The Bridge (1959)

A couple of days before the end of World War II, seven sixteen year-old German boys of a small village are recruited for military service. The idealistic Hans Scholten (Folker Bohnet), Albert Mutz (Fritz Wepper), Walter Forst (Michael Hinz), Jurgen Borchert (Frank Glaubrecht), Karl Horber (Karl Michael Balzer), Klaus Hager (Volker Lechtenbrink) and Sigi Bernhard (Günther Hoffmann) join the army on 26 April 1945 with great expectations and enthusiasm to defend their motherland Germany in the front against the will of their parents. Their English teacher Stern (Wolfgang Stumpf) unsuccessfully tries to convince Commander Fröhlich (Heinz Spitzner) to refuse the enlistment of the youngsters. After one day training, the soldiers are summoned to the front but the Commander of the 463rd Battalion of the 3rd Company assigns Sergeant Heilmann (Günter Pfitzmann) to stay with the rookies "protecting" a useless bridge in their village in order to spare the boys. However, in the chaos of the imminent defeat with German soldiers fleeing from the American troops, Heilmann is murdered and the boys defend the small bridge with their lives on 27 April 1945.

"Die Brücke" is another powerful and impressive German film about coming of age in times or war. This anti-war movie probably reflects the thoughts of the brain-washed youngsters by the Nazi ideology and propaganda in the 40's and is heartbreaking to see sixteen year-old boys playing war like a game and without awareness of the seriousness of the situation. Being a father, it is also very sad to see the powerless widows and mothers trying to protect their enthusiastic sons that want to fight to defend their country. The realism of this dramatic movie is awesome and totally different from the approach of Hollywood movies, where Germans are usually evil soldiers and the situation of the civilian population is forgotten, but unfortunately it has not been released in Brazil on VHS or DVD. My vote is eight.

Title (Brazil): Not Available

Fmovies: Made in 1959, "The Bridge" is one of the few films from the former West Germany that squarely faces the theme of Nazi defeat. It is a courageous work where content is all important, so much so that it hardly matters that the direction is rather limp and pedestrian and the acting somewhat less than impressive. It is an elegy to lost youth concluding with a caption that vents such anger through the irony of understatement that it earns without question a rightful place among the most seriously committed of anti-war films. The setting is an unspecified small town in Germany where to begin with, apart from a bomb dropped in the river and conversations about hardship and shortages, the war seems far more than a distant rumble away. We follow a group of seven 15 year old boys at school and play until the time when the rapidly approaching American front necessitates their call up and hasty military training. As the military front creeps ever closer they are given the role of defending a bridge over a river, the wisdom of which is seriously questioned by several of their superior offices but which they eagerly take on in the spirit of boyhood heroism combined with what one can well imagine to be the ideology instilled into them by past experience of the Hitler Youth. The terrible last half hour in which their baptism by fire is recorded in graphic detail through the stages of excitement, terror and death is gruelling to watch, the more so because the youth of the sufferers generates so much anger at such waste and loss. I would not for one moment claim the "The Bridge" is in the same league as Kubrick's "Paths of Glory", Helma Sanders-Brahms's "Germany, Pale Mother" or Klimov's "Come and See" - Bernhard Wicki is a lesser director who never quite succeeds in making each of the seven protagonists a memorable character - but nevertheless he manages convincingly to flesh out in dramatic form the terrible reality behind that awesome newsreel footage of Hitler encouraging boy troops amid the rubble of Berlin. "The Bridge" brings home more than most films the madness of it all.

Once you got used to the fact that this movie is b&w (which I think does create the movie atmosphere the more 'authentic'), you get a good insight in the German state of mind towards the end of WWII. The elders get the sense that "the cause" is lost (nobody in his right mind after Stalingrad believed in the >Endsieg< - definitely the least the Nazis themselves!), the teens however are stuck with their NS idealism, marred by the fact that first love, sex and self expression are difficult to handle during these times of change ... Well, I love the movie since I first saw it in Germany as a teenager,it is also very apparent to me that Steven Spielberg has seen this movie - it definitely influenced his 'Private Ryan' epic, which is surely a better "graphical" war movie, however typically for the US mentality today and yesterday: war is still good if your a patriotic guy on the good side ...

well just get it, watch it!

The Bridge fmovies. I had heard about this film from a book on war movies. It actually took me quite some time to find it, but I'm very glad I was finally able to see it.

Since this movie is old, and seemingly all but forgotten, I have little knowledge about the making of it, the writer and director's background, or anything else besides the film itself and the comments on this page.

With that in mind, I can say that I was fascinated with this film and was moved and disturbed by its conclusion. Yes, I agree with someone's comments below that there is not much evidence in the movie that the war is humiliatingly flattening Germany. However, I do believe that there were some small town areas that escaped the bombs, and were able to survive from the farmer's produce. What is probably least authentic about the movie is the absence of refugees (although they are mentioned) and the boys' lack of serious Hitler-Youth indoctrination--they do believe in the third reich, however, they never wear HJ uniforms or go to meetings. The Hitler Youth were fanatically loyal to the Nazis, and became the main menace to the allies in the closing months of the war.

The main theme of this movie is the pure waste of Germany's youth by the Nazis. That is the main difference between the closing sequence in this movie and the one in "Saving Private Ryan." These boys died for nothing. The boys that died in this film were like thousands of others killed in this war--brainwashed youth fighting and dying to prolong the Third Reich and Hitler's worthless life for a few more weeks.

This is a very interesting movie for today's American viewers. Although it was made about 15 years after the war, it still has an aged, foreign look and feel to it, and the war has to have been recent in the filmmaker's minds. It is also interesting to see the Americans portrayed as "the enemy." They are treated in the same fashion that American filmmakers usually depict their enemies. The movie will still have everyone sad for these forgotten, abandoned boys. I felt particularly sad for the boy strafed by the plane. Grade: B+

I saw this film at Umass for my German film class in 1990-- this was easily the best of the films that I saw throughout that semester - and the plate was full - Metropolis, Cabinet of Dr. Caligari, The Blue Angel, M - all fantastic films but this one was the best. Very riveting and fantastic performances from the teens. Saw "The Thin Red Line" two weeks ago and was sorely disappointed - this is one of the best war movies of all time - too bad nobody over here in the States has ever seen it but me and maybe 20 others. They have to settle with Hollywood crap. A 10 out of 10.

In my opinion is the best war film I've ever seen. The story is one o the best examples of the nonsense and madness of war. Seems incredible that this movie has been done by Germany and released after 14 years since the end of the war. You can see a traumatic passage from childhood to maturity in the principal characters. The film is from the late fifties so there is no big special effects like "saving private Ryan". Also, the movie is not showing a major and historical battle, with a lot of soldiers and tanks fighting between explosions. In fact,the war scenes can be seen only in the last half hour. The final scene on the bridge is one of the most disturbing scenes of war films.