Me and You (2012)

Bernarod Bertolucci's final film feels more like the movie of a younger director: it's protagonists are youthful, the budget is low and there are few special effects or tricks, the story is simple and not overcooked. But I liked this tale of a shy teenager who camps out in a basement when supposed to be going ski-ing, and who gets a shock when his troubled sister turns up. Parts of what follows are a little cliched, but the basic feel of the film imparts a sense of honesty and genuineness. I liked it a lot, although it's a long way from 'The Last Emperor' or 'Last Tango in Paris'.

Fmovies: his mark defines each scene. but different by your expectations. because it has the virtue to be more than a version of others films by him. because it is not exactly a manifesto or example of fall of rules, or demonstration of sensuality. in a special sense, it is a poem. about solitude, about words, about evolution of a meet and about the reflection of the other in yourself. a boy, a girl and a basement. confessions , memories and a link who is defined by different changes. and a form of tenderness who escapes from ordinaries definitions. because nothing provocative or strange or eccentric is present. so, a special film. or, maybe, a different Bertolucci.

From one of my favourite Italian director, Bernardo Bertolucci. Everyone must appreciate his passion towards film making. While lying in a wheelchair, he accomplished the desire of his fans than trying to do for fame or break the record. After a long gap, nearly a decade later he came up with this simple but wonderful heartwarming drama about a teenager boy. It was a great comeback for the southern living legend.

'Me and you' was based on a novel which centers around 15 year-old loner, Lorenzo. To escape the associate with others he fakes his ski trip and hid in his house's basement for a week long. Soon after his half sister, Olivia, finds out who is a junkie, later she joins him. They are mismatched half siblings who never met before. During the stay they come to know each other very well leaving all the family grudges away. The first step for Lorenzo to learn to mingle with others is with his half sister and for Olivia, her half brother helps to free from the drug addict. After a week they come into the real world like a newborn butterfly from the chrysalis leaving the past behind.

It was a sweet little cast movie which most of the movie takes place in the basement. I did not get it why there's lots of dislikes of this movie. There are many things in the story to understand, you won't require a close observation to get it. I am totally surprised, is critics are that fool for not getting the movie right. Like I always say ignore the critics and decide yourself. For me it was a cute movie which made me to understand a slice of life.

Bernardo Bertolucci did all kinda experiment in his movie characters and relationship. When I saw this movie poster for the first time I thought it could be portrayal of some teenager's sexual experience like the movie 'The Reader'. But I was wrong, 'Me and you' went beyond I anticipated and became a meaningful tale of the two young people. I know the movie won't entirely satisfy for one because of a subject that won't explore in deeper, I mean in detail. But worth mentioning the performances by the lead two as well the direction of Bernardo Bertolucci Next time we hope he will make two times better than this, maybe another masterpiece.

7.5/10

Me and You fmovies. It could have been a sort of explosive mix between Last Tango in Paris (seclusion) and la Luna (incest, drug-dependence, difficult teenager). A teenager and his older half-sister secluded in a basement for a week get to know each other for the first time. But Olivia's too busy going cold turkey with heroin and Lorenzo lacks audacity. He also suffers from narcissism, so he's not particularly inclined to let go and explore. So no sex, no kinkiness, no demolition of bourgeois values, no anarchy of bodies and minds. All this adds to the realism of the movie, but leaves you a bit disappointed if you expect a Bertolucci-like cinematic experience. I honestly expected to be shocked and disturbed one more time, with style and good taste of course. Instead, the result is quite bland. Certainly, it has its good moments and shots, but the acting leaves much to be desired and the atmosphere is somewhat post-revolutionary.

I like it. it is not a revelation/surprise/piece from Bertolucci chain. it is only a common story about family, about a meeting and refuges. and nothing more. a delicate picture about small significant things. interesting young actors and waters of a special atmosphere. realistic, gray, circle of nuances, seductive and almost real beautiful, it is a mixture of ordinary life crumbs and a strange poem. a teenager and his sister. dialogs, feelings, silences. and a Bertolucci after experiments, storms, scandal. because, after an extraordinary trip, it is time for reflection. a film like a box with surprises. first - Jacopo Olmo Antinori in a promising role. then - Tea Falco. so, it is not a bad idea to see it ! not for director or for cast. but for a meeting with art to transform in movie few common pieces from common life.

"I'm stepping through the door. And I'm floating in a most peculiar way. And the stars look very different today." – David Bowie, Space Oddity Coming of age can mean many things: sexual awakening, a religious or cultural ritual, or even achieving an academic or artistic goal. In Bernardo Bertolucci's intimate drama, Me and You, however, it is the time when a young man is able to see the world for the first time from a point of view other than his own and learns to give of himself to another human being. Based on a novel by Niccolò Ammaniti, the same author whose novel was the basis for Gabriele Salvatores' 2003 film I'm Not Scared, the film, Bertolucci's first since The Dreamers in 2003 and his first made in Italy in thirty years, is the story of Lorenzo, an isolated fourteen year old boy (Jacopo Olmo Antinori), and Olivia (Tea Falco), his older half-sister, a heroin addict, who inadvertently discover they need each other more than they ever thought possible.

The film opens in the office of a psychiatrist. The first image we see is Lorenzo bent over a chair, prominently displaying his huge mop of black hair while the therapist, confined to a wheelchair (as is Bertolucci), tries to find out what he means when he describes everything as "normal." We never find out what the issues are that led him to the doctor's office, but meeting his overbearing mother, Arianna (Sonia Bergamasco) in the following scene gives us a clue. After telling her at dinner in a restaurant that he wonders whether people are looking at them as lovers because of her youthful appearance, Lorenzo fantasizes out loud about having sex with his mama if they were the sole survivors of a holocaust and needed to repopulate the planet. Embarrassed, she tells him to be quiet but with sort of a glint in her eye.

"If it was a boy, what would you call him?" he asks her but does not get a response. Lorenzo is about to go on a ski trip with his school but it is obvious that he is not keen on the idea, especially when he sees his classmates socializing together outside of the bus. Demanding that his mother drop him off several blocks away so he won't be driving up with his "mommy," it seems as though he has already made up his mind not to go. Using the money given to him for his ski trip, Lorenzo buys enough provisions (including obvious product placements) for seven days.

Carefully avoiding being spotted by the building superintendent, he moves into the hot, crowded basement of his apartment house with his junk food, laptop, an ant farm he purchased for the occasion to keep him company, and a copy of Anne Rice's The Vampire Lestat, translated into Italian. Lorenzo's peace and quiet is soon disturbed, however, when his half-sister Olivia, a former artist and photographer, shows up asking for a place to stay while she tries to kick her drug addiction "cold turkey" in preparation for meeting her lover in the country. Although the affection they first show each other would not make a very good love story, they gradually grow closer as he begins to move beyond his own concerns.

Lorenzo tries to help Olivia get through her heroin withdrawal symptoms, caring about her health while bringing her food and sleeping pills.Through their interaction, he seems to grow in self-confidence and peeks out of his shell to see that there is a world outside of his cocoon. Though there are painful moments, Me and You is not a dark film but one that is brightened by the potent