The Believer (2001)

The movie opens with a quote, "I love and Hate, but I don't know why" or something along those lines. I don't know if you have ever had an ex-girlfriend or anything like that. But I do know that people who have had bad break-ups, claim to hate the person that they broke up with even though they really love the person. The love is very strong, yet they can no longer be with the person that they love which leads to feelings of hatred that are actually sourced in love.

This movie really played on Danny's relationship with God in a similar way, and this is just one of the ideas that "The Believer" provoked. In the movie Danny, as a child, "dumps" HaShem (literally "the name"--the Jewish God) right in the middle of the classroom. While he hates God on the one hand, on the other hand he loves God and desires to think about Judiasm and Torah all the time. Thus he becomes a Nazi. He can obsess over God and Judiasm, yet still claim to hate them both. This is an extreme version of a dynamic which is at play amongst many Jews and non-Jews today. They spite religion, hate practitioners, and despise God. The movie really outlines this idea well, and it really answers how one can come to love God without this hatred. One must lose his ego and submit to God and his faith based Law.

Because of the protagonist's hatred for God and Torah he believes in the anti-thesis of the Jewish God and Torah--that is Nazism. Yet in order for him to hate God, the Jews and Torah, he must first love it and assert its truth. You can't hate something you don't even believe in. Thus it is absurd to call Danny an atheist in any sense. His hatred presupposes a strong belief and a strong love. When he sees the Torah being desecrated he realized this dynamic, this love-hate relationship between God and himself. His obsession with Jews, God, and Torah was his love not his hatred, but yet he could not lower his own ego enough to say that he loves it. He could not submit God and the Torah.

This happens to many Jewish people as well as non-Jewish people today. I hope that by making this dynamic explicit, people will read this article and realize that this dynamic is at play in themselves, and it will help them submit in love, rather than fight in hatred. That is why this movie is so good, it makes clear something so difficult to explicate. In order to get a lot from watching this movie one must really think about the psychological and theological dynamics that are at play. It is really very accurate and very thought provoking.

Fmovies: Like "Romper Stomper" and the intensely powerful "American History X," here we have another brilliant film which revolves around National Socialism and the fiercely racist ideals behind it. This movie, however, varies strongly from the two previously mentioned in that it seems to have been researched far more heavily, and, focuses on not a general Neo-Nazi or skinhead, but on a young Jewish man—who has turned to Neo-Nazis and fascism for strength. This film revolves around a young man who was born and raised into Judaism only to become heavily fed up with the styles, rules, rituals, and apparent hypocrisies therein. Ever since his youth he'd been questioning the Jewish faith and the very meaning of being Jewish. The film follows him as he struggles with the faith he was raised with and the Nazi ideals he adopts against it. Through it all, he also struggles with his own identity and the hypnotic way that these two opposing ideologies have power over people. On top of that, he's later recruited by a group of neo-fascists, so to speak, looking to make fascism a reputable political movement, much like Communism has evolved into Democratic societies these days as Socialism. Here's the breakdown: The Good: --The acting, for the most part is excellent. --The amount of information about both Nazism and Judaism is staggeringly well researched. At least, that's how it seems. --Nice cinematography and atmosphere. --Interesting story. Didn't Hurt It, Didn't Help: --Decent music. --This film focuses very little time on "Neo-Nazis versus everybody;" it's more about Nazism and Judaism butting heads. The Bad: --Often times with movies of this nature, Nazi Movies, there is strong violence used in part to hammer home the intensity of the subject matter. This film focuses on the ideologies more than the violence and as such, actually doesn't feel as powerful as, say, "American History X." --During flashback sequences where we see the main character in his youth in school, the kid playing the part isn't exactly a great actor. --Somewhat predictable ending. The Ugly: --With the ideologies, stories, and characters—there's an awful lot going on in this film. Unfortunately, when the movie ends, if feels like there was a lot left unanswered, or simply, not fully explored. Memorable Scene: --There were actually quite a few. For me, it was the first several times we get to know the girl who becomes the main character's love interest—and all the ways it seems she's just not right in the head. Acting: 8/10 Story: 9/10 Atmosphere: 7/10 Cinematography: 8/10 Character Development: 9/10 Special Effects/Make-up: 0/10 (Movie didn't require any) Nudity/Sexuality: 3/10 Violence/Gore: 6/10 (Not as much violence as is common in films of this type) Dialogue: 9/10 (Some brilliant conversations and ideas throughout) Music: 7/10 Direction: 8/10 Cheesiness: 1/10 Crappiness: 0/10 Overall: 9/10 Be prepared to stomach a lot of harsh words and racism, but this is an intense film with a lot going on. Another one recommended to those with an interest in National Socialism, Judaism and their histories and ideologies. Full-fledged Nazis, ironically, will not like many of the directions this movie takes, and neither might serious Jews—the views expressed in this film are that strong. My final rating comes from the overall intelligence and strength of the film, despite is drawbacks.

