The Black Balloon (2008)

This film is an effective coming-of-age drama with the backdrop of autism. Erik Thomson plays a shy 16 year old who's constantly embarrassed by his severely autistic brother, an excellent Luke Ford. Toni Collette plays the pregnant mother and is solid as usual. The drama never becomes morose and there's a playful tone running through the film. Some events are predictable (like the taunting by class-mates and social awkwardness) but they are probably part and parcel of every coming of age drama. The film shows in harrowing detail what it's like to take care of someone with severe autism. Informative and worth watching.

Overall 7/10

Fmovies: the actors, they were astonishing... simply astonishing.

this is a beautiful movie, humane, sentimental, TRUE and not "drama" actually. Why say its a drama? its reality! its LIFE!

I don't have an autistic person in my family, but i know people who have, and I've met children who are autistic. Everybody should know, what this means, what its like for a family, and its members. but most of all, everyone should see, what a human being is capable of, the love, the care, the beauty, the sensitivity, the tolerance, the acceptance, but also all the negative sides, the ignorance, the desperate moments, the anger..

the best movie .... I've seen in years. the only meaningful movie I've seen in years. bravo... to all the participants, the writers, the actors, ... bravo.

The Black Balloon opens with an awkward dance between filmmaker and audience, the latter trying to suss whether the able-bodied actor is playing an autistic character or is lazily impersonating the illness, all obvious ticks and embarrassingly broad gestures. Filmmakers often deploy mental disability for shallow manipulation (hello The Proposition), wherein the strings of the characterisation appear painfully obvious.

It becomes apparent, however, that debut filmmaker Elissa Down has instead crafted a very fine and perceptive film, indeed. A semi-autobiographical, coming-of-age drama, The Black Balloon connects for its frank exploration of a difficult subject. Though she opts for every cliché imaginable- the ocker father (Erik Thompson), the tireless mother (Toni Collette), the wish-fulfilment girlfriend (model Gemma Ward), family strife- Down has weaved these seams for surprisingly effect.

Sixteen year-old Thomas (Rhys Wakefield) is an impish, often self-involved hero, perpetually embarrassed by his autistic older brother, Charlie (astonishing newcomer Luke Ford). Though his pregnant mother is confined to bed rest, Thomas often shirks his responsibilities and becomes prone to intense bitterness. The Black Balloon darkens sooner than you would expect for an Aussie drama and honestly reflects upon the repercussions of Thomas' selfish behaviour.

Down's direction is very strong and visual, especially in the moments of Thomas' embarrassment and anguish, culminating in a brutal sequence at the dinner table. The violence here is sudden and deserves full credit for its unexpected impact. Although heartfelt and touching, Down's film is never cloying and earns its warm moments through genuine pain and reflection.

The Black Balloon fmovies. Elissa Down has used her personal experience of growing up with two autistic brothers, one of whom she describes as a "Rainman" character, and the other the inspiration for Charlie, the autistic and ADHD-afflicted brother of Thomas. The story is touching, sometimes side-splittingly funny, sometimes tragically upsetting, but ultimately uplifting. There isn't a weak performance, and as usual Toni Collette gives a believable portrayal of a mother whose strength holds her family together. Luke Ford is amazing as Charlie, reminiscent of Leonardo Di Caprio in "What's Eating Gilbert Grape?" It's good to see an Australian film that tackles such a difficult subject, and does so brilliantly.

This true to life film is a inside glimpse into a family that is, at its core, held together by the mother. Toni Collette plays the mother of an autistic son. Her performance is real and a driving force in the film. Her autistic son Charlie is a trial for the entire family and for his mother, whose life is so static and day in day out, she has come to accept Charlie for the person he is and she does this through simple love.

At the center of the story is the other son, Thomas (Rhys Wakefield) and his burden of keeping his brother Charlie a secret and his further burdens of family life. When father Simon is away from the home it is Thomas who tries to run the household. Charlie is played by Luke Ford who gives a wonderful performance (remember him from The Mummy: Tomb of the Dragon Emperor). Their family struggles with bouts of seeming normalcy and shocking bits of harsh truth and bitter reality.

Thomas develops a strained relationship with a girl that is nice to him. This girl, Jackie (Gemma Ward) is striking and upon making it clear that she likes Thomas finds that he doesn't know how to deal with this. Both solid performances by Gemma Ward, a model, and Rhys Wakefield with his truthful, from the gut acting.

Written and directed by Elissa Down, who has two autistic brothers in real life, obviously brings her experiences to bear and is innately able to bring pressure to this trouble torn family while bringing out some very emotional love. The winner of this film is Toni Collete whose acting through the turmoil is completely convincing. The acting together with a strong script really make this a movie worth seeing.

Life isn't easy for Thomas. Living as the younger brother in a family of four, with a fifth on the way is hard enough to begin with. It's even worse when the older brother is severely autistic and unable to care for himself in any way. So, quite naturally, Thomas struggles with growing up.

Films dealing with family lives like this only work when they show all the sides to a story and this one does it well. All the members of the family are properly introduced and their interaction is done well enough to give the impression that it is a perfectly normal family, which has a specific difficulty added to it.

The complexities of living with a mentally handicapped person are brought out well enough without ever being overly sentimental and, as far as I know from the interaction I have had with several autistic people, real enough.

All in all it is a real good film about growing up and growing up with a tremendous challenge making it harder on you. I loved it, and even more so because I know what Thomas went through from personal experience.