Dear Frankie (2004)

The beautiful princess is trapped by the evils in her past, she is icy, almost dead to anything but the need to keep the truth from Frankie, her 9 year old son. But Frankie is smart and resourceful and will save her, as well as any son in a storybook. This is a beautiful film, a fantasy with a stark and realistic background, which can also take your breath away with wonder, as one of the characters comments for herself. The synopsis does not do justice to the stately and beguiling way this tale is told - the shocks and surprises are never gratuitous and the happy ever after ...? Well, that would be telling. Emily Mortimer conveys the paralysis of fear and yearning without any showiness, the spare and well-crafted dialogue tells us a little less than we would like to know, but the suspense is not unpleasant. The supporting players have colour and substance and the man who agrees play the part of Frankie's dad, is portrayed with heart-breaking restraint by Gerard Butler, who after his showier role in 'Phantom of the Opera' demonstrates that his has real and effective range. But the boy is a wonder of subtlety and sincerity. A lovely film.

Fmovies: The movie Dear Frankie is a wonderful story about a boy with a hearing impairment who does not speak. The actor who portrays him does an amazing job communicating without words, his need and longing for his father. Emily Mortimer, who plays his mother in a passionate performance, attempts to protect her son from the truth about his absent father. Her struggle with the truth is a difficult road that is lightened slightly by the woman who plays her mother. I enjoyed Gerard Butler's performance as the Stranger. This part for him was a nice transition from the action movie characters he played previously and as the Phantom of the Opera. He brings a broody, stand-offish quality to the Stranger that draws you in and makes you want to see what will happen with the three characters. He may have the ability to become one of those actors that truly can steal your heart with an Oscar winning performance. The movie has twists and turns to completely exhaust those that may have an emotional nature. The movie starts out a little slow but turns into a fantastic, heart warming experience. The setting, in my opinion, does great credit to the movie since the beauty of Scotland can be viewed in its landscape shots of Glascow. In my opinion, Dear Frankie is an emotional roller-coaster that I would ride again and again. If only it would be out in more theaters nationwide.

Like all the best stories, this one is simple and affecting.

There's not a lot in Lizzie and Frankie's lives to aspire to, constantly on the move and clearly in fear of something. All Lizzie wants is to give Frankie the life he deserves, and in the process she sacrifices her own comforts and happiness. The letters Frankie receives from his 'Dad' (written by Lizzie) afford him the comfort and release of imagining far-away adventures and his replies speak to Lizzie in a clear voice which Frankie's deafness denies him in real life.

The prospect of meeting his father, when his ship comes to town, is Frankie's dream - at last the chance to meet the exotic and mysterious man who loves him so much - and Lizzie's completely unexpected nightmare. How they deal with it, more together than they realise at first, is the heart of the film.

Having painted the slightly depressing picture of a mother and son caught in a life which they wouldn't have chosen for themselves, the film runs the risk of mawkish sentimentality to achieve a satisfying conclusion. This, of course, would only appeal to the most sweet-toothed romantics in the audience. But the film's skill in involving the viewer makes for a rewarding experience and the danger of tears being shed by even the most hard-hearted who see it.

Dear Frankie fmovies. I thought "Dear Frankie" was a delightful film. It was supposed to be a tear jerker! I felt the acting was true (especially the work done by the child who played Frankie) and that the story, while fanciful in some portions, was good. In my opinion, the story was about the lengths a parent will go to in protecting their child from the ugliness of the world. Why must films always emulate reality? What is wrong with telling just a sweet, gentle story? Emily Mortimer was great, portraying a woman who had to be strong, yet who was also vulnerable, who was barely holding life together for her son and mother. Jack McElhone was terrific as her son. He was neither a cloyingly innocent deaf "victim" or the smart butt kid typically portrayed in current films. Gerard Butler did a good job of conveying "the man behind the disguise" as his interaction with Frankie progressed. I saw this film at the LA Film Festival, and judging by the audience reaction, I was not the only viewer who was enchanted by this movie. Those of you looking for a gritty slice of life would be wise to avoid "Dear Frankie". But if you want to spend some time in a world were parents DO care and good things do happen to those who are deserving, then this is the film for you.

One of the most beautiful films I have ever seen, Dear Frankie is a true hidden gem without the glossy cloak of stardust that you get with so many films. It's definitely in among my favourites.

It has a unique and thoughtful storyline that is portrayed by the perfect combination of actors. There are no superstars or big names, just a group of people who want to make a film that pulls heartstrings which it does successfully. Dear Frankie gives you that rare feeling of sadness and happiness which is hard to forget.

It was a true masterpiece, the most near-perfect film that I have ever come across.It was the only film to ever bring tears to my eyes, which is quite a feat.

"Dear Frankie" is a heart-tugging family romance with decidedly non-Hollywood touches that add to its charm and poignancy.

We are swept into both sides of an unusual epistolary relationship -- one between a mother and son, as each takes on alternative identities to communicate, and we get to hear their adopted voices as well.

The son is an isolated deaf kid who won't talk but pours out his heart in letters, while his fiercely protective mother pretends to be his fictional seagoing dad in response. We are drawn into their parallel stories from each perspective, as their defensively claustrophobic relationship has an outlet in this fictional geography as they gradually start dealing with the real world.

Emily Mortimer combines strength and naked vulnerability, as she did in "About Adam" and "Lovely and Amazing," while the son is captivating in an almost mimed role without being as treacly as the kid playing Peter in "Finding Neverland." Debut director Shona Auerbach keeps the movie tethered to reality with evocative use of Glasgow and its active port. We are anchored in a working class bloke territory that becomes a rocky shore for an untethered single mom living with her mother and her kid. This is tellingly symbolized when Mortimer braves a rough waterfront bar.

And then re-emphasized in a hotel tea parlor whose atmosphere electrically changes the minute rugged Gerard Butler pops up on screen. Epitomizing that cinematic manliness that is so talked about as lacking from most American actors these days, Butler's absolutely authentic masculinity instantly telescopes what this mother and child have been missing, and not just his sexual gravitas. Butler movingly demonstrates how a guy's guy plays paternal through such simple things as football, skipping stones, eating and of course dancing.

I don't know if I missed the clues to the concluding twists, but Hollywood would never let these lovely mysteries be, let alone as an achingly long look into each's eyes.

It's nice to see faces from Scottish TV shows in atypical roles, Sharon Small deservedly having a steady boyfriend on screen for a change, and Cal Macaninch, the nice guy from "Rockface" as the not nice guy here.

The Scots accents are thick and I did miss some punch lines in the dialog here and there.

The song selections are lovely, including a Damien Rice track that hasn't been overused yet.