Pale Rider (1985)

I don't know if this is the best Western of the 1980's, it wouldn't be too hard I suppose as there wasn't really that many made in that decade, or now unfortunately. Its the best Western of that decade that I have seen, the only other good one I can recall is Silverado and Young Guns was pretty good though the sequel was even better. The 1990's was a much better decade for Western fans, Dances with Wolves, Unforgiven, Tombstone, Wyatt Earp, Young Guns 2, The Quick and the Dead and of course Bad Girls (Only joking!). Anyway Pale Rider seen Clint Eastwood return to the Western after quite a few years doing other types of movies and luckily Pale Rider is a great film. As has been mentioned in numerous other user comments it does borrow very heavily from the Classic Western Shane and Clint's own High Plains Drifter but it never tries to hide this fact and its a great film in its own right. Very moody and beautifully shot with great performances all round. Clint was on top of his game on this one and produced a top notch Western that ranks amongst one of his best below The Good the Bad and the Ugly, Unforgiven and The Outlaw Josey Whales. I would love to see Eastwood make another Western but find it highly unlikely as he couldn't possibly top his last one Unforgiven but at least Kevin Costner has got one coming out later this year. Look out for Richard Kiel in this one he played Jaws in a couple of Bond films and Sean Penns brother Chris, who was a lot thinner in those days! Highly recommended ***8/10***

Fmovies: A drifter (Clint Eastwood) comes to a mining village in the Old West just in time to reckoning gunslingers and owners . He is a mysterious preacher who comes to the aid of gold prospectors and protects a humble embattled prospector (Michael Moriarty) and his woman (Carrie Snodgres) from a greedy mining company (ruled by LaHood , Richard Dysart, and his son Josh LaHood , Chris Penn) trying to encroach on their land . Meanwhile , the Good Stranger is idolized by their daughter named Megan (Sydney Penny). As the wealthy owner contracts a group of outlaws as hired gunfighters (led by John Russell who also acted as villain in Rio Bravo) to kill miners . The title ¨The Pale Rider¨ refers to the Four Horsemen of the Apocalypse from the Book of Revelation, chapter six , Megan is reading the exact verse when she and her mom first see Preacher ride up to their house.

Well crafted Western with interesting screenplay written by Michael Butler and Dennis Shryack . Although atmospheric , it's also sometimes slow-moving and winds up into a spectacular showdown . This stirring picture contains a powerful examination of morality and hypocrisy on people as well as an enjoyable message about faith and hope . Clint Eastwood is unforgettable in the title role coming to help a group of struggling miners and homesteaders . Clint Eastwood revealed in interviews that his character is in fact a ghost. Other clues to the Preacher's true nature are the ghastly bullet wound scars seen when he is dressing, and his sudden appearances and disappearances throughout the movie . During shooting, Clint Eastwood sustained what he describes as the worst injury he has ever had on set when a horse he was riding fell through thin ice and launched him forward as Clint suffered a dislocated shoulder . Good casting with several secondaries as Carrie Snodgress , Chris Penn , Doug McGrath , Richard Kiel , Charles Hallahan , Billy Drago and special mention to John Russell as a downright nasty. Exquisitely shot in Panavision by Bruce Surtees , son of classic cameraman Robert Surtees , with a magnificent cinematography on the wooded exteriors and snowy mountains backgrounds. Acceptable production design by veteran Edward Carfagno , though the train station built for production was used again late in 1988 for Back to the Future Part III . Thrilling as well as sensitive musical score by Lennie Niehaus . The film is made in somewhat similar style to ¨Shane¨ by George Stevens , and which so much cloning of ¨High plains drifter¨ also directed by Eastwood only this time the drifter appears to have been sent from hell rather than heaven to right from ordinary injustices . Star, producer , filmmaker Eastwood realizes an excellent film and perfectly directed . This classic Western as good as the notorious ¨Josey Wales¨ is splendid in every way . Later on , Eastwood produced and directed another successful Western ¨Unforgiven(1992)¨ also with some common theme.

The Westerns is what gained Eastwood mainstream recognition, and he returns to prosperous grounds with this movie. Much like his character, he returns the Western from the dead and avenges their loss of appeal at the box office. A few years later, he was to strike gold with ‘Unforgiven' and although this story is not as gripping as ‘Unforgiven', it is well crafted with minor flaws.

The similarities between this movie and his well-known Spaghetti Westerns are vast, but the difference lies with the superior quality. Once again he is the ‘Man With No Name' defending the weak and settling an old score. Where this one differs from his earlier work is that the characters and dialogue are realistic surpassing the one – dimension norm for the genre. The characters are credible in the sense that each has believable motivations for their actions. The Hood are motivated by their greed and the gold miners are motivated by their dreams. The credibility is thus intact with regards to the characters drives meaning that we now do not have to rely on suspension of disbelief as we witness the action unfold. The dialogue is in sync with each character. The Hood speaks with an educated tongue, but his desperation is apparent as the Preacher stands his ground. The miners speak with little sophistication thus reflecting their social status of the times. The Preacher speaks as we would expect ‘The Man With No Name' to speak. He is cool and rational and what little is said carries a lot of weight. The dialogue thus enhances the rich diversity of characters.

Of special note is the casting. All the actors are well suited to their roles. Stockburn and his deputies are particularly memorable. The deputies look like they are all recruits from Hollywood B type action movies. This by no means understates their significance. Instead of playing their usual outlandish bad guys, they relied on their natural ability to exude devilish intent. They look cold, dark and menacing. There was no dialogue which accentuated their malevolence - talk did not interest them. They were there to do a job and small talk was meaningless. Their movements were slow and methodical thus adding to their character's coldness and creating tension as the harbinger's of death prepared to deal out their own brand of justice – the kind of justice that only dollars can buy. Although the screen time dedicated to these characters was limited, their impact was far greater.

