Somebody Up There Likes Me Poster

Somebody Up There Likes Me (1956)

Biography | Sport 
Rayting:   7.5/10 7.4K votes
Country: USA
Language: English
Release date: 7 February 1958

Boxer Rocky Graziano's biopic, based on his autobiography, from childhood to his World Middleweight Championship title win at age 28 in 1947.

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User Reviews

strong-122-478885 30 May 2014

Question: Is there such a thing as a boxing movie that isn't just a total cliché from start to finish? 'Cause if there is, then I'd sure like to know about it. I really would.

With that said, you have my personal guarantee that 1956's Somebody Up There Likes Me is such a predictable cliché-of-a-boxing-movie that, at times, it's almost too painful to endure.

On top of having this one major strike against it, this film also lost itself some significant points for its gross miscasting of Paul Newman in the lead role.

Not only did Newman never, ever come anywhere near to being at all convincing as a full-blooded American/Italian, but his goofy performance as boxing champ, Rocky Graziano, was, by far, one of the most absurd and annoying examples of copy-catting Marlon Brando's quirky mannerisms that I've ever seen.

Believe me, Newman's ridiculous portrayal was absolutely laughable to watch at times.

Filmed in stark b&w, Somebody Up There Likes Me's story (which was set in NYC during the 1930s & 40s) was based on the autobiography written by real-life, middleweight, boxing champ, Rocky Graziano (whose birth-name was Rocco Barbella).

Of all the many boxing films that I've seen over the years this dud has certainly proved to be one of the weakest and most unsatisfactory, by far.

By the end of the movie I literally loathed Newman's Graziano character right to the very bone. My only wish was to see one of his opponents really clean his clock, but good. But, unfortunately, this never happened. So I was left totally unsatisfied.

ragrelo 25 January 2006

Fmovies: I am a Paul Newman's fan I think he is one of the best actors of the last four decades This movie reflects the life of a great boxer as no other. The fact that the movie has been filmed in black and white captures the essence of a decade where the values were more than money for the American society. All the performances are excellent, and the Perry Como's song Somebody up there likes me is a plus. I want to mention Everett Sloane and Sal Mineo performances because they really help to show the boxer's life. Although there are many good Paul Newman's movies this is a masterpiece to me.To summarize,this is one of the best movies about boxing that you can find and is also a biography

esteban1747 27 January 2005

Probably the director Robert Wise wanted to emphasize more on the behavior of young Graziano, his problems with his father, the time he spent in jail and his misdoing in the army, but some aspects of his final life as a boxer were not shown at all in the film, which ends with the rematch between Graziano and Tony Zale in Chicago in 1947, where Graziano did his best to knock out Zale. With this victory Graziano became world champion, something that did not last for long. Zale and Graziano met once again in 1948, and this time Zale finished his adversary with a knock out in the third round. Graziano wanted to come back in 1952 fighting against the famous Ray "Sugar" Robinson. In that fight, Graziano knocked down Robinson in the third round, but he recovered and finished with Graziano in the same third round. In any case, Graziano was a good boxer, and this bloody -violent sport put his life on the right track. Interesting to note that this was the first film (uncredited) in the career of the actor Steve McQueen. Sal Mineo again acted as a wrong young boy in New York. The actress Pier Angeli did a good work as Graziano's wife.

cariart 21 March 2004

Somebody Up There Likes Me fmovies. After the critical and commercial fiasco of THE SILVER CHALICE, Paul Newman decided that the move to Hollywood had been a mistake, and returned to Broadway, to star in "The Desperate Hours" (later filmed with Humphrey Bogart in Newman's role). Warner Brothers, not amused by Newman's departure, tacked an additional two years onto his film contract, and brought the young actor back for a so-so war drama on loan to MGM, THE RACK. Then lightning struck!

Boxer/Entrepreneur Rocky Graziano's entertaining autobiography, SOMEBODY UP THERE LIKES ME (ghosted by Rowland Barber) had been planned with James Dean in the lead, but the 24-year old star's untimely death, after completing GIANT, left the WB without a loan-out actor for the MGM production. The studio decided to use Newman, and at last the young actor had a role he could really "sink his teeth into".

