Luck by Chance (2009)

As a filmmaker (or perhaps a filmmaker-to-be), I often find myself thinking more about the process of film-making itself as opposed to what that process should be used to present. Such is the case with Zoya Akhtar's debut film, Luck By Chance. "Write what you know" they say and it feels that she's tried to do exactly that.

Hot on the heels of the last Excel Productions film, Rock On!!, Luck By Chance marks the entry of the Farhan Akhtar's sister into the world of films and it's the world of films that she decides to deal with.

And rather than offering us a soup or salad to whet or appetites, she gets right into things with a thali- full of delights.

The set-up of the film is efficient and the title sequence is one of the most poignant tributes to Indian cinema that I've seen in some time. We instantly know that we will be covering a lot of ground. The plot-lines are many and varied: There's Sona Mishra's (Konkona Sen Sharma) struggle to become an established first tier heroine; there's Romy Rolly's (Rishi Kapoor) struggle to make a blockbuster film while balancing the airs of uppity celebrities; there's Zaffar Khan's (Hrithik Roshan) struggle to maintain some semblance of a normal life amidst extreme adulation and fame; there's Neena Wallia's (Dimple Kapadia) struggle to make sure her daughter follows in her footsteps and becomes a big star; and at the forefront is Vikram Jaisingh's (Farhan Akhtar) struggle to tie all of these plot lines together while he treats every other character as a rung on the ladder to the top.

Most of the performances are top-notch. Rishi Kapoor is completely over-the-top, Dimple Kapadia is super scary and Hrithik Roshan stands out as the straight man amidst all the hijinks. Zoya Akhtar peppers the narrative with minor characters, many a celebrity character and observations on the nature of the industry. While these references are whizzing past with every scene, one minor complaint is that instead of being the perceptive views of an insider they pander to the clichés that one associates with Bollywood. But that's a relatively unimportant issue when we see how much is dealt with.

It's a wonder that the script is able to handle all of these threads (and many more) to weave a rich tapestry of the "Hindi Film Industry". In spite of moments of confusion, we are treated to everything from the corporate side of Bollywood to the dedication of theatre actors to their muse. And while it's commendable that all of this manages to stay coherent, it does make us lose track of who or what we should be following.

While Vikram's story seems to be the one we should be following, a second act turn makes us wonder what we are really invested in. And while this is an interesting approach, it isn't helped by the fact that the story begins to meander and almost reduces itself to a series of gags and oh-look-it's-so-and-so- celebrity situations. Rather than building to a resounding climax, it limps it's way across the finish line to an ending that is quite brave and down-to- earth but at the same time unexpected and a tad undeserved.

In fact it's not very dissimilar to the trailer for the film. It starts as a light-hearted satire on today's Bollywood and descends into sentimentality and heavy-handedness. By trying to have the ostentatious song-and-dance sequence along with a certain cynicism, it balances along and uneven tone and one feels the Zoya Akhtar want

Fmovies: Intro : A look into the inner fabric of what we today know as Bollywood.

The Scenario : The movie follows the trials and tribulations of two main characters (Farhan and Konkona) who are after the same goals - Bollywood Stardom. Along the way they come across a series of characters and personalities who form the crux of the industry. How much will one sacrifice of his/her principles and "person" to get ahead? What effect does rising stardom have on friends and family?

Another well crafted parallel story line is the point of view of a troubled Producer (Rishi Kapoor) and obstacles he needs to go through to get a bunch of ego's and personalities together. (Like a Coalition Government!)

The movie also gives us an insight into what goes behind the finished item - namely the unsung heroes in the industry. The music is pretty good and well placed in the film.

Pros : The casting director should get credit here - actors, special appearances have been rock solid without being overdone. The levels of black humour are abundant. Konkona and Farhan have been in top form but Rishi Kapoor (the arch-typical Punjabi Bollywood producer) probably gets away with the top prize here. Watch out for the little cameo by Saurab Shukla (Slumdog M, Dasvidaniya) who sets the movie rolling in many ways.