Inspired by real events, The Believer tells the story of a young Jewish man who is contradicted by his beliefs in neo-nazism. Ryan Gosling (Remember the Titans) plays Danny Balint, a Jew by birth and upbringing, who's ideas about the religion lead him into a world of denial and hate. Flashbacks show the viewer how Danny struggled with his early teachings of the faith and his lack of understanding would result in his decision to be a practicing, race-hating skinhead.

Along the way, Danny meets up with Lina and Curtis played graciously by Theresa Russell and Billy Zane who want to recruit Danny and use his persuasive talents to advance their cause as fascists. It is in his first meeting with this couple that Danny also meets Carla (Summer Pheonix), a confused young girl who eventually befriends Danny and soon begins her quest to best understand the Jews through their language and traditions.

In a later scene, Danny finds himself at a white supresmist training camp and meets other skinheads with the same hatred and desire to rid themselves of the Jewish population. Danny befriends the group and garnishes their respect with his fighting tactics, and on one fateful night, the group land themselves in jail after initiating a fight with two blacks on the street.

It is here that the most disturbing and challenging scene of the movie takes place where the group is forced by the courts to enter counselling for their crime. This counselling would include Jews who survived the holocust who tell their story to the unappreciated skinhead audience. While the others argue that the Holocost never occurred, Danny is haunted by the story of an elderly man who tells of a German Soldier who stabbed and killed his son with a bayonette during World War II.

This then leads Danny down two separate paths. On one side, he is a race hating monger, who begins to build bombs for the purpose of blowing up a synagogue. The other, a conflicted man of the Judaism faith who teaches Hebrew to his girlfriend and still practices the basics of the religion (don't light the candles at Yom Kippur before eating).

Director/writer Henry Bean does a masterful job of keeping the pace of the movie going, while not being preachy or dumbing down to the audience. The director crafts the film and does not shy away from religious interpretations (why can Jews have cheese with meat, but they can have chicken with milk), without giving us his version of the answers. Dannys scene with the reporter from the New York Times is both honest and gripping in its language and its portrayal of a man trying to justify his racist views.

Portrayed as an articulate and intelligent youth, Ryan Gosling sparkles on the screen and gives a commanding presence that is award winning material. He reveals the character to be someone of higher intelligence who hates his religion because he just can't understand all its principles. When Danny is first confronted with an opportunity to kill a Jew, he can't bring himself to promote the results that he preaches.

In short, the movie has powerful moments, great acting and tells an unbelievable story of one man's quest to understand the world he was brought up in. B+

The Believer fmovies. When I read a description of this film, I thought it would go overboard in the violence and "shock sequences." I was relieved and impressed that it left most of the violence to the imagination. The shock value comes from other places--the content, the dialogue. This is a very thought-provoking and smart movie, not at all preachy (and it easily could have been preachy). The acting is unforced and its story does not fall into the "American History X" trap: Its main character does not become an "all race loving" good guy. The protagonist in "The Believer" is a tortured soul, and his fate (although somewhat predictable) is fitting after the events in the film. This movie is another example that cable movies occasionally surpass theatrical movies in their subject matter and execution. Very well done.

The Believer is the kind of film that has social relevance beyond the contents of the actual film. Highly-censored through corporate teamwork, The Believer was never picked up by a major distribution house because of its provocative subject matter. The film demands a re-examination of beliefs and a discussion. Isn't this the kind of provocative free-thinking that the medium is about? The Believer is one of the top 5 films i've seen in the last few years, in regards to disturbing consciousness. It is the kind of movie that can help us understand one another a little better. A MUST SEE!

I think I first saw Mr. Gosling in Murder by Numbers, in which he played half of a modern-day Leopold and Loeb murder team. In that good-but-not-great thriller, he did a fine job with an easy role: the smarmy manipulator who's convinced his Intellect is so superior to everyone else's that he has the right -- no, the obligation -- to kill those inferior to himself.

In The Believer, Gosling plays the young fascist who really seems to believe the antisemitic vitrol he spews. His skinhead punk is just as scary, believable and *common* as Edward Norton's in American History X -- with the added layer of being from an Orthodox background. He has apparently convinced those around him that his fascination with all things Judaic is only an effort to "know his enemy thoroughly" -- nothing more.

Gosling is nothing short of astounding in this role. He richly deserves all the honors bestowed upon him. If he continues to only get roles like Murder by Numbers, it will be a waste of a wonderful natural resource, kind of like strip mining in Yellowstone.