Disorder (2015)

Disorder AKA Maryland is a bit of a mystery about a bodyguard with post traumatic stress disorder.

I expected it to be a bit exciting with the plot summary on IMDb but it moves at a slow pace and is trying to be a bit of a psychological drama- thriller.

Which wouldn't necessarily be a bad thing but the edge isn't quite there , it never truly gets suspenseful even though the plot technically have moments where it should be.

I didn't hate it or anything and the acting is okay but overall I think this is the type of movie that in a year I might have forgotten I've even seen because it plays everything so low-key and well the plot isn't all that intriguing or original.

It's in French btw, when I got it I didn't realise that as I'm used to seeing Diane Kruger in American films and well I thought Maryland (which is the original title of the film) was taken from the state of Maryland, USA but there is actually a place called Maryland in France as well and that's where the name is from as it's there it takes place.

Fmovies: Writer/Director Alice Winocour has created one of the finer films of the past year – a film that unveils the degree of tension and fear and terror of various odd sounds that affects soldiers returning form the various wars in the Middle East: a change that has been labeled Post Traumatic Stress Disorder. Working closely with her main character played by the astonishingly fine Belgian actor Matthias Schoenaerts, Winocour finally puts a face on the 'disorder'. The result is one of the more tense psychological thrillers of the recent past.

The story opens with a quiet but moving moment as Vincent Loreau (Matthias Schoenaerts), a French Special Forces soldier just back from Afghanistan, is informed he will not be returning to battle – he is suffering from Post-Traumatic Stress Disorder, manifested by his hearing noises in his ears accompanied by nausea and vomiting, among other things. He and his military buddies take on a side job as a security team to provide security for a mansion party. Later, as a favor to his buddy, Vincent is hired to ensure the safety of Jessie (Diane Kruger), the wife of a wealthy Lebanese businessman (Percy Kemp) in his "Maryland" property in the South of France. While he feels a strange fascination for the woman he must protect, Vincent is prone to anxiety and hallucinations. Despite the apparent tranquility on "Maryland", Vincent perceives an external threat. When Jessie is targeted for kidnapping, the Vincent and Jessie must draw upon not just Vincent's military training, but upon their basic qualities as human beings. Because each of them has moved in different spheres until then, this may not work so well.

The first hour of the film is a vivid depiction of the psychological stress and disorder Vincent endures, but in the last thirty minutes the tension is almost unbearable as Vincent physically protects Jessie and her son from potential kidnappers. The manner in which Schoenaerts plays this difficult role is brilliant and together with Kruger they offer some of the most realistic acting on the screen today.

This is very finely written and acted psychological thriller. Highly Recommended. In French with English subtitles.

Matthias Schoenaerts plays Vincent, a soldier who has returned from Afghanistan and is now suffering Post Traumatic Stress Disorder (PTSD). He is signed off from duties and so gets to work as a hired security guard. One of his friends gets him a gig working for a wealthy, but decidedly shady, Lebanese businessman.

Once there he becomes enamoured with his very attractive wife (Diane Kruger) and ends up being assigned to watch over her as a personal bodyguard. He is still dealing with PTSD and the effects of having served as Special Forces and so is on edge and sees danger where it may not be. However, he soon feels that she and her son are under threat and then – well it all kicks off but to say anymore would be a plot spoiler.

Now the part of Vincent was written with Schoenaerts in mind and he does a very good job indeed (I have PTSD so could spot some of the subtleties) but the tension and atmosphere that is engendered at the beginning then starts to fade as the plot reveals itself. The story is fairly good though and the ending may bemuse some but the overall journey is one that is worth the effort. In French with good sub titles this will appeal to lovers of thrillers but it is not one that is too taxing on the intellect.

Disorder fmovies. In a twist on the story of a combat veteran with post-traumatic stress disorder attempting to adjust to civilian life, director Alice Winocour realigns the balance of the narrative to focus as much on romance and one woman's perspective as action and a psychologically wounded man.

Vincent takes odd jobs as he lobbies to return to combat as a soldier. Despite its inherent dangers, combat at least is a place where he has a mission and purpose. Civilian life is not so kind. It is confusing, degrading and offers little in the way of sympathy for what Vincent has been through. A side job as part of a security team, together with his military pals, takes Vincent to a mansion, party and pretty woman who attracts his eyes and focus. In the ensuing days Vincent is drawn into a personal security detail for her. When she is targeted for kidnapping, the pair must draw upon not just Vincent's military training, but upon their basic qualities as human beings. Because each of them has moved in different spheres until then, this may not work so well.

The sound selections and wounded hero narrative are reminiscent of the Nicolas Winding Refn films that I love. However, Winocour cannot quite match Refn's levels of tension, chemistry and spectacle. I admire the acting of Matthias Schoenaerts and he does not disappoint here. While the film has some potential to live up to, there is ample suspense and intrigue inside the characters and the scenes that envelop them. Seen at the 2016 Miami International Film Festival.

This is not your usual "home invasion" film.It's above all an incredible sensory experience.Alice Winocur (who directed 2 years ago the magnificent "Augustine") creates a great combo between drama & paranoid thriller.And don't expect a love story ala Bodyguard. Matthias Schoenaerts is phenomenal as usual.It's quite an intense performance.You're truly seeing things through the eyes of his emotionally damaged character. Diane Kruger is also solid but the movie truly belongs to King Matthias.The ending could have been slightly better but it doesn't take anything away from the quality of the film. The soundtrack is also very catchy : Gaffelstein is a genius ! He creates a very atmospheric environment. A must see !

I was very surprised at this movie. The IMDb precis led me to think it was going to be an average action thriller so I watched it to fill in a dull couple of hours, but what a treat it turned out to be.

Definitely not for the Hollywood action fan, this movie is an incredibly well-paced (read: slow burn) psychological study and suspense builder. I found a lot of it reminiscent of a great Hitchcock, who was, after all, the master of building true suspense out of the ominously suggested but mainly unseen.

Matthias Schoenaerts is absolutely brilliant. His portrayal of a damaged, sometimes paranoid, drug-dependent, PTSD-suffering soldier trying to carry out a fill-in assignment on a private security detail is a masterpiece of characterisation. The directing is superb and had me watching in delight throughout the film's entirety. The whole recipe is topped off by cinematography that is so ideally matched to the mood(s) of the film, perfectly complimenting the atmospheric, slow-building story. No, we don't get to know the whole of Vincent's character during this movie, but when have you ever got to know someone well after spending a mere two hours with them? We learn what we need to to engage in the movie and that is just the right amount.

Some reviewers will bemoan the lack of a full background story, dearth of explosions and other typically Hollywood special effects, the dark settings and minimal dialogue. In my opinion that only illustrates that they entirely miss the point and magic of this beautifully made film and I suggest they go and rent a brash, loud, brain-dead, exaggerated Hollywood action explosion-fest.