Chaplin (1992)

Wow, this is one of the finest acting jobs I have seen as Robert Downey Jr. portrays the famous Charlie Chaplin. His performance includes some of Chaplin's famous slapstick moves and Downey is tremendous at executing them.

To the film's credit ,it does show both the good and bad sides to this famous man. But it's definitely biased. Just check out how they portray J. Edgar Hoover, a man Hollywood loves to hate (along with any Conservative or Republican). Hoover is pictured as mean-spirited and nasty throughout, and is even blasted in the ending credits! His first speech at a dinner table, intended to show him in a negative actually shows him to be prophetic whether Tinseltown ever admits it or not.

Regarding Chaplin, if the film was the truth (that's always a big "if"), then it WAS a real miscarriage of justice to kick him out of the country for having a baby he didn't produce. Nevertheless, most of the film centers around his career and his wives, most of whom were very pretty with great figures.....but too young, most of them being teenagers!

Also shown nicely in the film are Chaplin's talent, his obsession with work, his great friendship with Douglas Fairbanks Jr. (Kevin Kline), the great films he produced and the sympathy he had with the American poor. On the other side, in addition to his pedophile instincts, one wonders why Chaplin never became an American citizen? They certainly did not help his cause.

The movie sports a big-name cast, with Kline probably providing the most likable role next to Downey. The women were very interesting: from Geraldine Chaplin playing Charlie's insane, pathetically-sad mother to beauties like Milla Jovovich, Diane Lane and Moria Kelly, the latter playing Chaplin's final and devoted wife "Oona."

Also in here are some big names: Anthony Hopkins, Dan Ackroyd, Penelope Ann Miller, Marissa Tomei, James Woods, Nancy Travis and Paul Rhys. They all help make this a memorable biography. It's beautifully filmed with a number of stunning scenes and also has a classy soundtrack. The ending is manipulative, but it works. It always brings a tear to my eye.

I liked what they did at the end with the small biographies of all the leading characters and visually showing who played each one. I wish all films did that.

Fmovies: When i was i was a kid and there was only three TV channels , i remember on weekends and school holidays they always used to show black and white comedies. Laurel & Hardy , Harold Lloyd and my personal favorites , Abbot & Costello were the main movies but there is no doubting who was the daddy of them all and that was Charlie Chaplin. Richard Attenborough directed this 1992 biographic movie of the famous Englishman and you would think , considering his previous movies that this would be fantastic. Sadly it falls a little short of the mark.

This is not a bad film at all it's just that i don't think it does Chaplin the justice he deserved. Robert Downy Jr is good , especially when he's playing a young Chaplin and the rest of the cast do a good job but i cant help but feel this film never really works. It's quite a dark film. Chaplin never looks happy and it's not until the end where he is excepting the Oscar do we really get to see a little bit what he was like on screen. The whole thing with him dictating to a biographer never works either and for me , this is Attenborough's biggest mistake. I would love to see someone have another go at making a film about Chaplin and give it a modern spin.

Finally , if you have never seen a Charlie Chaplin film , i urge you to do so. They are so much funnier than some of the so called comedies they churn out today.

Brilliant movie on a brilliant man.

Charlie Chaplin is one of the greatest entertainers of all time, if not THE greatest. A visionary and pioneer in the art of motion pictures. Incredibly talented, he not only wrote, directed and starred in his movies, he also composed much of the scores.

This movie details his rise to fame, his trials and tribulations as a star, his inspirations and artistic genius, his relationships and scandals.

A superb telling of his life by Richard Attenborough.

The movie is made, however, by Robert Downey Jr's excellent performance as Chaplin. A great reminder of his acting talent (especially now that he mostly does comic book action-hero roles. Easier money, I guess...).

Great supporting cast: Kevin Kline as Douglas Fairbanks, Geraldine Chaplin (Chaplin's real-life daughter) playing Chaplin's mother (her real-life grandmother), Paul Rhys, John Thaw, Moira Kelly (in two roles), Anthony Hopkins, Dan Aykroyd, Marisa Tomei, Penelope Ann Miller, Diane Lane, James Woods and Milla Jovovich, plus David Duchovny in a minor role.

A must-see, not just because it is a biopic on one of history's greatest geniuses, but also for Robert Downey Jr's performance.

