Black Sunday (1960)

I saw this first in the early nineties. Revisited it few days back on a blu ray. This movie introduced the world to Mario Bava and Barbara Steele. This is Bava's first directorial effort after years working as a cinematographer. Mario Bava was an awesome cinematographer and his attention to atmosphere when placing the camera is something that sets him apart from many other directors. Bava captured the essence of Gothic horror including a graveyard, a crypt, a castle, and a spooky forest very well in this film. Bava made the film in a Hammeresque way ala stuffy performances and stuffier costumes, mist-filled cemeteries and dust-covered castles. The atmosphere is very heavy and the imagery very dense making the film a true classic Gothic horror. The direction is efficient, the performances are good, the plot is something like - a witch/vampire n her lover/warlock who is put to death by her own brother, only to return 200 years later to seek revenge on her descendants. This film was a ground-breaking and extremely bold step in the development of Italian horror and has had a great influence on almost everyone who first saw it, from Argento to Tim Burton.

Fmovies: BARBARA STEELE became an icon of horror films (the way Christopher Lee did when he played Dracula), when she played the role of a vampire witch princess burned at the stake in the 17th century who returns two hundred years later with a vengeance. Not that the story itself is all that original, but when done as stylishly as it is here, with the perfect B&W atmosphere and chiller mood, it's a winner.

There's no let-up in suspense from the gripping opening scene where the mask of Satan is nailed onto the face of the poor victimized woman, even though the unfolding of the story is rather slow. The graveyard scene of an undead man rising from the earth is masterfully photographed. The mood becomes more and more intense as several key characters emerge as vampires.

As a young doctor who figures importantly in the plot, JOHN RICHARDSON is a rather wooden actor and makes a cardboard hero, but in a film that relies on its effect for brilliant camera-work and Gothic touches, it's not much of a flaw. Barbara Steele's impassive mask-like beauty is suitable in the eerie dual role she plays with wide-eyed conviction.

The moody camera-work captures the spirit of Gothic horror in every shadowy scene. While the story itself is less than inspired, it does fulfill the promise of a good cobweb chiller right up until the rather predictable ending.

Well worth watching for fans of this genre.

"La Maschera del Demonio" aka "Black Sunday" is an excellent Gothic chiller with plenty of uncanny atmosphere,a good script and an okay cast.Princess Asa Vajda(lovely Barbara Steele)is executed as a witch.200 years later,she is revived and plots to take over the body of Katia(also Barbara Steele)."Black Sunday" is a perfect combination of Expressionist lighting and set designs and graphic bursts of gore and sensuality.The film is full of striking visuals and is truly one of the most beautiful black and white films I have ever seen.A must-see for fans of Italian horror.10 out of 10.

Black Sunday fmovies. "The sound that you hear is dripping blood. This...is the beginning of Black Sunday !!" ...These two very atmospheric and mood-setting sentences are heard when the Black Sunday DVD is put into the player. No need to tell you that a better and more tense opening has yet to be created. This movie is an undeniable masterpiece in its kind. A powerful and terrifying experience that was way ahead of its time back in 1960 and now - almost 45 years later - it still stands for an hour and a half of pure terror, devlish fun and sinister fascination. I respect the opinion and dislikes of everyone but not when it comes to this movie...you either admit that Black Sunday is a masterpiece or you're wrong !!

I could give you a thousand reasons why this movie should be seen as the most important horror movie ever made but I'll just stick to the most important ones. Black Sunday ( or The Mask of Satan, as you prefer ) is the debut of Italian genius Mario Bava...Well, not really his debut but the first full length movie after a series of short films and project he didn't get credit for. In it, Bava presents us on a stylish and visually stunning story with an extremely macabre and dark topic. It contains passages of torturement, curses, witchburning, vampirism, massacres and resurrection but it's all brought to us in a very artistic fashion. Bava's profesionalism and style reminds me about the true masterpieces from Universal...Maybe also because the whole movie is filmed in beautiful black and white but merely because of the creepy atmosphere and the morbid topics. Black Sunday does contain rather many violent and sadistic scenes, but it becomes unwatchable or disgusting. Actually, when you look closer at it...it's a fairy tale !! Think about it...: evil witch, ominous castles, dark forests and - on top of it all - a tale of true love at first sight ! Barbara Steele should get as least as much credit and praise though. This stunning beauty can easily considered "Queen of Horror" if it were only for her performance here. Steele has a double role here ( the evil, vampiric Prinses Asa and the virgin Katia ) and her appearance can only be seen as on of beauty and pureness. Barbara Steele - once spit out by the glory of Hollywood - succeeds in convincing the audience that she stars as both an innocent virgin as well as a demonic ancient witch. The cinematic value attached to her character comes extremely close to Karloff's Frankenstein and Lugosi's Count Dracula. After all, Princess Asa was the first true female monster and she has - literally - become immortal.

