Children of the Corn II: The Final Sacrifice Poster

Children of the Corn II: The Final Sacrifice (1992)

Horror  
Rayting:   4.3/10 7.7K votes
Country: USA
Language: English
Release date: 29 January 1993

A journalist and his son travel to Nebraska to investigate the mysterious town of Gatlin where, unbeknownst to them, a murderous cult of children are still waiting in the corn fields.

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User Reviews

HumanoidOfFlesh 17 December 2001

The first "Children of the Corn" film is a decent horror film with some suspense and atmosphere,this one is basically just a typical slasher film gussied up with occult elements.By those standards,it isn't bad,with some decent scares and a fair amount of blood.Sure,it's nothing new,but overlook that if you really love horror genre.The acting is either wooden or over-the-top,but there are some rather inventive death scenes for example when an old woman is crushed by her own home.So if you are a fan of this series then go ahead-try this one,if not check out some other horror flicks.5 out of 10.

bronsonskull72 11 April 2006

Fmovies: This time the remaining mean spirited kids are moved to a new location where they bring their usual kill-crazy antics and it's up to a tabloid journalist (Terence Knox) and his rebellious son (Paul Scherrer) to save the town from "He who walks behind the rows!" and save their love interests from sacrifice in this surprisingly watchable sequel, which is against genre odds better than it's lame predecessor. While the King story has nothing to do with the sequel, there are some entertainingly nasty scenes such as a voodoo nosebleed as well as a wheelchair smacked with a semi truck. Also as Scherrer's love interest, Christie Clark comes off very well. While Terence Knox looks like a cross between Treat Williams and Michael Pare. It's no masterpiece but for a campy horror sequel, Children Of The Corn II works as mindless entertainment.

2/5 Matt Bronson

elvogt 23 February 2004

Let's see, what have we got --

Story - no

Characters - no

Gore - some

SFX - kind of

Humour - no, not really

Suspense - err... no.

Acting - not worth mentioning.

I'd say, it doesn't look like this flick is going to get a good rating from me.

bowmanblue 19 January 2015

Children of the Corn II: The Final Sacrifice fmovies. I was fifteen when I first saw Children of the Corn 2. And I loved it. Then again, I hadn't seen much horror at the time. However, over twenty years later and I find myself realising how little I knew about decent cinema when I was a teenager.

Don't get me wrong. I thoroughly enjoyed Children of the Corn 2 yet again, but now I found myself laughing heartily all the way though. Seriously, some comedies don't make me laugh as much as this film did (now, in the cold light of my adulthood).

If you can ignore the use of the word 'final' in the title (there are about four more Children of the Corn films afterwards) and be prepared not to take this story that seriously, you may just enjoy some of the most ludicrous death scenes ever committed on the elderly. The story follows a boy and his single parent father, coming to the nearby town in search of a story as to what happened to the adults who were now found to have been murdered by the children of the town. Once this pair arrive, both instantly fall in love with beautiful women and discover that a young lad by the name of Micha, leads a group of local children to stare intently at adults before dropping houses on them. If you watch this movie you will realise it has some of the most intense staring ever committed to film. Besides the beautiful women and staring brats, there's also a wise old native American, some 'Predator-vision' from the monster (or 'he who hides behind the rows') and a sheriff who tries to kill people like he was a Bond villain.

How this film was supposed to be taken seriously, I'll never know. Just know what you're getting before you watch this. Take the biggest pinch of salt you'll ever take, suspend your disbelief like you never have before and sit back and enjoy one of the most daftly funny horror films ever made.

kannibalcorpsegrinder 27 August 2016

Arriving in Gatlin, Nebraska, a news-reporter and his son get wind of a story about the youth in the town murdering their parents finds that a series of brutal murders are revealed to be worshipers of the corn-stalks and try to stop them before they carry out their plans.

While not a completely worthless sequel, it does have enough to make it interesting without being all that terrible. One thing it does do right is play around with the supernatural better than expected and did have some good moments to it featuring this. The very first attack in the cornfield is really fun as the howling wind and strange lightning blasts befalling the reporters while they're in the corn rows before the huge tree falls into the area, while other really good action moments are packed in amongst the other supernatural occurrences here as house-falling sequence and the scene in the church provide some fun since they involve a great amount of suspense. There's even a few other really good scenes that come from the different meetings held among the corn-stalks, and a really tense moment later on where a couple make a particularly gruesome discovery among the corn that provides a good shock that comes out of nowhere. Even better than that is where the remaining adults are trapped inside a burning building, which is one of the better scenes in the film with the fire and the panic providing plenty to like.The last big plus is the finale, which is just all sorts of good cheesy action-packed fun, some wonderful ideas and an overall really great way to end the film. All-in-all, this is just cheesy good fun. This one wasn't that bad, but there were a few problems. The most obvious one is the flaw concerning the back- story. It's implied to be a continuation of the first one, where the survivors are bused into foster homes of a neighboring town, yet that raises a few problems. Firstly, it's never stated whether or not this was true despite giving plenty of evidence that this was the case. The events of what happened there were well-known, yet the children here are allowed to go away without being questioned, as well as having a method of still getting in touch with each other quite easily which simply makes their rampage later on seem all the more out-of-place when it echoes what happened before in the the other town. Those doesn't make any sense at all and are quite annoying. There's also the fact that the pacing is a little off, as the romance angles cut into the middle of the film when the mysterious stuff starts happening, and way too much times goes by before anyone thinks anything is going wrong. The biggest one, though, is that it's way too cheesy. The film's concept and several of it's big action scenes do reek of cheese, and the film as a whole does reflect this. These really keep the film down somewhat.

Rated R: Graphic Violence, Graphic Language, Brief Nudity and mild sex scenes.

InaneSwine 28 December 2005

I loved the first film. It's a cult classic. But like me, if anyone else loved the original film, it may take you a while to realise how absolutely dreadful this pointless sequel is. It has a nonsensical plot, no characters, dreadful acting, dreadful music, dreadful script, no scary moments. It is an abomination.

The film involves the town of Gatlin being discovered, the children rescued and fostered by the adults of neighbouring town Hemingford. Then somehow, He Who Walks Behind The Rows possesses Micah – this sequel's terminally constipated-looking excuse for Isaac – and the children begin their cult again.

COTC II is just plain offensive. The plot shares less in common with Stephen King than it does with a particularly violent episode of Home and Away. Lead actor Terence Knox doesn't seem to be concentrating on his acting skills, and seems to be directing every ounce of his attention to not moving a single facial muscle in his skull. Paul Scherrer on the other hand simply looks like he's on a special day out.

Where the first film brilliantly explores the isolation of the victims from the rest of the world, its first sequel offers nothing more than a clueless slasher movie, with the soap opera moments hastily strung together by too-stupid-to-be-funny death sequences involving ridiculous characters that deserve everything they get.

One can easily understand why Stephen King does everything in his power nowadays to disassociate himself with the Children of the Corn franchise. If this first offering is anything to go by, God only knows the stream of grime that followed in the other five sequels.

You can actually simulate watching this film at no expense by sitting in front of a blank TV screen and repeatedly poking a finger in each eye for an hour and a half.

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