American Gangster (2007)

The story about Frank Lucas is one that proves fact is more interesting than fiction. The fact that such a character really did exist yet I do not remember it certainly intrigues me. I guess I was just too young at the time it broke. Now approaching my later forties finds me longing to research it further after seeing this movie.

I get the feeling Ridley Scott was amazed a person such as Frank Lucas was actually able to do what he did and live to tell about it. I certainly share that amazement. The care in which he tells the story serves it well. Though it's basically a gangster movie it's not particularly graphic in violence except in a few scenes. Even Denzel's and Russel's portrayals of the two central characters are not quite as dark as the usual more stereotypical gangster/cop persona...Still there is a sense of doom and danger ever present as the viewer knows neither law enforcement, government, or mafia will let this man's drug empire go on.

To sum it up I believe this is an excellent telling of a true crime story. It's intriguing, entertaining, and certainly serves as a cautionary reminder to remain vigilant in combating drugs.

Fmovies: Unfortunately from listening to everyone else I was expecting some sort of masterpiece. That is not what I believe what I got. Yet it was still a very good movie.

The acting performances were also good but not great. Denzel Washington gave a very good performance but not Oscar worthy, it felt like I have seen this before from him. Russell Crowe just was not given the room to actually act. I wish Crowe would have been given more of an opportunity to show off his talent. Josh Brolin gave the best performance as a corrupt police officer. He displayed perfectly the corrupt cop blackmailing both sides for the benefit of himself. I do not really understand the Oscar nomination for Ruby Dee playing Frank Lucas mother. She barley even had a cameo in this movie. It is kind of sad to see how far Cuba Gooding Jr. has fallen not having much of a role in this movie.

What really kept this movie up and kind of brought it down was its steady flow and writing. It did show you some interesting things such as going to Vietnam and having a very unique and surprising place to smuggle in the drugs. Yet as I mentioned before the performances were good but not great because of the writing. I attribute this to the writing. Some of the writing did not allow some of the actors to expand as much as they could have on their roles.

Also the directing was very good but not great. Ridley Scott did show some interesting scenes and had good camera shot. The cinematography was good as well. Yet because the performances were not to great that brings him down because his job to guide arguably two of the best actors today.

This movie was a bit over-hyped but I would still recommend it. This probably could have received more recognition from the Oscars though.

American Gangster is one of the best movies i've recently seen and it is a pleasure to watch even if you are not a gangster movies fan. The story is more captivating than i expected i must say, following Frank Lucas(Denzel Washington) - the afro-American drug lord who raised above all, even the Italian mafia - and Richie Roberts(Russel Crowe), the honest cop in a city full of corruption, sort of Frank Serpico but with less guts.

Denzel Washington delivers a marvelous performance of a man calm and patient yet heart-stopping ferocious at some points, fearless and ambitious but likable as always. His performances are always incredible, he's a great actor, the greatest afro-American actor of all time i dare to say, it's simply a pleasure to watch him in any role.

Russel Crowe delivers a good performance, he's one of the actors that never disappoint in my opinion and i think there's a great chemistry between them (Washington and Crowe) even though few scenes bring them face to face. Richie Roberts is in danger for being one of the few cops that actually do their jobs and refuse to take bribe so i think there's a big resemblance between Richie Roberts and Frank Serpico (Al Pacino 1973).

Cuba Gooding Jr. could have gotten a bigger part, or more scenes because he's a very talented actor and he proved himself many times that he's more than capable of delivering excellent performances.

The drama is less than expected but the movie is very well paced and it never gets boring even if it lasts more than two hours. Everything fits perfectly and there is an excellent antithetical presentation of the wealthy life of Frank Lucas opposite to the lives that he's drugs ruin every day, every hour, every minute...

I strongly recommend to gangster movies fans, actually to those viewers who enjoy good movies because this movie is above average and you will enjoy every second of it.

American Gangster fmovies. American Gangster seems on the surface to be what has been dubbed by some critics as "the black Scarface." As Ridley Scott's new film details, this isn't really the case aside from the point of 'rose up from nothing became something through crime', which could be said about almost every gangster film including the Godfather. Here Scott and screenwriter Steve Zaillian, without calling attention to it ala Paul Haggis, have made a film about class issues underneath the typical gangster-movie form. Even more than the Departed, one sees as the film goes on an environment of paradox: Frank Lucas was a low-life, a killer, a ruthless thug, and at the same time found time to take his mother to church every Sunday and gave out turkeys to folks in the neighborhood while providing them enough dope to die off in the process.

In fact, Scarface has got nothing on Frank Lucas when it comes to moral complexity: here's a man who did rise up out of poverty, learned the stakes of gang life as a driver for the Harlem boss for fifteen years, and then after he died cut out the middle-man as an importer of the freshest product of heroin right out of Vietnam. Then through this there's a whole other level to American Gangster; Scott and Zaillian could have made it simply a saga of betrayals and investigation via Richie Roberts. But the side that one saw in Serpico is amplified here- it becomes all the more engrossing to see how the crooked cops and "honest" gangster Lucas were linked together, which also leads to an ending that amps up the interest. Lucas didn't get out like Henry Hill, but a good man all the same? Probably not (he ended up in jail again, as the film doesn't point out).