The casting of Stockburn as a Lee van Cleef look – alike was also very good. This could be construed as a lack of originality, but it was ideal for the story. He looks like a weathered, tough baddie, much in line with the impression we have of those times as provided by Hollywood, who had dealt with many situations such as these with a cool, ruthless hand. His dialogue, with assistance from a menacing voice, mirrors his appearance – hard and to the point.

Eastwood is the archetypal ‘Man With No Name'. His natural coolness forms the basis for the character. He has the ability to limit his dialogue and communicate to the audience with the assistance of minimal body language the emotions of his character. The sharpening of a glare was all he needed to show that he was a man with a past who could be dangerous. This was vital to the character since it helped create the enigmatic figure that the Preacher was supposed to be.

An indication of the craft of the movie is the scene where the Preacher starts to help his freind break the rock. The rock became a

Pale Rider fmovies. "Pale Rider" is Producer/Director/Star Clint Eastwood's unofficial remake of George Stevens' "Shane" (1953). I've never heard that he's acknowledged it as such but the two stories are more than a little similar. The film also presents Eastwood in another variation of his "man with no name" character, similar to the one he portrayed in "High Plains Drifter" (1973).

The story begins with a raid on a small mining community by rival miners trying to drive the residents off of their claims and take them over. Among the miners are Hull Barret (Michael Moriarity), his intended Sarah Wheller (Carrie Snodgrass) and her budding teenage daughter Megan (Sydney Penny). When Megan's dog is killed during the raid, she prays for someone to help her against the oppressors.

Out of the mist comes a mysterious stranger (Eastwood), whom the scriptural passage Megan is reading describes him as "death riding a pale horse". The stranger saves Barret from a beating at the hands of the town bullies and comes home with him wherein he reveals himself to be a preacher. We learn that mining magnate Coy La Hood (Richard Dysart) and his son Josh (Christopher Penn) are behind all of the troubles.

When LaHood's men including McGill (Charles Hallahan and the gigantic Club (Richard Kiel) are unable to handle this preacher, he sends for gunslinging Marshal Stockburn (John Russell) and his six deputies. Meanwhile, one of the miners, Spider Conway (Doug McGrath) goes into town alone after striking it rich and is goaded into a gunfight with Stockburn & Co. Conway is brutally gunned down in front of his two young sons after which Stockburn tells the boys to tell the preacher to meet him on the street the following morning.

The preacher then goes to retrieve a strong box containing his hardware and into which he tosses his preacher's collar. He and Barret then start for town where............

Eastwood's character as in "High Plains Drifter" appears to embody elements of the supernatural. We see the scars of several bullet holes in his back and at one point is recognized by Stockburn as someone he had killed years before. The teen-aged Megan throws herself at the preacher (she's only 14 in the story) but he wisely (for the sake of the censors) let's her down easy while having an eye for her mother.

The comparison between this film and "Shane" is inevitable. In "Shane we have the squatters versus the cattlemen; here its between the powerful miner and the "tin panners". There's the solitary gunfighter who helps out the underdogs, the vicious hired gun, the loner who gets gunned down in the street, the bad guy who turns good and the hero who rides off into the sunset all common to both films.

Though not Eastwood's best western it is nevertheless good enough to wish that he had made more of them.

I'll give you one good reason why shouldn't miss this movie: Clint Eastwood. If you are a fan of Westerns or even when you only like to watch one occasionally, than you should know more than enough. In my opinion Clint Eastwood is the one and only true Hollywood cowboy.

When a mysterious preacher - no-one knows where he comes from, what his past is, they don't even know his real name - comes to a gold mining camp near a small town in the mountains, the local miners are in great danger. A ruthless landowner has decided to take their land, he doesn't mind using violence and he has the support of the sheriff. No one seems to be able to stop them. But than the preacher proves to be more than a man of God. He's a good shooter, the sheriff is afraid of him and he's the only one brave enough to rise against the landowner...

If you are looking for an original movie, than you'll have to look somewhere else. This movie uses all the possible clichés that can be found in this kind of Westerns. But on the other hand I must also say that all is done in a very proper way. Eastwood is a fine director and he did what he was best in at the time: he made a Western. The story, the direction, the acting, the scenes,... it all looks professional and more than OK and especially thanks to Eastwood's acting performance in it, this movie is still a 'must-see'. I'm not a big fan of Westerns, but every time that I'm able to see one with Eastwood in it, I'll not let it pass. My advice: if you can see past the fact that it isn't very original, you will almost certainly enjoy it. I certainly did and that's why I give this movie a 7.5/10.

In the Sergio Leone spaghetti westerns of the 60s, Clint Eastwood rose to fame playing the man with no name. In 'Pale Rider', Eastwood creates his own variation of this character. Eastwood plays a mysterious gunfighter who is given the name 'preacher' because of the preacher's collar he wears. When the 'preacher' arrives at a gold mining community, he helps them stand up against a callous landowner.

Eastwood cuts deep into the film's characters in what is a rather standard script. Particularly, in the scenes involving the preacher and a gold-mining family. Eastwood also succeeds in giving his film a dark atmosphere which only adds to its intensity.

'Pale Rider' may not be as good as the director's best westerns, 'Unforgiven' and 'The Outlaw Josey Wales', but it can be regarded as a strong effort in what has been an illustrious career for Eastwood.

Rating: (8/10)