The Burning Poster

The Burning (1981)

Horror  
Rayting:   6.5/10 16.2K votes
Country: USA | Canada
Language: English
Release date: 8 May 1981

A former summer camp caretaker, horribly burned from a prank gone wrong, lurks around an upstate New York summer camp bent on killing the teenagers responsible for his disfigurement.

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WritnGuy-2 29 September 2001

"The Burning" showed up on Showtime late one night, as I've noticed many rare films have (one time, I saw a really strange Italian action-adventure movie from the 80s, complete with bad dubbing and all) so I decided to tape it, hoping to finally see the infamous "raft scene," which was probably the only reason I wanted to see this.

Well, let's just say the movie didn't live up to ALL my expectations, but it wasn't terrible. The story is fairly generic, complete with rehashed backstory about Cropsy being burned to near-death by some mischevious campers. After five years in the hospital (!) he's finally released, so what's the first thing he does? Solicits a prostitute, of course, with terribly gory results. Eventually, he makes his way to a summer camp, armed with some gardening shears, to do some dirty work as only a slasher movie villain can.

The real deal doesn't start until some counselors and campers (well-established in the "Meatballs"-like interum of forty minutes) head off on a canoeing trip down the river. Cropsy comes along, and only then manages to do away with some (not enough) of our unlucky characters. So, who are these people? Well, there's Todd (Brian Matthews), the brawny head counselor who only wants everyone to get along; Michelle (Leah Ayres), his likable co-counselor and girlfriend, I suppose; Alfred (Brian Backer), the weird outcast who seems to eternally annoy Glazer (Larry Joshua,) our stock bully character. Rounding out the main characters are Karen (Caroline Houlihan) and her slimy boyfriend Eddy (Ned Eisenberg), kindly prankster Dave (Jason Alexander), Glazer's girlfriend Sally (Carrick Glenn), and Woodstock (Fisher Stevens), who...well, who's just plain weird, and he's got the stupidest laugh ever.

Anyway, most of these people are all killed before the credits roll, and only the ones you really end up liking survive. As far as who survives, well, it's usually a bit more predictable earlier on in the movie. Took me a while to figure out who was playing who. I thought Karen was the "final girl" at first, and Michelle was the slutty friend. In the end, though, there really is no "final girl," at least not in the conventional manner. Sure, there's a female character left standing (I wonder who, take a wild guess) but most of the climactic action is left to two male characters, which while unique to the genre, did not work for me. I mean, I realize that Alfred's character was supposed to be sympathetic and we were supposed to worry about him during that delirious, never-ending run through the woods, but that job is better performed by a token heroine. I guess I'm just old-fashioned. I don't mind a male hero (sort of expected, I guess) but when all the heroine is given is one scene of peril, and then some dull scenes on a boat, the tension all but dies away for me.

Anyway, speaking of all this carnage, the gore in this movie is unbelievable. I definitely winced a few times (particularly with the prostitute's murder) and would expect nothing less from Tom Savini. And that, my friends, leads me to the raft scene. It was, I'm sorry to say, a letdown. I mean, the suspense that builds as you realize what's going to happen in the scene, is really well-established, and I was on the edge of my seat. But then...it's over in a few seconds. The scene is extremely rushed and while somewhat gory, didn't really seem like a whole lot of carnage. Now, I'm

Infofreak 17 December 2002

Fmovies: There's no disguising the fact that 'The Burning' is a rip off of 'Friday the 13th' so I won't bother arguing about it. The most important thing is that 'The Burning' has more likeable characters and they are killed off in gorier and more flamboyant ways. This makes it one of the few knock offs that I can think of that surpasses the original. The thing that really makes this outstanding isn't the handful of actors in the cast of unknowns that went on to bigger and better things (Jason Alexander, Holly Hunter,etc.), but Tom Savini's realistic and gruesome effects, some of his best work. I don't think you really watch a slasher movie for much more than some shocks and some gore, and this has both in spades, making it one of the very best slasher movies of the 80s. This genre isn't my favourite kind of horror, but I enjoyed 'The Burning' a great deal, and the uncut version is worth tracking down for the raft sequence alone, which is unforgettable and very, very cool. Recommended, but not for the squeamish.

ersinkdotcom 9 May 2013

I believe I've found what must be the seminal summer camp slasher film of the 1980s. It captures every element of the decade's obsession with movies like "Friday the 13th" and "Meatballs" and puts them in one package. Shout! Factory has scored again with their Blu-ray release of "The Burning."

The caretaker of a summer camp is burned alive and left deformed after a prank goes wrong. Years later, he's released from the hospital and returns to the area where the accident occurred. A new group of campers have arrived for the summer and he has horrific plans for them. Hedge clippers in hand, the caretaker begins his reign of terror on the counselors and attendees.

"The Burning" has the raunchy toilet humor of "Meatballs" mixed with everything you came to expect from slasher films like "Friday the 13th" and "Sleepaway Camp." You have nice girls making bad decisions by hooking up with bad guys. Unfortunately, the killer sees all and punishes them for their perverse deeds.

I always thought the killer in "Friday the 13th, Part V: A New Beginning" was the first to utilize hedge clippers. I was very wrong, as you can see in "The Burning." It's obvious the psycho in "A New Beginning" took inspiration from the crazy caretaker.