Cons : Perhaps the movie could have been a tad shorter but that may not be a problem if you're enjoying it. I know most people will not agree but despite being an improving and likable actor - Farhan's voice takes some getting used to. Well we got used to Rani M so it may not be that bad :)

A satire about Bollywood, and the struggle that young talent has in a nepotistic world, certainly sounds intriguing. But when the talent is mainly defined by beauty and ambition, it's hard to feel too sympathetic, particularly over the full course of what is a decidedly long film. In fact, satire is too strong a word here: although the inanity of Bollywood plots are gently ridiculed, the movie includes some song and dance sequences of its own (disguised as belonging to films within the film); and the eventual ending celebrates a character who fails to become a star, but nonetheless enjoys success as a leading television actress. Fundamentally, this not a story about real failure at any level, not one character is poor and not one young character is ugly, or indeed, even ordinary looking. A harsher, funnier tale might have been told.

Luck by Chance fmovies. The opening sequence montage is beautifully designed, paying a quiet and dignified homage to the upline and downchain support functions of the entire film industry, like the guards protecting film studios and film sets, and cashiers at the box office, with the song Yeh Zindagi Bhi as a backdrop. But this serene and muted beginning is in stark contrast to everything else that is going to unfold, where humour is largely used to great effect in cushioning the unflattering commentary on the state of affairs. For example, much has been said about story lines and sets resembling some big budgeted Hollywood counterpart, and you have a director blatantly telling his scriptwriter to adopt everything from his favourite movie. A lot of satire get tossed around, and rewards the viewer paying close attention. There's even an avenue for sight gags, and one of my favourites is the poster entitled "For a Few Rupees More".

The strength of Luck By Chance is in its strong story, characterization and dialogue. It plays on everyone's stereotypes, but yet doesn't turn its main characters to caricatures. It shows the distinct worlds that aspiring wannabe actors have to face, versus those born with luck on their side, being the offspring of famous and established stars in the movie world. It examines the struggles of the dream chasers coming to Mumbai looking for their big break, where it is established that lead roles only go to newcomers when they are soundly rejected by the stars, and the insecurities and threats that established stars constantly face, with the dealing of pressure and success, and maintaining that public icon. For the bevy of star childs as they are known (in my short foray into Indian films I have seen a number of up and coming ones), the mounting expectations that one has to deal from the public.

Luck By Chance has a movie within the movie which the subplots are laid out against, and like all productions, funding is always key, as is the network that one has to find a foothold in because of the tacit understanding that it's about who you know and who you're related to, versus pure talent. Hence the title, where one has to be at the right place at the right time staring at the right opportunity in order to get noticed amongst thousands. Vikram Jaisingh (the director's brother Farhan Akhtar) is one such aspiring actor who moved from Delhi to Mumbai in search of stardom, and lives with 2 other friends and their neighbour Sona (Konkona Sen Sharma) who is the mistress of small time producer Chaudhary (Alyy Khan) of Pinky Productions, waiting for her big break to star in a big budgeted movie with a tailor made role. At the other end of the spectrum, we have the insecure mega-star Zaffar Khan (Hrithik Roshan, whom I think is like a chameleon in being able to shape his physique at the drop of a hat) starring in his new movie with star child Nikki Wallia (Isha Sharvani), the offspring of screen legend Neena (Dimple Kapadia). And adding plenty of colour to the events in and around this movie production, are the producer Romy Rolly (Rishi Kapoor) and his brother, the actor turned director Ranjit Rolly (Sanjay Kapoor) who share the spoils for most of the comedy.

There are plenty of insider jokes spilt at every corner, making fun of commercial and art films, gossip rags and the sensationalizing of news. Upping the fun factor are a slew of cameo appearances with real stars playing themselves, and you can imagine the gasps when Aamir Khan appeared briefly in the beginning, and another Khan (

What can I say about this movie? This is one of the best movies that has been released so far this year and it is by an débutant, female director, who has gone on to prove her capability in directing and it deals with a simple story.

A newcomer from the Indian capital, after completing a course in acting, moves down to Mumbai and tries to join the Hindi film Industry (Bollywood) and makes some friends but struggles in getting a role.