So there's a lot of story to explore, and Scott makes it one of the most invigorating, nostalgic (ironically speaking) New York crime films in years, as far as the storytelling goes. And like Heat, Scott gets a lot of mileage from his star power. Washington goes even deeper into the role of the villain than he did in Training Day- he plays him as classic family man, cold businessman, and charming man-of-the-community. He makes it so much his role that you can't imagine anyone else going down a Harlem street shooting a guy point blank in the head. And Crowe also adds some good subtlety to the piece, a flawed man with his family and someone who tries to keep his morality straight (the million dollars given in to the station) amidst total bully-crooks like Josh Brolin's "special" detective. By the time the two stars finally sit down for one scene, it's on par with De Niro and Pacino.

Why not a 10/10 or 4 stars? It is, despite a rightfully fleshed out narrative, with some unnecessary bits (Cuba Gooding Jr, what happened there?) on a two hour and forty minute picture. But Scott does make American Gangster gain momentum as it goes along and reaches a powerhouse climax that is first intense and bloody (it IS Scott after all), followed by a striking human angle. And it holds nothing on Scarface, at the end of it all, as far as being legitimately dramatic without the ham, as the actors and director click for most part on material that just needs to be told without any pretension- and with that dose of significance of real urban crime in the 1970s in NYC.

Finally a good, accurate, gangster drug-trafficking film that makes you think. It's far from Polyanna and lets no-one group off; not gangsters of any race or ethnicity, not cops on the take, addicts, etc. And importantly, the story, based upon the true life story of Frank Lucas, does not profile a stereotypical black gangster gone wrong but instead shows an elegant, intellectual man who rises to the top of his game but then learns something new in the end. The film is a sure-shot into the Oscars but more importantly, for me, it's a film that is socially responsible and imparts a thoughtful message for any viewer,especially in light of current times.

Technically, it's got it all going on. Script,Camera, lighting,and not only par excellence from Crowe and Washington but the entire acting cast. The film uses fabulous close-ups and unbelievably good action shots. I disagree with any reviews that claim the movie is not packed with enough action or violence. How tiresome that would be! Instead, while including some of the best action/violent shots ever filmed, Mr. Ridley gives us a relevant and real-life look into the narcotics business top-to-bottom and across the board. I would far prefer to see a movie that has a dozen or so magnificently staged violent shots that dare to go deeper and translate both internal as well as external motivations as to depict real life. The film is not only entertaining; its portrayal is authentic to the real life grizzly and sometimes grayed world of crime/justice as well as didactic and amazingly...uplifting. What a nice surprise.

Starting off, this probably shouldn't be grouped in as a mob film. For one, Crowe's character is as much the lead as Denzel, this is a cops catching the criminal movie. But also, there's not much mob, it's Frank Lucas at the top and everyone else trying to attach to him, he's one man and that is made very clear.

American Gangster works on numerous levels. It's in part a portrait of late 60s-early 70s Harlem and America, full of drugs and desperation and weakness, where the strong rise above the rest and the cops are dirtier than the rats. As a crime thriller it's entertaining and at 2 hours 37 minutes, never loses interest. But, maybe most surprisingly, it's also a superb character drama and study. Literally every character who steps on screen is compelling, has depth to them, has their motivations, and is tossed into conflict. For example there's a scene early on where Crowe's character Richie and his partner are searching a parked car and find a very large amount of unmarked money in the trunk. Without giving away more, it and the following scenes lead to some surprising moral and character statements by Scott. Richie's morals vs everyone else the temptation of the streets is commonly laid on him throughout the film, and thanks to Crowe's great great performance, it adds a lot to the movie.

Denzel is brilliant here. Frank Lucas, with his collected yet fiery, always powerfully menacing performance is one of the better king bosses I can think of in recent memory. When he's not talking, just the way his face is set, he totally totally gets in this character. The academy would do right to easily give him a nomination this year. I also wanted to add that while the two leads don't get on screen till the last 20 minutes, they have a long extended scene that is pure dynamite and gold. They play off each other perfectly and it's well worth the build-up, and maybe are among the highlights of each performance.

Going through supporting actors, Josh Brolin gives one of the year's most surprising performances as an insufferable and despicable dirty cop. He's so slimy, money-grubbing, and yet intelligent and an equal, he's just cunning. Cuba Gooding, Jr. is decent in his one scene, though it's hampered by being mostly unneeded. Chiwetal Ejifor makes a believable side character though he's not given as much to do, and finally I think Ruby Dee could be a sleeper Best Supporting Actress contender for her role as Mama Lucas. Every other short and thankless role I didn't mention is acted superbly here as well, it's a sign of a great director that they're all so on their game.

Ridley Scott's direction, brilliant, what can you say. He creates New York and the rats living in it to the point with fantastic attention to detail, and most of the scenes in the film are shot and constructed simply perfectly. This includes the short but brutally effective opening scene, which stands as one of the more memorable openings I've seen in a while. Actually any time there's gunplay or action, even if there isn't that much overall, it's stunning. Particularly, at the end there's a police raid scene that stands as the "holyyyy crap" sequence of the film. Going from a hallway to a heroine preparing apartment, and without revealing anything more, it's incredible, simply incredible. Remember when people were going nuts over the tracking shot gimmick in Children of Men? I felt that way about this one. If there&#