Paths of Glory (1957)

What to say that hasn't already been said. This astonishing cinematic work of art (no kidding) unquestionably is the GREATEST FILM EVER - bar none. I deeply and passionately LOVE this brilliant early Kubrick production. Congratulations to expert screenwriters (and unique pulp writers of the 5O's) Calder Willingham (who also penned his own excellent adaptation of "The Strange One"; highly recommended) and Jim Thompson ("The Grifters" "The Killer Inside Me"; which strongly influenced Tarantino), who both present a superbly incisive script with powerfully effective dialogue that really rings more than true. If only we had more real writers and scripts like this remarkable achievement, we'd be writing far more favorable reviews. "Paths of Glory", alone, would serve as anyone's lifetime achievement award.

I don't care how much you HATE B&W films - put this one on your MUST-SEE. Compelling cinema-verite photography creates astounding visuals from a varity of incisive angles; like the famous mobile wide-angle tracking shot of Dax (probably Kirk Douglas's most stirring and important performance) moving through the squalid and horrifying trenches as the battle begins with explosions breaking out all over. The suspense and tension is frightening, but almost beautifully eerie in the most compelling ways as Kubrick takes us through the deadly limbo of no-man's land - the 'paths of glory' which finally leads to the grave. The action, skillfully combined with powerful moral and existential themes are amazingly conveyed through the bleak yet articulately stunning visuals. THIS IS A FILMMAKER'S FILM!

The moral outrage of the sadistic injustice of the military courtmartial never fails to make my blood fully boil. The hypocrisy and corruption is degradingly infuriating. If anything will make a cynic out of you, it's this appropriately pessimistic and depressing cinema chronical based on a true stupid incident in WWI. What's even worse is how POG, in many perceptive ways, serves as an allegory for all the B.S. in real life: Pig-headed leadership in the parasitic hands of the superior greed freaks, two-faced deceptive manipulations, double-standards, backstabbings, social bigotry, arm-chair warriors, egotism, corrupt politics, the militaries's abuse of too much power - and it's destructive desire at satisfying it's lust for vainglory (sounds a little like Hollywood) - Did I leave anything out? You name it, POG has it - and I'm not being sarcastic.

The entire ensemble cast is superb with special mention to George Macready as the utterly pompous power-mad glory-seeking "soldier", General Mireuo (who thinks nothing about ordering his troops to open fire on his own men for not charging out of the trenches and dying for his "country"; which smells a bit like ME ME ME). Don't worry, you'll throughly hate his guts. It truly is true method acting. Again, kudos to Macready, a fine actor who was always too good at playing highly unethical villians. (Incidently, this was a favorite film of a young 195O's Marlon Brando and old salty Winston Churchill, who praised Kubrick's incisive authenticity in the exciting battle scene, which does resemble news footage).

Timothy Carey (also ultra-offbeat-cool in Kubrick's other exceptional early flick, "The Killing") is morbidly humorous and gut-wrenching as one of the poor fools coldly picked to be executed; all in the ru

Fmovies: In France, in the First World War, the insane and ambitious general Gen. Paul Mireau (George Macready) orders Colonel Dax (Kirk Douglas) to lead his men in a suicide attack against Germans in the unattainable Ant Hill. After a massacre of the French soldiers, Gen. Mireau orders his artillery to drop bombs between the French front line of attack and the trenches, to avoid the soldier to return to the protection of the trenches. The commander of the French artillery refuses to accomplish the order. Gen. Mireau asks his superior, Gen. George Broulard (Adolphe Menjou), to send three men to Court Martial and execute them for cowardice through shooting, as an example to the other soldiers. Colonel Dax, a former lawyer, defends his men in the unfair trial. Yesterday I watched this outstanding masterpiece for the first time and certainly it is among the best movies of the cinema history. The disgusting story shows the insanity of a war, where men are treated like numbers and not as human beings. The reality of the battles scenes is amazing. The cast has a stunning performance, highlighting the trio George Macready, Adolphe Menjou and Kirk Douglas. The lack of sensibility and respect for the human life and the cynicism in the dialogs of the two generals are fantastic. Two other points that called my attention are the fancy reception for the general staff, while their subalterns are fighting in the front and the misunderstanding of the real intentions of Colonel Dax by Gen. George Broulard. A must-see movie! My vote is ten.

Title (Brazil): `Glória Feita de Sangue' (`Glory Made of Blood')

Paths of Glory is one of the best movies ever made, and possibly the best "war" movie, period. Paths of Glory does not portray war as conflict between armies or individual soldiers arrayed against one another on the battlefield. Nor does it portray the acts of great leaders and heroes of war. No this film takes a different tact.