Starring Farhan Akhtar, Isha Sharvani, Hrithik Roshan, Konkona Sen Sharma, Dimple Kapadia, Rishi Kapoor, Juhi Chawla, Sanjay Kapoor and Anurag Kashyap. This is directed and co – written by Zoya Akhtar, co – written by Farhan Akhtar and the music score is by Shankhar Ehsan Loy. Special appearances by many, including Abhishek Bachchan, Shilpa Shetty, Shahrukh Khan, Karan Johar, Kareena Kapoor, Boman Irani, John Abraham, Ranbir Kapoor, Akshaye Khanna, Ronit Roy ("Mr Bajaj" in "Kasautii Zindagi Kii" and "Mihir Virani" in "Kyunke Saas Bhi Kabhi Bahu Thi" of Balaji Telefilms TV series),Mac Mohan ("Sambha" in "Sholay"), Vivek Oberoi and Aamir "Mr Pefectionist" Khan.

This gives the audience an in sight into what sometimes happens when making a movie and what happens in the industry and more when it involves the opposite sex and when you are working together. Zoya Akhtar, sister to Farhan Akhtar and daughter of Javed Akhtar, has done a superb job in her directorial debut in showing that is something believable and has also managed to show how some of the actors struggle when they first try and join the industry and the pains in being involved in a relationship.

Farhan Akhtar, has once again proved that, not only is he a good director of films such as "Dil Chehta Hai" and "Don," but with his second film as an actor, the first being "Rock on," is good. In this, he has portrayed a character that can and should be considered as an ordinary person and is a believable character. The other, being Hrithik Roshan, is also good in his role. Rishi Kapoor as a big movie director is also convincing and as are Juhi Chawla and Dimple Kapadia. The special appearances by the names that I have mentioned do play a major part in this movie and are worth watching. But it made a change to see Mac Mohan after such a long time.

The music score by Shankar Ehsan Loy is worth listening to but the songs are also worth as well and in particular "Bhago Re" and the dance by Hrithik to it and "Jahanmein Sunate Hai." The lyricist and father of Farhan and Zoya Akhtar, Javed Akhtar, who has been a judge on the Indian TV channel, Sony, for "Indian Idol," has also given a good break into playback singing to one of the previous contestants, Amit Paul.

The entry of Zoya Akhtar as a director is a definite "feather in the cap" for the industry.

This is a movie that is definitely worth watching.

"Luck By Chance" has most of the hallmarks of a typical Bollywood production: shimmering visuals, eye-popping colors and costumes, and gorgeous young performers all placed in the service of a slick-fiction melodrama, punctuated by elaborately choreographed song-and-dance numbers that play like glittery shampoo commercials on steroids. The difference here is that since it is Bollywood itself that is the subject of the film, writer/director Zoya Akhtar gets to indulge in some mild self-criticism aimed at a few of the weaknesses inherent in the industry. For instance, the movie questions why nepotism seemingly plays so large a role in the hiring of actors and actresses, an inside-joke, one assumes, since Akhtar chose her own brother, Farhan, to play the lead character in this film. It also makes fun of the fact that no self-respecting mainstream Indian film would be caught dead without at least a half a dozen musical sequences, even though they are rarely germane to the plot or integral to the theme. That doesn't, however, keep the makers of "Luck By Chance" from fulfilling their mandated quota of said sequences. Apparently, iconoclasm will take one only so far when there are box office receipts at stake.

"Luck By Chance" tells of an aspiring young actor named Vikram (Akhtar) who lands the lead role in what is described to us as "a big-budget thriller/musical love story." His sudden success becomes a cause of dissension between him and his girlfriend, Sona (Konkona Sen Sharma), since she is herself a struggling actress and has been unable to pick up more than mere bit parts in unimpressive films up to this point. She also becomes jealous of Vikram's co-star, the lovely Nikki Walia (Isha Sarvani), whose over-controlling mother (Dimple Kapadia) was a famous movie actress herself in the 1970s.

In terms of dramaturgy and audience attention-spans, the story could definitely use some tightening, but it does capture some of the frustration, heartbreak and disappointment of trying to make it in the "biz." It also points out the capricious nature of filmdom success, making the case that it is often nothing more than sheer luck - of being at the right place at the right time or of having that indefinable "something" that sets one apart from all others - that ultimately determines who will make it as a star and who will not.

The romantic scenes are nicely played by Akhtar and Sharma, but there's no getting around the fact that the movie itself runs on for such an unconscionable length of time (over two-and-a-half-hours) that audiences (Western audiences, at least) are bound to lose interest in the story quite a ways prior to its actual completion. That's a shame because there's much that is likable and charming about "Luck By Chance."