It's unbelievable how many big names are attached to "The Burning." Harvey Weinstein created and co-wrote the story. Bob Weinstein co-wrote the screenplay. Special Make-up Artist Tom Savini returns to camp for a second time after his classic work on "Friday the 13th." His handiwork keeps the blood flowing efficiently.

Brian Backer plays a character more annoying than the one he did in "Fast Times at Ridgemont High." Jason Alexander (yes, George Costanza) portrays a sporty and popular high schooler. He has a full head of hair and doesn't wear glasses. Holly Hunter can be seen briefly as a camper. She looks like she was maybe 13 years old.

"The Burning" is another one of those cult classics many people forget about in the shadow of "Friday the 13th." If you're a fan of 1980s slasher movies, it's a must-own.

Casey-52 27 September 2000

The Burning fmovies. How many times in film history has it occurred that a rip-off is better than its source material? Well, in horror films, it happens a lot and THE BURNING is a fine example. The first film churned out by modern powerhouse Miramax, THE BURNING delivers the goods and that's that.

The storyline: a janitor at a summer camp is the victim of a fiery prank and returns years later to exact revenge on teens at a summer camp across the lake from his old stomping grounds. OK, not so original...in fact, you might say that it reminds you of FRIDAY THE 13TH, right? Duh, by now, you should know that this is an F13 rip-off. But here's the great part: this movie is not only gorier than F13, it is better acted, better paced, and has better characters. Three of them are played by future stars Jason Alexander, Holly Hunter (with no lines! Ha!), and Fisher Stevens! Alexander even has hair, but he plays the typical fat guy jokester. He doesn't get butchered, though.

Tom Savini supposedly turned down F13 PART 2 to do the special effects for this film. It's pretty good that he did this since the effects are part of the appeal of THE BURNING. The highlight of the film: the dispatching of an entire group of kids on a raft using giant shears! Truly amazing!

THE BURNING was severely cut by the MPAA and international censors as well. It has yet to turn up legally uncut in the US (other than a brief uncut video release) and it is aching for a DVD release by Anchor Bay! Until then, try to find a copy at your mom-and-pop store. You will not be disappointed!

Libretio 4 April 2005

THE BURNING

Aspect ratio: 1.85:1

Sound format: Mono

An abusive caretaker at a lonely summer camp is disfigured by fire during a prank which goes horribly wrong. Five years later, he returns to the area to take revenge against one of his former persecutors (now a camp counsellor) and the kids in his charge.

Makeup artist Tom Savini rejected an opportunity to work on "Friday the 13th Part 2" (1981) in order to create effects for Tony Maylam's THE BURNING, yet another in the assembly line of low-budget horror movies which emerged in the wake of HALLOWEEN (1978). Savini warned the film's producers - including a fledgling Harvey Weinstein! - that the script for THE BURNING shared uncomfortable similarities with the "Friday" sequel, though fans may have been too dazzled by the gruesome set-pieces to either notice or care. In truth, THE BURNING shares only a handful of superficial details with "Friday 2", including a late night campfire episode in which the villain is dismissed as an urban legend, culminating in a false 'scare' which today's audiences will probably see coming a mile off. Despite a couple of groan-inducing incidentals ("Oh, I forgot my vitamins - I'll have to go back to my cabin through the dark, creepy woods!"), the narrative develops organically from one scene to the next, and characters react believably to the escalating situation. Unfortunately, the climax - set mostly within an abandoned mineshaft - is staged and executed with little flair or suspense, and amounts to something of a major disappointment.

Of course, the main point of interest - besides seeing some familiar faces in early roles, including Jason Alexander (TV's "Seinfeld"), Fisher Stevens (SHORT CIRCUIT) and an unrecognisable Holly Hunter - is Savini's horrific makeup effects: Victims are slashed, stabbed, punctured and poked in graphic detail, and blood flows copiously from some horribly convincing wounds. Indeed, the film reaches a crescendo of horror during a notorious sequence involving an 'abandoned' canoe (I'll say no more), one of the most vicious set-pieces of the 1980's 'slasher' cycle. Briskly paced, and scored with a series of electronic doodles by no less than Rick Wakeman (!), THE BURNING may seem awfully simplistic to modern viewers, but it delivers the gory goods in no uncertain terms. The movie was censored for an R-rating, but the uncut version has since been released on home video.

Fella_shibby 2 April 2017

I first saw this in the late 80s. Revisited it recently on a DVD. Weinstein brothers made their debut with this poor man's Friday the 13th done right. The special effects were done by Tom Savini n he nailed it. The raft scene is the best highlight. Lots of stabbings via the gardening shears, slashings, severed fingers, etc. It's definitely worth a view for fans of slasher movies. There is sufficient violence n nudity but the sex scene is one of the lamest. The plot- a group of kids decides to play a prank on the caretaker of a camp. The joke goes bad n the victim sets himself on fire. He is released after five years from the hospital but his face has been deformed n he seeks vengeance. The cast included future well-known actors. The movie is full of slasher clichés, wandering away from everyone for a nude pond dip, having sex in the woods, going down to the basement alone, not defending oneself but rather running helter-skelter, not making an effort to make sure that the killer is dead once its down. The movie has one very different aspect, there was no waiting until the end for the big reveal of the killer's identity, its fully revealed from the onset. The cinematography is decent with the lush greens of the camps surrounding forest n the images of flowing water.

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