Sylvia (2003)

I watched this movie as suggested by a friend, knowing nothing about the poetess Sylvia Plath, except some biographical hints, which can be a fault (in the sense of a too much unconscious and unprepared approach) but also an advantage, since you are in a condition to judge the movie for what it is and without any prejudice. I perceived the movie as a delicate, intelligent, and artfully crafted portrait of a woman, whose inner psychological distress overwhelmed her and affected her artistic life so much as to become one thing with it.

What I certainly appreciated is the modest and almost detached attitude the director chose to deal with the theme, the never excessive underlining of too torturing traits of the poetess' s grieve. What the viewer gets is the portrait of a delicate, too sensitive, but innerly tortured woman, without having to face too much, as a form of respect towards the woman and her painful life, as if (and indeed it is), depression and mental disorder were something belonging to such depth of a soul that trying to render it too explicitly becomes a misleading, fake, if not disrespectful attempt; the final result being intense but never obtrusive.

A little underdeveloped, maybe, is the relationship with the mother, and in general we are not given he chance to know much about Sylvia's childhood, when her mental problems began to trouble her, but on the whole the movie is well focused and gets to render the complexity of her personality: strong and weak, self-confident and depressed, longing for life but falling into an always evoked death. A movie that gets also to stimulate the reading of her works, and that's, I believe, a great result. Gwyneth Paltrow is really convincing, intense, but always contained, David Craig as Ted Hughes also offers a mature and good performance.

Fmovies: I saw this movie and was really stunned. I am shocked that it has received such bad reviews because I think this is an amazing film. I understand Plath fans being upset that it does not go into detail with Sylvia's life, but this is a movie about the love of Sylvia Plath and Ted Hughes- Not the life of Sylvia Plath. It is a beautifully made movie. Paltrow does a phenomenal job of showing Sylvia's pain. She gives a great image of the torment Plath went through. The love story is both alluring and fascinating. Its so beautiful. I really cant say anything bad about this movie. I absolutely loved it, and it has not received the recognition it deserves.

"Sylvia" is not quite just a slow, straightforward bio-pic of poet Sylvia Plath. While screenwriter John Brownlow has a long background in TV documentaries, director Christine Jeffs has previously made a young woman's mental disquiet dreamily visual in the superb New Zealand film "Rain."

She has her "Rain" cinematographer John Toon bathe the entire film in a nostalgia-tinged amber glow, like the extended flashbacks to the young lovers in the Australian film "Innocence." I think the point is to determinedly place Plath and her husband poet Ted Hughes into their specific time at the cusp before "The Feminine Mystique" put a name to Plath's frustrations and contradictions as a Fulbright scholar - experimental poet turned wife and mother who ultimately turned on herself. ("Mona Lisa's Smile" with Julia Roberts will evidently be dealing with a parallel time and place in a much more Hollywood interpretation.)

As played alternatively languid and aggressive by Gwyneth Paltrow and a Byronic Daniel Craig, they are an actively sensual couple, but notably not Bohemian. They are part of an intellectual but not counter-cultural set. While they are competing for editors' accolades and print space, she's setting her hair, arranging her pearls and cleaning house, like a proper Smith graduate of the time who is perfectly at home visiting her Boston mother (played by real-life mom Blythe Danner) and amidst the books of her late bee scholar father (My friend the PhD in English tells me that the original film title of "The Bee-Keeper's Daughter" would have been fraught with much more significance about Plath's obsessions.)

Hughes celebrates his first big break by asking her to marry him and kids follow one after the other; when they need money he looks to write a children's series for the BBC. Yes, she gets more and more difficult and paranoid, but he is having affairs (and another child) as he attracts more fawning women acolytes.

An earlier suicide effort is referenced a couple of times yet her increasingly heightened mental imbalance as shown here could be post-partum depressions or a Laingian response that insanity is the only rational response to an insane, unfair world. (The film does not seem to side with her loyalist cult which Margaret Atwood satirizes in "The Blind Assassin").

It is always difficult to show a writer at work, but I would have liked to hear more of her poetry than a few passing sentences.

Gabriel Yared's music is lovely and unsentimental.