Chaplin fmovies. "Chaplin" is an incredible film about one of the most incredible and controversial icons in Hollywood history. Robert Downey, Jr. is perfectly cast as Charlie Chaplin, and it is his brilliant performance which earned the Oscar nomination that he deserved and received. Richard Attenborough did a masterful job directing this masterpiece of biographical films. Two actors who are underrated for their performances are Paul Rhys (who played Sidney Chaplin), and Moria Kelly (who played both roles of Hetty Kelly and Oona O'Neil Chaplin). Kevin Kline is amazing as Douglas Fairbanks. There is one scene in the film where Douglas Fairbanks, knowing he is ill, looks at his reflection in a mirror on the bar. That is one example of the symbolism throughout the film by director Richard Attenborough that is astonishing. Robert Downey, Jr., plays off the great Sir Anthony Hopkins will ease. It is a wonder that with all of his personal problems in his relatively young life that Robert Downey, Jr. doesn't appreciate the opportunities that have been handed to him. There is incredible talent in this film - including a previously Oscar-winning director and actor (Attenborough and Hopkins, respectively) and a female actor who would win an Oscar for another film that same year of 1992 (Marisa Tomei). Even Dan Aykroyd is almost overlooked as silent comedy filmmaker Mack Sennett. Through "Chaplin" we realize that it was Mack Sennett who discovered Charlie Chaplin as well as other comedy greats at the beginning of Hollywood history. "Chaplin" is underrated and sometimes underappreciated, but it is a brilliant film that should be considered a classic when the time is appropriate.

This is a great example of a movie I took a chance on one rainy Sunday at a theater in Charlotte, NC., and was highly rewarded with an intriguing look at the life of an early film star set against the background of early Hollywood. I had't heard much buzz about it and didn't really know much about Charlie Chaplin. Downey is amazing in his personification of Chaplin. If you want to expand your horizons and learn a little about the inside workings of the film industry from circa World War I thru the 50's, this award-winning movie comes highly recommended.

The first thing one should know about "Chaplin" is that, paradoxically, very little of it has to do with Chaplin. Or, at least, it has more to do with the writers' illusions of him. The film claims to be based on "My Autobiography" and on "Chaplin: His Life and Art", by David Robinson. Having re-read the Autobiography before watching the film, it is clear to me that what the writers did was take basic incidents from the autobiography and embellish them with, I can only assume, parts of the Robinson book. What results is a series of scenes which were vaguely influenced by the facts, but so simplified and primitive that little of the original truth remains.

What the writers did not wish to acknowledge was that when Chaplin wrote vaguely or skimmed past certain parts of his life, he really didn't want anyone to delve into them - and the filmmakers did just that. "Chaplin" is not really about Charlie Chaplin, his work and films. It is simply ceaseless speculation on his personal life, but going on even more vaguely about it than the Autobiography.

I am well aware that almost every biopic focuses more on the personal life of a person than on their work. The problem is that most of the characters in "Chaplin" are so exaggerated and simplified that they become almost completely unbelievable - both as the real people AND as fictional characters. None of them are fully developed. This is not entirely the fault of the supporting cast (although it really is not that interesting): the fault lies with the screenplay, which is too often bland and melodramatic. This is especially obvious in the ridiculous subplot concerning the older Chaplin and his editor, which is the most pointless and badly done part of the film; even Hopkins cannot make the lines sound credible, which is all the proof anyone needs of their mediocrity. The film would have worked immeasurably better without these additions.

Many of the most interesting aspects and parts of Chaplin's life are completely ignored, oddly, with seemingly irrelevant or less important stories added in for little reason. One scene in particular is added only to insert a Chaplin-esquire physical comedy sequence which falls flat. The writers greatly accentuated everything to do with Hetty Kelly, even making the same actress play Oona O'Neill; the tried too hard to give him some kind of motive for his relationships, which only leads to more bias and speculation; and although I am by no means a Chaplin purist or even a very knowledgeable admirer, the blatant alterations on the actual history grated on my nerves.

All this being said, the film is certainly not a terrible one. Mainly, however, this is for one reason only, and that is - yes - Robert Downey Jr. himself. The praise he received for the role is by no means undeserved. As Chaplin he is perfect, managing to make the best out of his rather predictable lines, remaining interesting, believable, and in many parts moving. He has wonderful timing and intensity, and even looks the part (he could even do the roll dance). I really quite believed he was Chaplin. Even his performance, however, suffers greatly because of the lines - and the flash-forwards. I have no doubt that he could have played an even better Charlie Chaplin in a differently made film.

The greatest scene in "Chaplin", I think, is the opening credits: Charlie arrives in his dressing room, alone, sits, and begins to remove his make-up. The scene is in black and white, and t