Masterfully directed by the legendary Robert Wise, the fast-paced, gritty comedy/drama follows young Rocco Barbella (Newman), from his early gang days (with Sal Mineo in a small role, and young Steve McQueen and Robert Loggia, unbilled, as other gang members), resulting in a prison stint, finally released just in time to be inducted into the service! His quick temper and natural boxing skills catch the attention of an Army boxing coach, but the undisciplined Barbella decides to go AWOL, using boxing (under the name Rocky Graziano) to pick up quick cash. Eventually, Graziano/Barbella gets his life straightened out, aided by the love of a good woman (Pier Angeli, James Dean's real-life girlfriend, and Newman's costar in THE SILVER CHALICE), and a sympathetic manager (Everett Sloane, in another of his many masterful performances), and Rocky begins a long, hard drive to become a champion.

The role of Graziano would be a showcase for any actor, and the Method-trained Newman plays it with an explosive physicality and intensity that is occasionally too theatrical, but is still mesmerizing. His performance foreshadows, to some extent, Robert De Niro's Jake La Motta, in RAGING BULL, without the abusiveness and ultimately self-destructive qualities. Just as La Motta, even in defeat to Sugar Ray Robinson, would proclaim "I never went down!", Graziano would not allow himself to accept defeat gracefully, resulting in a constant physical pummeling that would leave his face so battered that he'd even frighten his child!

SOMEBODY UP THERE LIKES ME would influence a generation of young actors and film makers (including Sylvester Stallone, who would 'lift' characters and some story elements in his script for ROCKY). For Paul Newman, it opened doors, and although his next two projects would be a standard Warner Brothers musical biopic (THE HELEN MORGAN STORY) and soap opera (UNTIL THEY SAIL), MUCH better films would soon be on their way.

A new star had been born!

harry-76 4 January 2003

It's interesting to note the career relationship of James Dean and Paul Newman.

Both were leading contenders for the starring role in "East of Eden." Dean's moving screen test landed him the part over Newman.

Then, upon Dean's sudden demise, Newman was awarded the role Dean was to play in "Somebody Up There Likes Me." Fortunately, Newman was up to the task.

His Rocky was most effectively limned, with Newman in top physical form as well as in the acting department. He assumed a "New York hood" accent, which enhanced his portrayal, and executed the challenging fight scenes with conviction.

Perhaps young Newman's burning ambition at the time to greatly succeed in his craft provided extra stamina to smash through this meaty part for a "knockout punch." Fresh from Actors Studio training, Mr. Newman was fortunate to be surrounded by a quartet of fine "method" artists.

Eileen Heckart was particularly fine as Mrs. Barbella, Everett Sloane as a concerned Manager, Sal Mineo as dependable pal Romolo, and Pier Angeli as sensitive Norma Graziano.

Rocky's hard-hitting life was given a realistic black and white production, doing justice to the middle weight champ's biography. Robert Wise directed with his usual skill and confidence.

jimmylee-1 26 January 2006

Up until now I've only seen Paul Newman in 1990's and later movies - but he's never been the actor that called me into a movie theater or made me change the channel. He always seemed to play the same type of part: easy going, calm, aware, well contained. Or maybe that's the way he made each part seem.

After seeing this movie, now I know why he's considered such a great actor. I only watched boxing when it was part of the Olympics - just don't enjoy the sport itself that much - and only know about Rocky Graziano from the newspapers. But Paul Newman was riveting. He made this character of a complete underdog, who apparently had no hope, no charm, and nothing to live for, into someone I cared about enough to stick with the movie for two hours.

I don't know how true-to-life the story was; Hollywood generally creates composite characters, cleans up reality and changes or outright ignores major events. Certainly the many fights Graziano had were a bit of a blur in the film and I'm sure several critical steps in his advancement towards middleweight championship were neglected. The reason for the violent relationship between Rocky and his father was unexplained. And his mother's mental state (the film alludes to her time in the hospital) is not fully developed.

These gaps do not overshadow in any way Paul Newman's performance. I always thought it was longevity, charitable works, and a long-lasting marriage to another actor (not to mention darn good spaghetti sauce) that gave him the aura he has - now I understand.

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