Chopper Poster

Chopper (2000)

Biography | Drama 
Rayting:   7.2/10 36.3K votes
Country: Australia
Language: English
Release date: 8 November 2001

Chopper tells the intense story of Mark "Chopper" Read, a legendary criminal who wrote his autobiography while serving a jail sentence in prison. His book, "From the Inside", upon which the film is based, was a best seller.

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hacness 19 January 2006

Look at Eric Bana, he is a hot, studly Hollywood actor. I know this because I have oogled over him in his post-Chopper movies. I only discovered Chopper after seeing him in such movies as Troy and The Hulk, and I'm glad I did. What a treat it was to see him in this fabulous indie film before he became a Hollywood sex God. No, he was not the handsome, dashing Aussie fellow that American females have been drooling over since his role as Prince Hector in the cheese-filled film Troy, but instead he showed us that he really can act and take on a very difficult role and do it with real grace. The physical transformation he underwent to play Chopper is insane. Imagine that just a short time later he was playing a fit and sexy Delta boy in Black Hawk Down. That, in and of itself, it quite impressive. I've always been a fan of the demented and dark comedies, and love movies like Pulp Fiction, but Chopper takes the cake. This movie has all the comedic violence of Pulp Fiction, but portrays it in a grittier and more subtle way. This movie makes you think, and it's more than just good fights and death scenes, it's really artful. Eric does such a wonderful job making you love this truly despicable character.

psib0rg 10 July 2006

Fmovies: Not for the faint of heart this movie gives a grim insight into the mind and life of a career psychopath. Many of you will know or know of people like 'Chopper' and most of you probably cross the road when you see them coming. Based 'on fact' some portions are a bit too over the top to be fully believed but the movie makes apology for this from the outset. Eric Bana's performance is simply awe inspiring and the supporting characters and performances throughout are believable, convincing and multi-layered. Despite 'Chopper's obvious mental problems, his manipulative charm, animal cunning and the intelligence behind the insanity all shine through Bana's eyes. Direction is tight and non-intrusive, almost documentary style and i must say it works really well. Its one of those films you very quickly forget your watching a movie. While i do enjoy flashy and creative camera usage some films don't need it, this is one of them. The story is funny, sad and shocking in almost equal measure and this is one 'little' movie i'm very glad i stumbled across, thoroughly recommended viewing, i give it a 9/10. Congratulations to all on worked on this, you made a rough diamond.

henfish 11 November 2002

Mark Brandon Read (Bana) gains a fierce reputation as a hard man [and the sobriquet: Chopper] as a consequence of 'hitting people just to get himself a name'. A very accurate observation even if 'Chopper' himself maintains his only victims are 'low-life drug dealers' and their ilk.

Excellent example of film as story telling. I saw this 'indie' film on the same weekend as A Beautiful Mind and, my God, the lessons that shambles could have taken from this. Chopper is economically and crisply written with the sweetest doses of irony; marvellously directed with a plethora of techniques that only ever serve the film and it's grossly engrossing story and acted by an ensemble high on talent and clearly working for one another. Bana is a stand-out as the bright, troubled and dangerous hard man making a pathetic journey to emotional as well as physical incarceration; walking a dramatic tight-rope of comedian/homicidal-maniac as he does so with admirable skill and thoroughly believable integrity. Worth viewing by anyone who thinks they like all the ingredients of film and art to come together in the same project. Not worth viewing by anybody who thought the same things came together in A Beautiful Mind!

daveisit 22 November 2000

Chopper fmovies. This movie was not intended to be solely funny, but with Eric Bana in the lead it was always going to make you laugh. His denial of pain and causing injury while at times hard to watch is also hilarious. Chopper's laugh often steals the show, coming at what appear to be inappropriate times.

It's a brilliant movie with great direction and performances. I'll go an 8 out of 10.

jluis1984 6 April 2006

Mark Brandon Read, nicknamed "Chopper", was a notorious criminal in Australia who after spending most of his life in prison, went on publishing books with anecdotes of those years becoming a successful writer of Best-Sellers. While he has been accused of exaggerating things about his life in his books, the stories presented still are realistic and shocking, and give insight about the mind of this complex and often-troubled man, regardless if if they are real or fiction. "Chopper", the movie, is not based exactly on Read's life, but in the series of anecdotes he wrote in his first books.

Eric Bana plays Chopper and gives one of his best performances to date, capturing the very essence of the living legend Chopper has become now. It is not a surprise that this film gave him recognition out of Australia and turned him into an international star. but even when the movie is centered around Chopper, Simon Lyndon and Kate Beahan's performances shine in their roles as Chopper's cell mate Jimmy and Chopper's girlfriend Tanya respectively.

Like Read's books, the movie is not exactly a biography, but a collection of tales surrounding the now-mythical figure of "Chopper", presented in a way that perfectly mixes strange surrealism with harsh realism. The gritty semi-documentary look the film has enhances this feeling as well as the cold way the violence is presented. Like the real Chopper, the film walks the fine line between fact and fiction, and that's what makes it very appealing and interesting.

It could be said that Director Andrew Dominik painted an accurate portrait of "Chopper" the legend, not of the real person; and that's probably what the real Chopper may prefer. Domink plays with the moods, going from serious drama to awkwardly funny scenes in this character study that presents us a charming yet dangerous man, who probably has been through more than what we would like to do, yet less than what he would likes us to believe.

The film is very intense and "tough", and very good at it; Bana is perfect as Chopper and shows great promise as an actor. His characterization makes very difficult to don't like this common man with a very uncommon life. Director Dominik makes a straight-to-the-face film that stays true to Chopper's persona (fictional or not), and does it without being pretentious or manipulative. It basically lets Chopper's charisma speak for itself playing with the audience's fascination with crime and violence.

If as flaw was to be found, it would be that it never tries to go beyond its goal or push too much the envelope. It is not much of a flaw, as the results are still brilliant, but leaves one wondering at how far could it had gone considering the talent of those involved. Anyways, Eric Bana and Andrew Dominik are set to a bright future and this film is a brilliant start for these two new talents. 7/10

gpadillo 6 January 2004

I have to disagree with those that say this is for Aussie's only. Chopper is an amazing piece of filmmaking in nearly every regard and goes beyond the limitations of vernaculars. I had to laugh at the review that dismissed it as sophomoric tripe and attempts supporting his argument citing the film's lack of realism in violence. Although based on a real man this is storytelling cinema not documentary. There is an obvious element of gross exaggeration in most of the scenes of violence in Chopper, which serve a purpose (or, more specifically, several purposes). Chopper is obviously incapable of telling the truth – or even hearing the truth.

It is, at first, difficult to figure out why so many are drawn to Chopper (and not at all difficult to see why so many wish him dead). Within the first few moments Eric Bana establishes Chopper's character in a way that reveals the off kilter charisma that some simply cannot resist. Those Chopper seems to get along with best are those on the periphery, those who don't invest too much whom he seems intent on impressing. Those too involved with him are locked into his doom because simply no one is able to keep up with the mythological figure Chopper has created himself (or tries create himself) into.

Darkly humorous, brutal, yet not without pathos the film rightly focuses on its central character and lives up to the unlikely hero's motto: never let the truth get in the way of a good yarn. "Chopper" is a fascinating film filled several amazing performances even in smaller roles (e.g., Jimmy's chain smoking, junkie, white trash, pregnant "fiancée" stumbling to the floor to pick up a sawed off shot gun in the hallway).

Not for everyone, but those who get this sort of thing will be richly rewarded.

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