Suicide Club (2001)

Confusing: the story is very strange. I am not getting it. Perhaps no one is. Why are the girls committing the action?

Good: so many pretty slender legs on these pure maiden-seque babes! Not one fatty or tattooed trashy girl. All clean beautiful females

Fmovies: Just saw the movie at the Brussels Fantasy Film Festival and was quite stunned by it.

Although some questions remain unanswered, the story depicts some of the most problematic issues of the Japanese society.

The suicide phenomenon among young people is related to the unlimited attraction for new trends and the lack of communication between young people and there parents.

A well directed, enjoyable (gory ) movie, with convincing actors.

I give it a 8 out of 10.

First of all, I looked at another comment by someone named rrobins2-1, who said that this movie is "not for the Japanese ignorant," that it has a lot to do with Buddhism and Shintoism, and that it's perfectly understandable from a Japanese point of view.

Mr. rrobins2-1 obviously doesn't know what he's talking about. I have lived in Japan, I speak the language, and I know that his comments are ignorant, which is ironic because that's what he claims others are. First of all, many Japanese people don't follow any religion, nor do they know a great deal about them. Second, every Japanese person I spoke to said the same thing about the movie: "I didn't understand it." So much for that perfectly understanding Japanese point of view. Anyway, now that that's finished, on to the review:

The beginning parts of the movie show a lot of promise. Teenagers are killing themselves, and being happy about it to boot. The police are looking into it, believing that it's more of a murder, and someone is causing it. Throughout the movie, you see their futility in trying to figure things out, and the scenes that feature mass suicide are very intense and well-done, but there ends up being so many different things in the movie that don't amount to anything, and their is no real conclusion to the film.

First off, there's a girl who informs the police of a website that's connected to the suicide. She attempts to find out the cause of the deaths. It seems that she would be an important character, but she's not in very much, and she doesn't do anything. This goes with all the characters. There are many characters in the movie, but none of them are developed, and many times you're left wondering why they're in the movie to begin with. There's a weird Rocky Horror-esquire musical performance about halfway through the movie, which many people believe is way out of character for the rest of the movie. Anway, I don't want to spoil anything, so I will just say that the story doesn't end, and with the way things stand at the end of the movie, it's impossible to understand how these people were convinced to kill themselves the way they were.

Going through all the stuff in the movie quickly: There's the mass suicides, Cops that are out of touch, a giant roll of stitched together human flesh of the people who have or will commit suicide, a weird j-pop band who's name is misspelled numerous times throughout the movie, the weird, gay cultist who sings wants to be famous, coughing children who know everything about the situation and give cryptic clues about it. All of these, as well as the stuff I neglected to mention, either come out of the blue, or are barely in the picture (or both), with no explanation (and almost no clues), leading you to wonder what they are doing in the first place. I know it's supposed to be a satire, but if half the people who watch it don't understand it, how are you supposed to get your message across?

Suicide Club fmovies. Don't mind the negative comments some reviewers give this film; some people just need the typical linear plot formula to appreciate a movie. But for those who are willing to step outside this structure and open their minds to something more daring and intriguing, Suicide Club is just for you.

By the end you will wonder what the hell just happened, and you will be on the right road to understanding as long as you're willing to throw away the notion of an action-driven movie and allow the thematically constructed characters and powerful scenes to permeate your psyche and lead to reflection on the influences in teen's lives that give meaning to and strip meaning away from life.

As for the overly used blood sprays that give rise to some complaints, they just contribute to the surreality of the film and don't detract from the ultimate message if one is willing to seek it.

Shinjuku Station in the evening rush hour. High school girls throng the packed platform, dominating with their raucous chatter, jangling bags and provocatively short skirts. As the commuter rapid approaches, something bizarre happens - 54 girls join hands and step reverentially on the platform edge. Given the title of the film, it is no big stretch to guess what happens next.

A veteran detective (Ryo Ishibashi) and jaded younger colleague (Masatoshi Nagase) suspect a grand plot, but are thwarted in their attempts to investigate by weary seniors. Clues are supplied by The Bat, a more web-savvy mysterious informant. Can the detectives uncover the conspiracy and prevent more suicides? That is as much narrative analysis as the story can bear, as it veers off course in the second half into surrealism, MTV theatricals, and heavy-handed symbolism. "There is no suicide club" declares a juvenile voice on the phone, continually clearing its throat. Whether there is or isn't is a question never fully resolved.

Don't be taken in by reviewers who tell you that you have to be Japanese to understand this film - my Japanese students and friends are as baffled by the story as anyone else. Sion's film never quite lives up to that opening sequence in Shinjuku Station, but it compels you to go with it to the end, and provides a few thrills along the way. It is a shame it does not all quite pull together. But there are enough digs at Japan's shallow celebrity culture, crippling generation gap, obsessive consumerism, and indeed freakishly high suicide rate to make this worth watching.

In short, great visuals, shame about the script.

A user on this board commented that much of this film is lost in translation. This is true. From what I've seen, the overwhelming majority of users on this board are either American or European. Also, the majority of the reviews of this film are negative, and the only explanation from these negative reviews are that the film "doesn't make sense" or lacks a "solid plot."

LOL

Of course it doesn't make sense to you. You're watching it as an American. You cannot watch this film with an American lens. You're right - it doesn't make sense. But if you watch this film with a Japanese lens it makes PERFECT sense.

First, you cannot watch this film within a Christian/existential context. You must watch it from a Buddhist/Shinto perspective. This is the predominant religion in Japan.

Watching this as a Shinto/Buddhist you'll find that a lot of the images take on new meaning. Shinto is an animist religion that WORSHIPS NATURE - pay attention to the animal symbols that repeatedly crop up in the film (did you wonder why there are baby chicks running rampant during that creepy "shaving" scene?). Also, pay attention to the colors. Yellow means something much different to the Japanese than it does to Westerners.

Also, Japan has an incredibly powerful youth culture. Western societies, especially the United States, tend to dismiss youth as a time of decadence, immorality, and lack of direction. The Japanese hold their youth in reverence - they believe it's an incredibly precious time of life. In fact, just as the US has "mother's day" and "father's day," the Japanese have "children's day!" This movie is making a statement about childhood and the value of childhood.

And, last but not least - reincarnation. Reincarnation is accepted as a fact of life in Japan. Keep that in mind when the kids from the Dessart Group are talking all "cryptic" and "nonsensical." ^_^

I won't go into detail on what sort of meaning the film takes within the native Japanese framework. I will tell you this, though: the plot IS coherent from start to finish. There aren't any "plot holes." No more so than you'll find in the greats of American cinema, such as "Citizen Kane" or "Pulp Fiction."

With these things in mind, "Suicide Club" is not as enigmatic as it might seem. Of course, this information doesn't dismiss the other complaints: gratuitous violence and the J-pop performances.... Which, I'd argue, are just more American-biased complaints.

Sayonara! Randy