Dead Men Don't Wear Plaid Poster

Dead Men Don't Wear Plaid (1982)

Comedy | Mystery 
Rayting:   6.8/10 20.5K votes
Country: USA
Language: English
Release date: 23 December 1982

Film noir parody with a detective uncovering a sinister plot. Characters from real noirs appear as scenes from various films are intercut.

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st-shot 14 November 2009

I feel like I'm committing sacrilege to admit I enjoy this film especially since I'm a huge Film Noir aficionado. Purists might be shocked to see classics cannibalized for a comedy of all things but I feel there is also a reverence angle that can be introduced to the argument. It also can intensify exposure to a larger mass audience and thus promoting growth. The issue for me however is that Dead Men Don't Wear Plaid is one very funny film.

With the best faux authenticity (another sterling effort by Michael Chapman) blending of its day Steve Martin in on spot comic dead pan mixes with the greats of American cinema in a cleverly devised parody on film noir . As private eye Rigby Reardon he crosses paths with an hysterical Barbara Stanwyck and a homicidal Alan Ladd among a dozen other stars of bygone era. The plot has a Big Sleep similarity and is just as confusing which allows Martin and director Alan Reiner to create a steady jigsaw puzzle of laughs with a fresh original approach. It slows at times with the present day cast but when the stars are out the film becomes capable of inducing parody and awe at the same time.

Karl Self 9 December 2008

Fmovies: Likable detective comedy with Steve Martin that is built around film noir clips. Steve Martin is great once again, Rachel Ward is a real dame and director Carl Reiner gives a memorable performance as evil Nazi mastermind von Kluck. The film starts off slow and gets better, but it's not as hilarious as I had hoped. While it's commendable how the authors managed to construct a plot around a fairly erratic selection of old movie clips, it also makes the story about as complex and confusing as "The Big Sleep". I also have to admit that I am simply not knowledgeable enough about film noir to appreciate most of the clips; although I consider myself a movie buff and regularly watch classic movies, out of the movies used by DMDWP I had only seen, well, "The Big Sleep".

So: still a good Steve Martin comedy.

Sparquelito 11 February 2006

Simply brilliant. This gem of a movie slipped under the radar screen of the movie goer's consciousness when it was first released, but it will live on forever in the DVD collections of those who truly cherish good film-making. (And good parody. And good detective films. Film tributes, comedy, well, you get the picture I think.) As much an homage to the classic suspense/detective films as was Blade Runner, Chinatown, and Mullholland Falls. I have found myself, over the years, stealing lines from this movie at cocktail parties, and generally all I get is blank stares. But every now and then I will meet a kindred spirit, and their eyes will light up, and they'll join right it!

"You don't smoke, do you?" "No, I have tuberculosis." "Oh, thank heaven for that." Ha ha ha ha ha HAA!!

Two thumbs way up!!

michaelRokeefe 29 May 2000

Dead Men Don't Wear Plaid fmovies. I had to watch this a second time to appreciate it. The story is not the most impressive; but the concept is. Steve Martin plays a detective in a parody of classic film noir. The movie features actual scenes cut from several films and blended with precision. These skillful splices feature some of the great names from old time Hollywood. Names like Cagney, Douglas, Davis, Crawford and Bergman.

Martin really shows his talent and ability to make a scene imitate reality. His comedic wit is sharp as a switchblade. His co-star is Rachel Ward, who can vamp or play coy with the best of them. Along with directing, Carl Reiner has a cameo part.

Swift directing, with superb lighting and shading made this black and white crime comedy shine.

CuriosityKilledShawn 13 April 2005

DMDWP is a black and white film noir comedy that uses footage from real film noirs from the 40s and 50s and inter cuts them with the plot to make it appears that Steve Martin is really talking to/acting with the likes of Humphrey Bogart, Bette Davis, James Cagney etc. The effect is almost seamless but for a movie made in 1982 it's quite impressive.

Martin plays the wonderfully named Rigby Reardon, a typical, gritty private eye who narrates the story with sarcastic observation and gets involved in the usual femme fatal plot and a conspiracy surround the death of a cheese maker. Yes, it's nonsense, and towards the end it becomes a bit hard to follow and the silliness gets out of control. But it's all played straight and for most of the film you could believe you were actually watching a classic film noir.

Steve Martin should have done more of these movies. Rigby Reardon was a great character and could have lasted for a few more movies. The humor is frequently hilarious and he certainly retains a lot of the integrity he has lost in recent years since he went the way of Eddie Murphy and sold himself out to family audiences. Either way, I say you should give this movie a go if you're a fan of his older work.

The DVD is sadly in non-anamorphic 1.85:1 widescreen with Dolby 2.0 surround. It still looks quite good for a black and white film and the sound has that limited sound space effect to it to make it fit in with the older footage. A Dolby 5.1 remix would have been totally unnecessary. Some boring extras (trailer, cast bios) are included.

Crimpo2 16 December 2005

Its the sort of idea that inevitably gets tried out as soon as it becomes technically possible. Inter-cutting classic film noir with contemporary work to produce a comedy film. Usually such ideas come a serious cropper - as was proved (as others have stated) by Zelig. However, this film hits it right on the mark. The design and editing allow for seamless cutting between the old and the new footage. The script is good and has the right level of absurd humour to make the film work. I'm not a fan of Steve Martin but its impossible to imagine anyone else matching this performance. Rachel Ward is beautiful and sassy. Its a film of its time - just made in time to catch the costume and musical talent of the past before they departed from the scene but made before the sort of hi-tech morphing and cgi which would have ruined its feel.

If you haven't seen it then watch it - if you have seen it then watch it again. This definitely rewards repeated viewings. Its no Citizen Kane but it is darned good entertainment if you share my sense of humour...

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