You're not a horror fan if you haven't seen the perfection of Black Sunday...I give this movie a very well deserved rating 10 out of 10.

La Maschera Del Demonio/The Mask of Satan(1960) is the film that introduced audiences around the world to the cinema of Mario Bava. After years as Assistent Director and Director of Photography, Bava was rewarded with his first full directorial assignment and the results are impressive. He didn't direct full time until he was in his late 40's. Its interesting to note that two other directors named Lucio Fulci and Terence Fisher didn't get international recognization until their big breaks(Zombie[1979] + Curse of Frankenstein[1957]) when they were in their early to mid 50's. Its about a dead witch who returns from the dead with her lover to terrorize the descendents of their executioners. It was done due to the success of Horror of Dracula(1958).

The opening scene of the execution of Asa is a stunning combination of atmosphere and violent imagery. The Mask of Satan(1960) is based on a short story by Nikolai Gogol. Gogol is a writer that would play together with Edgar Allen Poe as a major influence in Bava's Supernatural tales. Its one of the best horror films of the last fifty years. Asa is resurrected when the blood of a doctor is accidently dropped on her corpse(this is played homage to in Lamberto Bava's Demons 2{1986}). Tim Burton has cited this movie as one of his favorites.

The film was pratically butchered in the states when first released, but has since been released on Home Video in uncut form(longest print in existence). This is an item that many aspiring Horror Filmmakers should watch in order to see how a great horror film should be done. The Mask of Satan(1960) isn't interested in plot and story as much as atmosphere and painting style visuals. Barbara Steele emerges as the first horror queen of the modern era. Barbara Steele has a macabre beauty that bewitches the viewer and gives her presence. Barbara Steele along with Christopher Lee, Peter Cushing, and Vincent Price were some of the greatest icons in 1960's-1970's horror films.

Barbara Steele does outstanding work as the witch Asa and her descendent Katia. Mario Bava's direction has the look of a great artist. Bava also contributes to the great cinematography. La Maschera Del Demonio is a well made mixture of the Universal Horror features of the 30's-40's and the violence of Hammer Horror of the 50's-60's. The fact that Mario Bava did this based on the success of Horror of Dracula(1958) must have influenced Terence Fisher to respond by directing Dracula:Prince of Darkness(1965). One theme that is present in The Mask of Satan(1960) is the decay and decline of a once happy and powerful family(more fully explored in Bava's later films of Black Sabbath{1963}, The Whip & the Body{1964}, Lisa and the Devil{1974}, and Shock{1977}).

'Black Sunday's reputation grows with every year that passes, and watching it it's no wonder why! It is not only one of the three or four best horror movies ever made, it is one of the most extraordinary movies of any genre I've ever seen. Mario Bava went on to direct several movies of note after this, but if he hadn't and this was the only movie he made, he would still be a legend. On a relatively small budget, but with buckets of talent, style and originality, Bava conjured up one of the most atmospheric and haunting movies of all time. He may not be the household name he deserves to be, but he is a film makers film maker with an enormous influence on not only subsequent Italian horror giants Dario Argento and Lucio Fulci, but directors as diverse as Tim Burton (who rates this as an all time favourite) and even Martin Scorsese. 'Black Sunday' will also be remembered as one of Barbara Steele's most memorable roles. Steele is best known for her work in 60s European horror movies, but in her career worked with everyone from Fellini to Cronenberg. If she is to be remembered for only one movie it will be this one. Steele was one of the most beautiful actresses to ever set foot in front of a camera, and it is impossible to imagine anyone else in the lead (duel) role. The supporting cast is fine, and includes the fondly remembered John Richardson ('One Million Years B.C.'), but this is Steele's show all the way. 'Black Sunday' is still fresh and exciting over forty years after it was originally released. A landmark movie that deserves to be watched again and again!