Clash of the Titans (2010)

I, being a huge fan of the original, was probably more excited to see this movie than anyone. And in 3-D no less. So...I walk into the theater with my 3-D glasses on my head, holding my $5 popcorn and get ready to watch my favorite childhood movie and...and...and...oh no. Oh no. This is awful. I sat through the movie wondering why I don't care about any of these characters. On top of that, I'm wondering why I spent the extra money to see it in 3-D. The best 3-D effects came during the opening credits. Other than that, I could have thrown the glasses away. Now I know why James Cameron is not a big fan of making films 3-D after the fact. To make a long story short, I was incredibly disappointed. I would not recommend this movie to anyone. Go see the original "Clash of the Titans" if you want to lose yourself in a good movie. After seeing this one all I could think of was "oh how the mighty titans have fallen."

Fmovies: This film would have been in line with Louis Leterrier's previous work: highly enjoyable high octane action movies that even adults can appreciate. Then somewhere along the lines, the greedy and short sighted producers decided to cash-in a meager few extra bucks by "converting" into 3D a movie shot in 2D. The result is fake at best with fuzzy, dark and double edged images. For most of the movie you'll feel the urge to remove your glasses. Too bad for the decent cast (special kudos to Mads Mikkelsen as usual), nice photography and music by a promising newcomer Ramin Djawadi. Bottom line: Recommended 2D, Disaster in 3D Not everybody is James Cameron.

I've never seen the 1981 original version of Clash of the Titans. I wasn't originally planning on seeing this new updated version either. Going by the previews, this looked like nothing more than a CGI-fest...which is what it pretty much ended up being. To quote Sam Worthington from various interviews, it's basically him "in a skirt with a rubber sword, killing monsters". If you're expecting anything more than that, then yes, you will probably be disappointed.

Some of the cast manage to make the most of what they're given to work with. Having not seen Sam Worthington in anything prior to this film (except Terminator Salvation), I don't really have anything to compare his acting to. He was good in Terminator Salvation and he's good in this as well (despite the occasional slip-up of his accent). He serves his purpose as Perseus, playing the action hero well enough. His interaction with the humans who accompany him on his journey is probably the most entertaining part of the film. Mads Mikkelsen, who was a memorable villain in Casino Royale, actually gets to play a fairly decent good guy in this film (Draco). Sure, it's the role of the typical grumpy guy (who's reluctant to follow the "saviour" and is a bit of a bully) teaching the hero how to fight and who eventually comes around to respecting the hero and ending up on good terms with him...but Mads manages to make his role a bit more than a cardboard cutout, thankfully. The other men who accompany Perseus aren't too bad either (they do provide a bit of humour), but they're not given much character development at all. Actually, there's very little development for any of the characters.

As far as the gods are concerned, they're basically just a bunch of folk who stand around in Cloud City (I mean Olympus) and talk. Liam Neeson isn't given a whole lot to work with as Zeus (shining in his silver armour as brightly as Marlon Brando did in the original Superman movie wearing his tinfoil costume). Ralph Fiennes, while good, is kind of irritating with his raspy voice as Hades (though, thankfully, that goes away by the end). The rest of the gods have jack squat to do or say.

I really didn't like Jason Flemyng's satyr character. Alexa Davalos pretty much just plays the damsel in distress in the movie and leaves very little impression as Andromeda. Gemma Arterton (as Io), however, proves to be the most successful female character in the movie. As a sort of angel on Perseus's shoulder, she guides him, teaches him and actually proves *useful*. Her and Worthington work well together/have good chemistry and I enjoyed watching the two of them share scenes. I was happy with how they ended up in the film.

As for the FX, the previews basically give it all away (Clash of the CGI might have been more befitting a title for the film). Perseus fights giant scorpions, Perseus fights the Kraken and Perseus fights Medusa. As large-scale as the Kraken was, I personally enjoyed Medusa more. The fight with her proved to be the most interesting of the many fights in the film. I liked the 'look'/design for her and I also really enjoyed Pegasus, the flying horse.

I'll just come right out and say it: the movie has many a flaw. The story isn't great, the pace is off, the writing is slapdash and most of the dialogue is sketchy at best. While the movie does try to get across a message, it comes through in a somewhat haphazard sort of way. Having said that, if you go into th

Clash of the Titans fmovies. The myth of Perseus is based on deep philosophy and tragic elements, which have been popular throughout the centuries. You may want to Google it and read the original. You might discover a few things that didn't know, for example that there is no Cracken, no scorpions, and that Medusa's head ended up decorating goddess Athena's shield, just as real shields had often Medusa painted, to scare the opponents.

