Incendies (2010)

I decided to watch this movie because I have read many excellent critics and because this book is used in Quebec's "cegeps", some kind of a post-high-school, and my girlfriend talked about it with me. Indeed, I am very happy to have seen this intense movie. It is really a great and close to perfection. Even though I have even seen one or two better films this year, this movie is at least the best drama I have seen in the last five years.

This movie is absolutely convincing. It has very intense images and words and has a very slow paced and sad atmosphere. The movie begins very calm but the tension raises very fast and you really feel more and more with the tragic characters. This movie makes you cry, it makes you angry, it shocks you. Once again, it is a Quebecker movie that is cut into pieces and may mix you up a little bit in the beginning. You see scenes from the present where Jeanne and Simon are first parallely looking for the truth and trying to fulfil her last will, you see scenes from the dramatic past of her mother at different stages of her life and you also see scenes from the past of her family. The movie shows not only a couple of interesting and diversified characters (played by mostly unknown and indeed extremely talented actors), but also magnificent and intense landscapes, shocking crime and war scenes and insights of a foreign culture and the clash of the generations and ideologies in the past and the present. The movie is much diversified and very intellectual.

Many people were surprised by several twists and a very intense and dramatic ending. It is true that the development the movie takes is really shocking but I have seen a few things coming and wasn't that surprised in the end, but that almost does no harm to the atmosphere and tension of the movie. The movie tells in a very philosophical way about the irony of fate, peace and war, love and hate, vengeance and forgiveness, saints and sinners. It is uneasy to watch the movie and you still think about what you have heard and seen for quite a while after the movie.

Almost everything is perfect in this movie. There are two minor reasons why I don't give the best note. First of all, I was somehow able to predict some of the punches at a certain point in the movie and I have already seen more intense and shocking dramas that very even more uneasy and heavier to watch than this one, for example "The pianist". Second, some scenes in the beginning of the movie are not done very well by the camera man. In the scene where Jeanne is in her mathematic class and when she looks for some accessories in her room, the camera is disturbingly shaking and moving all the time but not to create an effect of uneasiness, because there are no similar scenes later in the movie during way heavier scenes. Those two scenes (that would not have been complicated to produce or film again) are just not well done and the director should have seen and corrected that before sending the final product to the festivals and cinemas. In a perfect and intense masterpiece, this little detail is really something that could harm the reputation and professionalism of the whole brilliant work. The next time, they should be more concentrated on the movie's perfection and keep their eyes open or invest the money in a good camera director instead of some war scenes.

But all in all, I think that we can really talk about an extremely good movie here! It is surely worth watching it and I agree with those ones who would like to see this movie r

Fmovies: This is a superb film. Best film of the year in my estimation bar none. This exceptional Canadan film should easily win best Foreign film at the Oscars.

Directing, photography, cinematography, casting, acting all outstanding. The film also has something to say on the nature of hate and violence.

Unfortunately this wonderful film will neither be seen nor appreciated by a wide audience.

Denis Villeneuve has created a fabulous film. He has done an immense job taking this from novel to the screen.

I had the pleasure of attending a screening of Incendies at the Telluride film festival and was absolutely shattered by it. This meticulously crafted film was my favorite of the festival.

Stuff happens and you'll be like NO WAY and then the film goes even further and you'll be like WHOA OKAY WHAT and then even further and you'll be like OH MY GOD and then even further still and you'll be like HOW CAN THIS BE HAPPENING OH MY GOD PLEASE and then it'll just keep going even further and further and further and by the end of the film you'll just be a steamy, shattered mess like I was.

Characters and events throughout are depicted with the subtlety and prowess of a master filmmaker. I don't want to spoil anything, but there were numerous moments in the screening that I attended when the audience was vocally reacting to moments on screen that were extremely visceral and affecting.

Beautiful, powerful film.

Incendies fmovies. Want to see where one of the modern era's hottest directing streaks started? If you do, then Incendies in the film for you.

Directed by Denis Villeneuve, who went from this French/Canadian co-production to move onto Prisoners, Enemy, Sicario, Arrival and last year's brilliant sequel Blade Runner 2049, Incendies is the Oscar nominated film that put Villeneuve on the path he finds himself on now and remains a film of substantial power these years on from initial release.

Adapted from Wajdi Mouawad's play of the same name, Incendies is a multi-layered narrative that spans both numerous countries and numerous characters over various timelines but Villeneuve controls his film perfectly as the mystery that lays at the heart of this tale about family, war, life and death never gets muddled as we're drawn further and further into a film that wraps us up in its web and refuses to let us go.

There's not the abundance of filmmaking and visual flair that Villeneuve has started to become known for over his more recent Hollywood productions but Incendies power comes almost exclusively from Villeneuve's deft hand with his performers, his handling of a script that other filmmakers would struggle to bring to life and his ability to slowly ebb out more information as we go, that by the time we come to realise just what lays in store for the films characters, the power of Incendies becomes even more apparent.

Saying to much about this story would be a disservice to a film that takes many various turns and pivots. Essentially at its core, a story of both twins Jeanne and Simon Marwan trying to uncover the secret of their father they've never met and find a brother they never knew they had after their Middle Eastern born mother Nawal passes away, Incendies becomes so much more than a typical family drama as it showcases time in the conflict of the Israeli and Palestinian Holy Wars, as well as the twins journey back to their country of nationality.

The film in many ways showcases a different side to Villeneuve and proves the director is just as at home handling a $150 million plus Sci-Fi for a major Hollywood studio as he is behind the camera of a small intimate drama that is driven purely by its narrative and characters. Proof the filmmaker is a man of many talents and a director to be cherished by those that love cinema.

Final Say -

For any fans of Villeneuve's work, world cinema or powerful character driven dramas, then Incendies should be a film you seek out as soon as possible. Losing none of its power since its initial release, this sometimes hard to watch but always enthralling film is standout filmmaking and the official blasting off point for one of the modern era's great filmmakers.

5 swimming pools out of 5

During the reading of the will of their mother's, a twin brother and sister learn of some unusual last wishes. Amongst other requests, two envelopes need to be delivered to respectively the father of the two and a brother whom are both unknown. The quest leads the twins through the Middle East where they slowly learn of the horrific tales which is the life history of their late mother.

The movie tells a very graphic but endearing story, perfectly shot and acted allowing the viewer to get fully immersed into the journey and findings of the twins. Through flashbacks we learn about the hardship of the mother and, eventually, the fate of the father and brother. As a treat, there is a great twist at the end which is really the icing on the cake.

Highly recommended.

92/100

This film is extraordinary on just about every level. The script is terrific, the actors are perfect, the direction and cinematography are all you could hope for. I recommend it without hesitation.

Anyone who has seen any of Villeneuve's previous work--or Andre Turpin's Zigrail--knows that these filmmakers have bodies of work that are almost without peer in contemporary cinema world-wide and are unparallelled in the history of Canadian cinema (until seeing Incendies, Maelstrom was my favourite Canadian film). Incendies does not betray that "legacy". You should absolutely see it.

In a film as stunning as this one it's odd to single out one aspect, but I must say that Lubna Azabal's performance is among the best I've ever seen. Though I've watched a few films that she's been in in the past, she never really stood out for me. She is devastatingly good in this picture.

I do hope that this film gets submitted to the AMPAS for Oscar selection as it is definitely the best film I've seen this year and a shoe-in for the foreign picture Oscar.

My only complaint about the film was the use of music by Radiohead, which took me out of the film each time it played. The rest of the music cues were spot-on and quite excellent, but Thom Yorke's voice belonged nowhere near this film.