Greetings again from the darkness. It is difficult to imagine a more powerful, emotional story than the real life heroism of George Hogg. He was a British journalist who truly saved the life and dreams of 60 war Chinese war orphans during the 1937 invasion by Japan.

The good news is that the story is remarkable, but the downside is how director Roger Spottiswoode ("Tomorrow Never Dies", "Turner and Hooch") is stuck with two miscast leads. Jonathan Rhys Meyers doesn't have the chops to pull off strength of Hogg and much worse is the downright horrible performance of Radha Mitchell as Lee, the war hardened do-gooder. The combination of these two severely weaken the film, but luckily not the story.

Chow Yun-Fat and the great Michelle Yeoh play important supporting roles and both are excellent in their English speaking parts. Both are masters at letting simple facial gestures express the bulk of their thoughts. The children in the film are a pleasure to watch, though, we really don't connect with any of them.

Some of the landscape is beautifully film and Spottiswoode does a good job of portraying the hardships of the 700 mile Silk Road journey, without it dragging the pace down. Again, the power of this story is unmistakable, but it is certainly not given its due by this rendition. Make sure to stay for the credits as we are treated to first hand memories of some of the surviving children (now very adavanced in age, but extremely lucid).

The Children of Huang Shi fmovies. The only reason I decided to watch The Children of Huang Shi was because of the presence in the cast of Chow Yun-Fat and Michelle Yeoh, two legends of Asian cinema whose work has been hugely enjoyed by me on many action and martial-arts movies.But, before watching The Children of Huang Shi, I already knew I was not going to see Yun-Fat sliding on a stairs' rail with a weapon on every hand, killing gangsters to right and left; and that I was not either going to see Yeoh spinning through the air before kicking the oppressor (or something similar) of a humble town.So, let's say that my expectations for this movie were not too big, and even like that, the final experience did not leave me very satisfied, although I cannot say I disliked the experience.

Director Roger Spottiswoode made good works on previous war films he directed (Hiroshima, Air America and Under Fire) and he backed to present a realistic war setting in The Children of Huang Shi, because he could create a good atmosphere and very well filmed war scenes.On the other side of the coin, we have a not completely solid screenplay which falls on many clichés: the stoic Occidental hero helping the "primitive" Asians; the nurse who has a harsh attitude but who is secretly vulnerable; the innocence of the kids going beyond of the horrors from the war...I wanna let clear that all my complains are against the weak structure from the movie and not against its good intention of honoring the memories of all the people who died during the war portrayed in here.

It is not difficult to imagine the story of this movie being made during the 50's, with Spencer Tracy and Bette Davis in the leading roles, but with France instead of Japan as the oppressed country.However, that stale sensibility does not grow old with too much grace, and now, in the 21st century, the pretension of setting the English hero imposing his values on the "inferior" foreigners skirts on the most condescending racism.Or, expressing all that in other words...would this movie have been made if the hero was not an interpreted by an attractive English actor (Jonathan Rhys-Meyers) with good commercial expectations? I am used to see that kind of hypocrisy on Hollywood films (an example which comes to my mind at the moment is The Last Samurai), but it is obvious that also international productions like this one are not free of falling on that temptation.

However, in spite of not having left me very satisfied, I think The Children of Huan Shi deserves a slight recommendation because it is not boring, the performances are decent and the direction is good.If I had to summarize this film, I would say it is not bad, but it is mediocre and I feel it could have been better.

Gripping and intense film depicting terrible deeds during Japonese invasion in Shangai and Nanjing (1937) . After that, at the city take place violations, mutilations, and massacres. Some prisoners are interred in a prison camp but later they are led to fire squad, scaffold and alive burying. Later on , an orphaned children group escapes led by the journalist named George Hogg (Jonathan Rhys Meyers), a nurse (Radha Mitchell) and a communist Chinese (Choe Yun Fat).

Director de-glamorizes war showing true horror and terrible events . It's a staggering evocation of the Chinese Holocausto in Nanjing , as the atrocities are depicted matter of factly as by-product of sheer Japanese evil. The opening twenty minutes in which the reporter appears as hidden observer turns out to be a graphic depiction the facing off is , on its own, and is magnificent . As the exciting beginning results to be pretty stirring , the developing of the movie regarding invasion China is partially similar to ¨Empire of the sun¨ and suffering of the children on the escape is really moving . The starring, Jonathan Rhys Meyers, and the rest of the cast are excellent , as the movie is powered by splendid performances in charge of American and Chinese actors who during filming suffered some inevitable pains for the hard environment . Filmed in perfect color by cameraman Zhao , reflecting appropriately the Chinese scenarios . Spottiswoode makes a breathtaking work which directs spectacularly with groundbreaking scenes in a heartbreaking context . He dedicated long time joining information and interviewing experts for that scenes would adequate to reality of events. This masterpiece finally didn't garner the world attention and respect that the story deserve and had a regular box office . The motion picture is acceptably directed by Robert Spottiswoode who realizes a spectacular and impressive production. He's a successful director from TV movies and cinema, as terror genre(Terror train), adventures(Air America,Shoot to kill), Scif-Fi (6th day), James Bond film(Tomorrow never dies), and his best movie is ¨Under fire¨.

The film is based on actual events about George Hogg , a courageous British reporter , who along with a brave nurse saves a group of orphaned children during the Japanese occupation of China in 1937, these are the following : George Aylwin Hogg (1915-July 22, 1945) was an English adventurer. He was a graduate of Oxford University in economics. He is known as a hero in China for helping New Zealander Rewi Alley save 60 orphaned boys during the Second Chinese-Japanese War, including leading them 700 miles (1,100 km) through dangerous mountain passes, escaping the approaching Japanese secret police in the Shaanxi area .Hogg then decided to relocate the boys to Shandan in Gansu Province 700 miles (1,100 km) away. The first half (33) left in November 1944 and in January 1945, the remaining 27 boys followed. They traveled heavily snow-covered mountain roads by foot. After a month of travel by foot, 450 miles (720 km), they arrived in Lanzhou.Hogg hired six diesel trucks to complete the trip. Early March 1945, Hogg and his boys arrived in Shandan. Alley rented some old temples, turned them into classrooms and workshops, and appointed Hogg as headmaster .

This is a top quality movie; it is inspirational. Jonathan Rhys Meyers' acting was superb. The scenery was beautiful and the children were touching. I highly recommend this movie. Here was a true hero in every sense of the word. George Hogg risked his life to save the lives of innocent children. He also risked his life to publicize the truth. His parents were courageous pacifists. He struggled with the dilemma of when pacifism is appropriate and when fighting back is appropriate. Yun-Fat Chow and Michelle Yeoh were also outstanding in their roles. It was interesting and informative regarding a period of history and location that is not that widely known about in the West.