Arthur Newman (2012)

"So you just ditched Wallace Avery for a total strangers half baked promise?" Wallace Avery (Firth) is a divorced man who hates his job and his life. Wanting to start fresh he decides to stage his own death and head to Indiana to become a golf teacher. Changing his name to Arthur Newman he is on his way when he meets a woman named Mike (Blunt). Both on the run from their own lives the begin to assume other people's identities but memories of their old lives begin to creep back up. This movie first and foremost has great acting and is very interesting and worth watching. On the other hand though it is a little slow in parts and seems repetitive. This is a movie of fiction but has the feel of a true story. I do recommend this movie but it isn't really a movie you can watch over and over because it is pretty depressing. It's hard to talk about this movie with out giving anything away and it really is a pretty good movie but don't expect a happy movie. Overall, a good movie with great acting that is worth watching but be prepared. I give it a B.

Fmovies: Review: I found this storyline to be weak and a bit silly. If your going to fake your own death, surely your going to change the way you look and try and keep undercover. Anyway, the director really didn't think the whole storyline through and the acting, from these 2 A-listers, wasn't that terrific. The way that Colin Firth's character thoroughly planned his own death to become a golf pro, ditching his son in the process, was a recipe for disaster right from the beginning and when Blunts character was added to the mix, it just made things worse. The love story was predictable and the ending was very sketchy. Basically the director left it up to the audience to make up there own mind about Firth's character returning to reality, which could have been written much better. Anyway, I did loose interest halfway through the movie and I struggled to keep my eyes open. Disappointing! 

Round-Up: Colin Firth's career really does have it's up and downs. After winning the Oscar for The King's Speech, which he did deserve, and starring in Tinker Tailor Soldier Spy, he hasn't really starred in any major roles. With the release of Before I Go To Sleep coming out soon, maybe this will bring him back to the limelight. Emily Blunt seems to act the same in all of her movies, but she has been cast in some big budget blockbusters. From The Devil Wears Prada to the Edge Of Tomorrow, I doubt that this low budget movie will damage her career. As the movie is based around these 2 characters, there isn't that much to say about the rest of the cast, but I was expecting something better from these 2 major stars. 

Budget: N/A Worldwide Gross: $208,000 (Terrible!)

I recommend this movie to people who are into there dramas about a man faking his own death to work in a gold club. 3/10

I guess I can see why Colin Firth would be attracted to the role of a depressed American, but really, the script wasn't up to his level.

Firth and Emily Blunt star in "Arthur Newman," a 2012 film directed by Dante Ariola. Wallace Avery (Firth) is unhappy at his job as a floor manager. He's divorced, has a girlfriend (Anne Heche), and a young son who hates him. An excellent golfer, he didn't make it as a pro because of nerves. However, he helped a man with his slice, and as a result, has been offered the job of golf pro at a club in Terre Haute, Indiana. He fakes his death and takes off.

Along the way, he helps a young woman (Blunt) by taking her to the hospital. When she's better, she goes with him. Eventually, they become lovers. He finds out she's using a fake identity as well, running from a twin sister who is schizophrenic and may need her.

The two of them start to break into people's houses and take on their identities and make love in their beds.

This is a pretty boring, slow movie enlivened by the performances of the two leads. Along the way we learn something about the characters, but not enough to become truly invested in them. We just know they're miserable. We know Wallace's son hates him because he wasn't there for him, but we don't know why or what went on between them, or what happened with his ex-wife, and why his girlfriend is discontented.

It's sad because this could have been an amazing movie. It's about two people that learn what they love about each other and their value to those left behind. But it doesn't go into these facets deeply enough.

Both Firth and Blunt are excellent, trying to flesh out what's there. In the end, I was sympathetic to the characters but not really involved with them. It was sort of like giving street directions to two strangers and then wishing them luck.

Arthur Newman fmovies. Arthur Newman (2012)

Though the whole enterprise is built on a huge and somewhat false contrivance (a man taking on a new identity and picking up a troubled woman along the way who also is playing games with her identity), it all works better than you might think. And it's largely because of Colin Firth and Emily Blunt, both strong and understated leads. Blunt in particular has qualities that are interesting without merely being "star" material. Firth, of course, is a mega-star and he's playing his quiet man with familiarity here.

The director Dante Ariola is only on his second film and the writer is on his first (after a few screenplays based on other people's stories). And I guess it shows in many little ways, including a script that doesn't seem believable at times. Then at other times it's believable but not that interesting. What keeps it floating through these waves is a sense of pace and ease with the two actors, who of course are seasoned and respected stars.

This is both a downer movie with two unhappy leads trying to survive their lives and a feel-good movie about people who find something in each other to survive. It's not quite a romance that develops (it's not "Leaving Las Vegas"), but there is a kind of loving co-dependence. It's meant to be deeper and more moving than it is— mostly a issue of the writing again—but you get the drift and it works overall.

In the end, at the end, you wish so much it had been more than it was. It has so many interesting qualities that don't get pulled out—the surprising convergence in the plot, the game of taking on identities, the psychological depth of being who you are and accepting that—I felt let down by what did happen. The solutions are a bit obvious and almost cheap, depending on formulas seen before. Which is too bad because the set-up and the actors are worth more than that.

This road movie, featuring solid performances from its main players, doesn't seem to know where it's going. While "Arthur Newman" presents many quirky or compelling tableaux, I was rather frustrated by the filmmaker's (Dante Ariola) detours and dead ends. Or perhaps it was writer Becky Johnston's tepid story that ran out of fuel.

Frankly, I didn't care one way or another if the main characters ever resolved their respective conflicts, and after the first thirty minutes I felt like I was simply watching the same scene over and over again, like an endless roundabout. I was so uninvolved in the relationship(s) that it felt like nothing of any real substance was truly at stake or on the line.

I watched Arthur Newman simply because I found it by accident. While it's not the best film I've seen, I do believe everyone did a credible job with very little material. Colin Firth and Emily Blunt are good, doing the best they could with the somewhat underdeveloped characters. However, I feel the characters are presented as such on purpose, to make of them what we personally will.

The film moves slowly, but is in no way boring. An experienced film buff would be fine with its pace and be relatively engaged in the story line as well.

Arthur Newman is not for a generic audience. It requires a specific taste in films to be enjoyed for what it is - a thought-provoking story