Little Joe (2019)

Basically, this is Invasion of the Body Snatchers. It's just not good.

Fmovies: I'll break this review down into three sections; Performance, Production, Plot.

Performance. Everyone is pretty much spot on. All the performances are reserved, which aids the intrigue of whether or not they've been infected and even when you're certain their performances always seem to leave you with a sense of doubt.

Production. This is the highlight of the movie. The sound design (both soundtrack and environmental) do a great job creating a sense of discomfort and foreboding. The costume and set design is beautiful and clinical, but also with great touches of vibrance.

Plot. By far the weakest area in the film and unfortunately what lets the film down. The idea is interesting and the way it's developed is interesting too, but plot points are often contrived or out of place and ultimately too little happens over too long a space of time to keep you fully engaged.

Don't watch this unless you really want to listen to the constant squeal of high pitched frequencies for two hours

Little Joe fmovies. This film has several elements that would have made a great 15-20 minute short film. But at feature length it is a long hard receptive slog

The story has an interesting premise, and can be quite suspenseful. However, the pace is super slow, which kills the suspense and momentum. The music and the repeating CCTV shot at the plants get tiresome as well. Overall, I couldn't say I enjoyed it.

So it's a modern day take on an old sci-fi classic, with a slight twist, fine we understand that quick enough. However, it fails in direction completely, cold acting with warm and pastal colours is just a cliche. The lead actor centre stage and holding the shot whilst (kabuki) music plays (clearly thinks it has something to do with ikebana) gives an ominous feel, REALLY. You care nothing for the characters, why should you, that's the premise of the film. As for the soundtrack, well it is very annoying, a drum here, an asthmatic whistle there, a tin can, what sounds like a box of chihuahua's, just annoys the viewer. The style, it tries but falls flat, the plant is shown in vivid pink, alluding to the passion it feels, the lead actor originally wears bold colours but then the pastoral colours come in later, why they have to wear 70's clothing to allow this when the rest of the film is clearly in the here and now god knows. A typical critics film from a director who believes their own hype finding what they need to find in films as their own lives are one dimensional and so far from a real film goer. Don't even start on the dialogue. A ten minute short would give you a better experience.