The setting is the Western Front of 1916 in the trenches with French soldiers faced off against an invisible German force across a barren No Man's Land. The German's are never seen and the dramatic "combat" is between vain French officers as they vie for prestige and honors. The victims are the innocent French soldiers under their command who suffer miserably because of their arrogance and ignorance.

Brilliant, gripping, and definitely a "must see".

Paths of Glory fmovies. Almost one hundred years later the concept of that static war of the trenches that was the Western front of World War I is almost unfathomable. After the French army stopped the German offensive at the Battle of the Marne, the French and British armies faced the Germans in a line of trenches that stretched from Belgium to Switzerland. About a quarter of France was occupied for four years in that time. The casualties ran into the millions in that stalemate that gains were only measured in meters.

It was always just one more offensive over the top charging into automatic weapon fire that would break the other guy. Just such an offensive was planned one day in 1916 against a German stronghold dubbed the ant hill.

General George MacReady, promised a promotion by his superior Adolphe Menjou, orders a beaten and tired battalion to charge the ant hill. The attack flops and MacReady looks for scapegoats. He decides after coming down from shooting 100 men to a selected three drawn by lot. The unlucky three are Joseph Turkel, Ralph Meeker, and Timothy Carey.

The commander of the three Kirk Douglas asks to serve as their counsel and he makes a good show of it at the kangaroo court martial they have. But the fix is definitely in.

Except for Spartacus, Kirk Douglas rarely plays straight up heroic types in film. Even his good guys have an edge to them, a dark side. But as Colonel Dax, Douglas is at his most heroic. He may be one dimensional here, but he's great. Especially in that last scene with Adolphe Menjou when he tells the man off in no uncertain terms, mainly because Menjou has misread Douglas's motives.

Menjou and Macready portray two different military types. The arrogant MacReady as versus the very sly Menjou. Not very admirable either of them. Menjou was not very popular at this time in Hollywood because of the blacklist. He favored it very much, his politics were of the extreme right wing. Nevertheless he was a brilliant actor and never better than in this film, one of his last.

The enlisted men are a good bunch also. They're kind of like the posse in The Oxbow Incident, just an ordinary group who become ennobled in martyrdom as they go to the firing squad for the sake of politics.

Paths of Glory is one of the best anti-war films ever made. It ranks right up there with All Quiet on the Western Front which showed the war from the German point of view. Both will be classics 200, 300, a thousand years from now.

I consider Paths of Glory as one of the most memorable of Kubrick's entire output. The most remarkable aspect of this pioneer anti-war film is the complete absence of any persons depicting the "real" enemy. Therefore, the significance of the film lay not so much in its anti-war message, but in its brilliant expose of the "monsters within" the general staff, superbly acted by Adolphe Menjou and George Macready. The message here is that the enemy lurks much closer to home. In most war films, whether they glorify or condemn the carnage, there is rarely any venturing at all into the darker side of the politics. This film is a tour de force in its unabashed depiction of just how misguided is the quest for glory as an end in itself; and in the portrayal of the leaders who would shamelessly sacrifice others for their own self aggrandizement. Truly, one of my all time favourite movies.

An arrogant French general (a superb George Macready) orders his men on a suicide mission and then has the gall to try to court marshal and execute three of them for cowardice in the face of the enemy. A former lawyer turned colonel (Kirk Douglas in his prime) is the voice of reason against gross injustice. This excellently staged and wonderfully acted production is as much an acting showcase for Douglas as it is a directorial masterstroke by a young Stanley Kubrick who adapted this to the screen from a novel based on actual accounts.

Kubrick displays a great control of sound effects and camera movement in the brief but effective battle scenes that expertly depict the controlled chaos that was trench warfare during WWI. Things get juicier during the ensuing courtroom battle where the deafening disparity between the elite who propagate and profit from war and the common citizens who suffer and die in war is shown with great lucidity.

Unlike later Kubrick epics, this runs at a crisp 90 minutes, though suffers briefly from a slow and awkwardly staged opening ten minutes before Douglas comes on screen. Ultimately, this holds up very well to modern scrutiny thanks to the flawlessness of Kurbick's craft, the amazing ensemble acting, and the surprising depth of its philosophical and psychological pondering. "Paths of Glory" is more anti-arrogance than anti-war, and is unapologetically sentimental and pro-soldier. As such, much can still be gleaned from its message.