Limbo (1999)

Hi, my name is Slim and I just saw a movie about how just when you think life is going good and you got all the major stuff like food, money, and love dialed in and it's just about time you got comfortable with a six-pack of some cold longnecks WHAM! that cold-ass harlot Bad Luck cold cocks you one. Then the next thing you know you're stuck on some wet, dank, isolated-on-the-buttwipe-end Alaskan island with this gal you were just getting to know real well, not to mention her teenage daughter who's into self-mutilation and strange stories, and to top it all off some drug running nimrods who just got burned are looking for all your butts with their superduper peekaboo scoped rifle.

I'm talking about Limbo, made by the one of best directors who doesn't give a damn about Hollywood and does it his way all the time-John Sayles, and has one of my favorite babe actress-Mary Elizabeth Maistrantonio. It all takes place somewhere way up in Alaska where men are fisherman, women are fish cleaners, and the tourists are stupid fat Midwesterners. My babe Mary is this singer who just left her 51st, or 63rd, or 102nd guy and goes right after her 52nd or 64th or whatever, who is this guy who used to be a fisherman but due to 'unforeseen circumstances' isn't one now. But since way up there in fish country winters are long and women are scarce and fish just don't last all winter he decides she is all right, and besides she is Mary Elizabeth Maistrantonio. Anyway, he and she and the teenage daughter decide to go for a boat ride, so off they go along with his long-lost half-brother who decides to pull a con on his half-bro and use him as a bodyguard for some stupid pigheaded easy money drug deal. But of course it ain't easy money, and so it's a man overboard and everyone swim for their life scene.

We got fish being cleaned, fish being shot, fish being canned, fish being fish, we got pretty postcard pictures of somewheres up in Alaska which looks like they got enough trees to build all of us a 5000 square foot house, we got losers in a bar with their own barstool, we got Robinson Crusoe only Friday is a babe and her daughter, and finally we got an ending that just goes to show that we don't really know what's going to happen in our lives.

Three and a half bright north stars. Go check it out but only if you want to watch a movie where when it's over you want to go back for more. Or else drop kick a size 12 metal toed boot to the rear of Sayles for ending the movie the way he did.

Fmovies: Don't Believe the Type (...below). John Sayles' Limbo is a slow-burning, stonker of a movie! The character interaction and dialogue are sublime and subtle. Personally I love to see David Strathairn in the lead role, and it is to Sayles' credit that he has, and continues to give this deft actor a chance to shine. For those who have complained about the 'boring storyline' and 'dissapointing finale' I feel sorry, really very sorry - Sorry, that you could not enjoy the films' depth and intelligence as I did. And if you didn't like the ending, then well, you just don't get it, do you?

Tops marks Mr. Sayles, One of your Best!!

"Limbo" continues John Sayles travels around the continent to find distinctive regionalisms and he portrays small town Alaska with a real authentic feel.

The audio and video were out of synch for the first 15 minutes so I missed some of a key scene where the singer breaks up with her boyfriend through a song, which was too bad as the cover songs are terrific, from Tom Waits to Richard Thompson's "Dimming of the Day."

The acting was excellent, particularly, Vanessa Martinez as a very believable teenager. David Strathairn was both restrained and passionate. I just wasn't completely convinced that Mary Elizabeth Mastrantonio's character had gone through changes to be at peace with herself. Kris Kristofferson again does a bad guy scarily convincingly.

But the surprise "limbo" conclusion ruined the film for me and virtually everyone else in the audience also groaned.

(originally written 7/12/1999)

Limbo fmovies. Having finally caught us with John Sayles' "Limbo", it must be said that the king of the indie scene can still surpass any genre.

Casting his friend (and movie veteran) David Strathairn as an Alaskan fisherman with an emotional crisis is one of the film's many pluses. Strathairn brings an everyman quality to every role he's in. The film is also not unlike Strathairn's own "The River Wild". At least, without the contrivances. Mary Elizabeth Mastrantonio is also good as a bar singer (she sings pretty well too) hauling her teenage daughter (Vanessa Martinez, very good in her debut) through gig after gig. The film also has some thriller elements; but, this of course, is Sayles, who wisely pushes for character development and dialogue ladened with truth.

As he proved with EIGHT MEN OUT, MATEWAN, CITY OF HOPE, and PASSION FISH, Sayles is a truly gifted writer/director. Keep it coming.

This is certainly a film of two halves. It feels like an upmarket TV movie at first but the acting and camera-work are superior to that aforementioned fare. There is a sense of a community evoked by Sayles's direction as he follows a diverse array of characters and overlaps their problems with the actions of others, while, at the same time, providing enough social commentary on the evils of capitalism that threaten the natural beauty of Alaska. This socio-political commentary is subtle enough because Sayles avoids stereotypes in his portrayal of the inhabitants. The first half feels fragmented at times but the presentation of the blossoming romance between the two main characters provides a seemingly stable counterpoint to the Altmanesque rendering of the tale.

However, the film is really a tease. It abandons the first half in favor of the unexpected Lord of the Flies scenario involving the three main characters for the second half. Moreover, it changes mood full circle, using fear and anxiety as the main concerns of the three stranded characters, whose lives hang in the balance, in a state of limbo as it were. I wasn't sure how the first half related to the second, and I still feel uneasy about the total break Sayles employed between both parts. As a result, it feels like two films joined together. I also feel Sayles abandoned any sense of a multi-threaded narrative drive he successfully built into the first part in favor of the unexpected second part. The second part may symbolically allude to the film's title but it's also an abrupt digression of the preceding genre.

Why bother with showing the first hour if it wasn't followed up? Why bother showing many characters in the first half, then abandoning their concerns in the later, as if it didn't matter? This is essentially a TV movie for the art-house crowd but one that challenges and frustrates in equal measure.

With its leisurely pace, unusual structure, and highly ambiguous ending (not to mention a nonexistent marketing campaign), Limbo will quite likely divide the small audience that sees it. This is a terrible shame, as John Sayles is at the top of his game. Set in Alaska, Limbo comments incisively on a variety of complex issues concerning the vast state -- the relentless tourism, the scarcity of meaningful employment for the working class, and the careless abuses of irreplaceable natural resources by the wealthy, to name a few. All of these interesting themes, however, are discarded half-way through in favor of a thought-provoking story of human survival that will undoubtedly light a fire for some while irritating and alienating others. Sayles has not always connected with me, but I was deeply moved by Limbo (especially the rich characterizations provided by Martinez, Mastrantonio, and Sayles regular Strathairn) -- and I absolutely loved the gutsy ending, which continues to occupy my thoughts.