The Cracken and the scorpions were "invented" by Ray Harryhausen in 1981, because this was his job: to display fantastic creatures on the screen. In doing so, he based the stories on existing myths, respecting the characters and plots as best as he could. Great work.

Now, why in 2010 they had to copy the copier, and not the original, it is a mystery for me. Scorpions AGAIN ? Cracken AGAIN ? I mean if you're going to deviate from the myth, why not deviate in an ORIGINAL manner ?

Mythology is the legacy of the centuries gone by. Film makers should respect it and learn from it. It's funny how they think they can do better :)

And once again Hollywood proves it has run out of original ideas. Why else would they remake this movie? Back in 1981, when special effects were beginning to take serious root in films, we had the original CLASH OF THE TITANS. It had some cheesy claymation mixed with some less cheesy special effects. But it did have a story. A damn good one. Sure there were action sequences, especially when Perseus (Harry Hamlin) met up with Medusa. But these action scenes were barely a few minutes long. The story of the gods, how they felt about humanity (and how humanity felt about them) dominated the storyline. Yes, there was an ACTUAL story.

Fast forward to 2010 and you get this ...this ...this mess-of-a-remake that relies almost solely on CGI and, well, basically nothing else.

The brief understanding of the god/human relationship is thrust aside in favor of action scenes galore which have squat to do with the story. There are so many throwaway characters as to be laughable. And 3-D? For marketing purposes only. Save yourself some cash and see it in 2-D ...if at all.

My son went with me to see it (he's as much of a movie junky as I am) and we both nearly fell asleep for lack of anything approaching a viable understanding of who was carrying the storyline. We still ask each other, "What was the point, again?" Sam Worthington seems to be a hot commodity in today's movie market. TERMINATOR SALVATION and AVATAR are two of his more recent accomplishment. And although I found those two to be lukewarm in terms of story, they at least kept me engaged enough not to yawn. And Liam Neeson has also been splattered all over film posters (from TAKEN to KINGDOM OF HEAVEN). But a god? And Zeus for that matter? Not the best casting choice. He just didn't have the presence I was expecting. Perhaps the story (or lack thereof) stifled his performance. Probably.

I also MUST caution women against seeing this if they enjoyed the strong roles in the 1981 original. You'll find no such comparisons here. There's really no good female character to be found. The closest was Alexa Davalos (DEFIANCE) as Perseus' love interest, Andromeda. But her role is so laughably short and misunderstood that you won't care what happens to her (and things do happen).

My final word of caution comes to those of us (all of us) struggling in today's economy. We need our escapism, and sometimes (occasionally) Hollywood allows us to have it. But not here. You might as well sit on the toilet and release the crappen!

Ah, the pre-summer action movie. Admittedly, due to word of mouth from those who had attended earlier screenings of the film, my expectations for Clash of the Titans were fairly low. On top of that, many of the initial casting choices appeared to be somewhat suspect. So, what's my verdict? Well, I didn't hate itÂ…

The plot of Titans is extremely straightforward – practically to a fault. Often, the film acts as though it's in a hurry, attempting to get from one action sequence to the next as quickly as possible. The scenes that occur in between each of these battles ultimately amount to nothing more than brief segments of exposition delivered by Perseus' "guardian angel" of sorts, Io (Gemma Arterton). So, while the film never really drags, it feels very soulless.

And while we're on the subject of these action sequences, none of them end up being particularly memorable. About half of them are so frenetic to the point where they're almost disorienting - honestly, I'm glad that the 3D screenings were sold out this time 'round. On top of that, there's virtually no character development outside of Worthington's character (and even he isn't all that likable), so I never really cared about the outcome of these action sequences either. Also, as I mentioned earlier, my biggest fear with Titans was in regards to the acting, and thankfully, most of the cast do what's expected of them. Neeson's Zeus aside, none of the performances truly stand out, but they're nothing cringe-worthy either.

Ultimately, Clash of the Titans ends up being a forgettable piece of entertainment with a couple of gaping plot holes, hit-or-miss action sequences, and performances that fail to leave much of an impression. It's not horrible – just hollow.