Rebel in the Rye (2017)

Hoult hasn't the depth or grit to portray Salinger. His bland sweetness may be great for a rom-com but it's a disaster for the complex and shadowy character of Salinger. Spacey, on the other hand, is grippingly engaging, but his part is too small to save the film. When is the major film industry going to get over casting pretty face glamour actors in roles they cannot carry? The industry is full of lesser known, skilled, more appropriate actors who would have done a far superior job. This film could have been great, but as it is, it's flat and leaves you wanting.

Fmovies: Acquainted with the work of Salinger in the person of a single novel "The Catcher in the Rye", it is impossible to forget. Penetrating to the very depths of consciousness, generating new thoughts, ideas for self-development, than not the desk book of every teenage boy? "Holden Caulfield" Salinger has become an icon of beat writers, including the well-known Jack Kerouac (the novel had almost a magical effect on his entire work).

And now in the movie there is a film devoted not so much to the history of the creation of the "Catcher in the Rye", but rather about Salinger himself, his views on life, the origin of his own convictions. And after viewing you begin to realize how difficult a person he was.

Devoting his youth to a single goal - to publish in New Yorker or Story, he sought to make a greater impression on women than to be realized as a good writer. But the war changed everything.

Nicholas Hoult is an ideal candidate for the role of Salinger. In addition to high-profile blockbusters, he also appears in the dramatic roles of low-budget projects. They are also motivated by the desire to be realized as a good actor, which is very noticeable in his expressive manner of the game, in which he and Salinger are very similar. And how the transition from the boy who went to the front, and a veteran unable to write about his savior, Holden Colfelde, is played, not a word. Sumptuously.

Kevin Spacey played the role of Salinger's teacher, a mentor in the writer's craft. He paid so much attention to him that he inspired to write "The Catcher in the Rye", "spurred" on the realization as a writer, buying his first work - a short story.

And yet, in some ways, I do not understand their relationship at the final stage - shaking hands and such a terrible word: "Goodbye ...", which means that they will never see again. After all, there was a bit of insanity in Salinger that a man preferred a wife with two children, a huge success, a good and loyal friend, solitude in the woods, to deal with one thing-to write for oneself. Until the end of life, but his life was very long.

A truly fascinating film and I found myself thinking "Nicholas Hoult must get an Oscar for this one" only to be so very disappointed to find out he is not even nominated! I agree with the previous reviewer who mentioned the Kevin Spacey scandal and that it probably had something to with it. People, please see this film, it will be worth your time! If you have read "Catcher in the Rye" it will give you more about the author, if you haven´t, it will give you a reason to!

Rebel in the Rye fmovies. After role by role, performance by performance, he demonstrate his lovely artistic force in the skin of J. D. Salinger. Not only a great performance but, in same measure, the right story. Simple, dramatic, convincing. Inspired portrait of a great writer and the art of Nicholas Hoult to propose the precise nuances of his character. A film about deep loneliness. And about the basic choice defining it.

Some of Nicholas Hoult 's best work. He really gets into character, becoming someone I've never seen him be before. I've seen him take the lead in Warm Bodies, and Kill Your Friends both excellent movies (Also Jack the Giant Slayer which is OK) but this felt slightly more unique. Helping in this transformation, is Kevin Spacey who does a great job of electrifying the screen playing a man truly passionate about what he does, and a mentor to J.D. Salinger. Also like Hope Davis as Salinger's mom and wanted to point that out (and the fact that it feels like the same role she did in Captain America: Civil War)

What I love most about this movie is how it made me interested in Catcher in the Rye. I am familiar with the book and how notorious it is among literature, but I never read it myself. Not much of a book worm. The movies portrait of the man is truly rebellious. Rebel in the Rye gives the impression that his fame comes from the idea that he was bold enough to do it first like the Ramones or Prince (More of a music geek) and in his boldness touched a generation that had not really been spoken to before. A generation that would put him on a pedestal that made the war vet uncomfortable. His choice not to publish any more I was slightly aware of, but the movie does make me very intrigued about what else may be accurate (or inaccurate) .

Nicholas Hoult has done a great job driving this spectacular vehicle.

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The glamored-up remix of the life of J.D. Salinger, famously reclusive American author who gave the world „Catcher in the Rye" and, er, other writings. Salinger is played by Nicholas Hoult, one of my favorite young-ish actors who can't quite reach stardom. He's a fine actor, and has lots of screen charm but hasn't found his real breakthrough yet. At least in my opinion. Usually he's used as window dressing in trivial roles, even in serious movies. If you haven't seen Hoult's star making turn in BBC's „Skins" first season – this was ten years ago, mind you –, you probably won't even recognize or care about him. But yes, he's appeared in a string of blockbusters too, such as the three last „X-Men" (as Hank / Beast) and „Jack the Giant Slayer", or „Mad Max: Fury Road". He is often heavily disguised tho. You may also remember him from „About a Boy" (2002) but back then he was only just a boy. „Rebel's" main strength is not its historical accuracy, nor well- balanced story about the great man's life, nor going deep as its hero aspired to, but a fact that the writer-director Danny Strong bets on one strength and goes happily all in on it. The strength is this being a true actors' movie, and they truly deliver. The performances are wonderful and everything else is there to support them. I would argue they have reached drama series quality storytelling, only in shorter form, in 106 minutes. Hoult appears appropriately soulful but mentally fragile, and Kevin Spacey as the only other major character (his mentor / friend) is just as solid as you'd expect from screen veteran of his standing. Every scene Spacey's in is like a masterclass of great movie acting. If this was a project of much higher calibre – instead of premiering in Sundance this January and then disappearing quickly – we would talk about serious Oscar chances. You know how deliciously the man can be. Critics are true that the movie is ultimately pretty shallow and petty, just what Salinger himself would have tried to avoid, but it's pretty and well-acted, and makes some points about being creative and/or famous that every modern person would still benefit from considering. Such as doing something doesn't mean you're all that creative or deserve much praise. Or: true creativity emerges after working through your fears and vanity. Or also: being famous is not for everybody. In 2010's, there's been a new trend to create fictional movies about real people and/or situations. Most are mainstream (i.e, shallow), as is „Rebel in the Rye", but this doesn't reduce its power to entertain in a cheesy way. The result is likable indeed. Writing is a lonely job and "Rebel" has the power to remind us the glamorous side of it too, if only for a second.