Sylvia fmovies. Rather dull and uninspired biography, even though Gwyneth does a good performance, she's unable to save a biography which probably will make your own life look exciting - Sylvia Plath is portrayed as not much more than a quite ordinary housewife that is cheated on over several years. The affairs of her husband Ted takes its toll, of course, and quite predictably drives her paranoia, but really; this is not film material. Ted Hughes comes across as a lame, rather brutal husband with little understanding of Sylvias troubled mind. Their story is told very straightforward and linear, probably wrong since there is very little story to begin with. A more adventurous structure, with glimpses of childhood, early years, etc might have added much needed lyricism to this lackluster project.

What makes poetry a special art form? Answers might include bringing together extremes of joy and despair within a couple of lines, offering an alternative to rational thought, enriching our outlook and understanding in ways that prose would struggle to equal. Poetry can provide a single phrase or sentence that is easily remembered and somehow unlocks difficult-to-express inner states, just as a song can (and poetry is the basis of songs). It offers a freedom of expression where you don't need to explain every aspect of what you are saying - it urges the listener to grasp a semi-spoken truth or idea.

That's my rough guess. I've got over 40 books of poetry on my bookshelf at the last count, yet I'm no literary expert and appreciate poetry in a very simple way. Most people might agree that poetry offers something special, so a film celebrating the life of a famous poet might be expected to bring us a glimmer of that something.

Sylvia Plath has been championed not only as a poet but as a sort of ‘feminist' – a cry on behalf of women treated as a commodity, subjugated by an unfair male-dominated system. Cast in the lead role, Gwyneth Paltrow's Plath focuses much attention on how downtrodden she was, chained to two children, overshadowed by a brilliant and celebrated Ted Hughes, struggling with bitterness, jealousy, mental instability and a less than attractive persona. We also get the occasional poetic outburst, from who-can-recite-poetry-fastest undergrad shenanigans to romanticised performances of Chaucer (addressed to an audience of watching cows whilst floating downstream in a boat). All punctuated with soft-focus shots of a naked Plath/Paltrow, hysterical and often violent outbursts at Hughes, and scenes of a generally uninteresting and uninspiring life of moderate wretchedness. The only thing that distinguishes Sylvia from the now-unfashionable kitchen sink drama is that its central character is called Sylvia Plath.

So is the film worthy of the title? In A Beautiful Mind, we learnt of the joy of mathematics, Lunzhin Defence championed the addictive mysteries of chess, and Dead Poets Society made us lift our eyes to literary horizons that could inspire the dullest of minds. Sylvia was limited, perhaps, by the refusal of her daughter to allow much of Plath's poetry to be used in the film but, for whatever reason, it has failed to be more than a rather humdrum biopic. It offers little insight into her poetry or the magic of poetry generally, and adds little of interest about the historical figure that doesn't apply to millions of women. If any deep philosophical statement can be drawn from this, the film certainly doesn't make it, poetically or otherwise. Sadly, it would seem that the words of Sylvia Plath's daughter almost became a self-fulfilling prophecy: "Now they want to make a film . .. They think I should give them my mother's words . . . To fill the mouth of their monster . . . Their Sylvia Suicide Doll." Whilst not quite an empty doll, Sylvia is maybe an arm or leg short of a manikin.

When I rented this movie, I thought it would be about Sylvia's entire life, or at least starting from her days at Smith College. I didn't realize that her marriage with Ted Hughes would be the entire storyline. I think this movie would've been better had they shown more about Plath's life BEFORE Ted Hughes. For people who don't really know much about Plath and her poetry, understanding her life before Hughes would've made the film much more substantial. The audience has to realize that Plath led a very, very hard mental life even before she met Hughes, and her ideas for her poetry and 'The Bell Jar' mostly originated from her bachelorette days. She never recovered from her depression as a young woman and it branched out still as she married Hughes. Without understanding Plath from the beginning hinders the audience from understanding Plath at all.

I feel like the movie only told half the story. Plath's mind was beautiful, colorful, and brilliant. It wasn't just about the jealousy, depression, and paranoia. Putting her works on the back burner really took away most of this movie. I would've liked to see more narration by Plath and giving us an insight into her mind, the way her unabridged journals do. However, I really enjoyed the dialogue of this movie; the lines were poetic and beautiful.

Unfortunately, I am still waiting for a better Sylvia Plath movie. I recommend people to read 'The Bell Jar' and 'Ariel' before or after seeing this movie though.