Akira (1988)

I was probably around 8, when I first saw Akira. It was my step dad who asked me if I was interested in watching this Japanese cartoon. I expected something like, my favorite children movies like The Lion King or The Land before Time.

Akira however, was something else. At the time I was to young to understand English, since it was a second language for me. But I remember what kind of an affect it had on me. It was brutal, it was hard, it was edgy. The drums and Neo Tokyo lights flew through my little body as butter, as I witnessed death, gore and sadistic killings. Something my pure and innocent eyes had never seen before. And yet I was strangely excited. I was never tough as a kid. I was a afraid of the dark and often had nightmares about all kinds of things. But Akira, despite it's mature nature, just had me in awe. When I finally re-saw it many years later, when I was an old teenager, I was still in awe.

Akira is simply a wonderful and entertaining sci-fi movie. It was what introduced me to anime, and innovation in a hole new way. If you want to start watching anime or see, what all the fuss is about, then Akira is a good place to start. Even though it's over 17 years old today, it is still a fantastic and visually stunning animation. Even if you don't appreciate animation you owe it to yourself, to check it out. It has spectacular action, motorcycle-chase-sequences, mad scientists and tons of blood and shooting.

8/10

Fmovies: Who cares really? This wasn't that good to begin with so I can;t care for the remake. Anyway it was too complex and too Japanese.

When I first grabbed the cover box for AKIRA off the shelves of my local video store, I had never heard the word "manga," (Japanese comic book) nor "anime" (Japanimation) for that matter. Back then I would have given that movie a 9 (excellent), since it was like nothing I had ever seen before, was true graphic violence, but was still a bit too long and too hard to understand. Ten years later, having watched a slew of other anime productions, I would have given this movie an 8 (very good) from memory had I not seen it again yesterday. After seeing AKIRA for the first time in the original Japanese language, I have come to fully appreciate its cultural and artistic merit.

Ten years ago, I watched the English dubbed AKIRA and understood absolutely no Japanese. Ignorance of the language made for funny jokes with my brother ("Just as my bullet was reaching the red line! You think you're so tough") but added nothing to the movie. Ten years later I understand both the language and the country, thanks in part to AKIRA, and I have finally realized that Katsuhiro Otomo had created a classic. While critics may know the director Kurosawa, it may take another 10 years for the name Otomo to make its way to the forefront of American cinematic consciousness.

From here on out, I have nothing but praise for this historical milestone. No other hand-drawn movie I have ever seen is done as meticulously. The pillar lined coliseum comes to mind. It's apparent on first viewing that an immense amount of effort was put into the hand-drawn animation. It seems as if every detail within the frame is in motion. This stands out in the ANIME industry, where so many directors don't bother with effort and instead choose to have a still frame frozen over five seconds. In my mind AKIRA's animation is peerless on an international scale.

Second, the Neo Tokyo depicted in AKIRA is definitely the one that should exist today. Nightlife is dark and violent. Fundamentalist Buddhist sects roam the streets chanting dogma and searching for answers. And most importantly, the medicated punk teenagers speak a crooked, thuggish Japanese slang that I haven't heard in any movie of recent memory. 1988 was Japan's heyday, what with the bubble economy and all, but since then the artistic vision of Otomo's AKIRA seems to have gotten stuck in an economic recession. I feel as if modern Tokyo and its Anime has diverged quite a bit from the Neo-Tokyo depicted in AKIRA.

My final comment is DO NOT rent the English dubbed version, as I did long ago. If by chance you've developed a familiarity with Japan's language and culture, AKIRA makes so much more sense, as it was animated for the Japanese language. The poor English dub job does nothing but distract BIG TIME. As Japan's economically exuberant and excessive 80's heyday fades further into the past, AKIRA will prove to be a relic of a cult imagination that may be fading as well. To watch it in English would be sacrilegious.

In homage to this classic, I've titled my homepage AKIRA-TETSUO, which is named after that demonic anger and guilt you feel when you fail -- the emotion that you can harness to wreak atomic havoc upon this green planet earth. No happy ending with this cataclysmic movie.

JY

Jimboduck-dot-com

Akira fmovies. Without a doubt the necessary injection of Manga culture Western audiences needed. Personal objections (or should I say appraisals) aside, Akira deconstructs the form of narrative and character development that we had all become accustomed to through Hollywood and produces a reasonably honest translation of Katsuhiro Otomo's Manga epic, with mass deletions of unnecessary characters and plot avenues. The story is complex enough to keep western audiences attention, yet simple enough to digest whilst taking in the wonderfull animation and excellent soundtrack (a collection of traditional Japanese instruments and modern day synthesised electronica that allow for elements of cinema to establish themselves for the audience) The conflict between the two main characters, Tetsuo and Kaneda is ultimately superceded by the films namesake, the mystery of the boy Akira, and as with very few films Hollywood produces it leaves it's more labour intensive thinking until the end. A delight to follow, with periods of intense action and thought provoking predictions of a neo society, one would like to think of the film as the pipe dream of one who predicted such tragic events as of September 11. Akira, whilst violent for the medium, is a lush metropolis of gang warfare, a psuedo examination into the possible, and a fantasy tale of elements long lost in modern cinema. A cool, entertaining piece littered with cult visions and awesome bikes.

Good: violent and uncompromising. Bad: the story makes no sense.

Visually Astonishing, Dark and Original is what best describes Katshuiro Otomo's Masterpiece `AKIRA'. Now here is an animated film that is way ahead of his time, the film was released in 1988 even before Disney created computer FX's in their animated features. AKIRA is one of my favorite movies of all time it has beautiful visuals, great animation, an extraordinary story and a wicked soundtrack. I have read the entire AKIRA manga comics and yes it makes the movie that much easier to understand but with the new DVD edition which contains the correct dubbed version that allows the viewer to understand the film a little easier. I first saw AKIRA back in 1994 when I was 14 years old and ever since then I have collected great anime, at first I was confused but yet intrigued and consumed by the plot, I wanted to know what the story was about. Finally after 4 times viewing the film I understood the plot and the message Otomo wanted to deliver in this feature. The story is fascinating it takes place in the future in the city of NEO-TOKYO were citizens live in a constant chaos of an urban revolution, while the youth lives reckless on the dark streets gathering in bike gangs the government proceeds with the so called `akira project'; a mayor step in scientific discovery based on human energy.

AKIRA is a movie about betrayal, love, loyalty, anger, and fiction. For those who do not understand it is a movie about the universe and how us humans connect with it, we use about 11% of our brains but what if we were able to use 40% or even 100% of it, what then? And what if some of that percentage was damaged by hate, depression, or anger, this is the case of TETSUO who is the center character of this film. The possibilities are far from anything we can imagine, `AKIRA' provides a fictional possibility that self energy exists within all of us and that is just as delicate as it is powerful.

This is an epic proportion animated feature, the action sequences are creatively amazing, the plot is very intriguing, dark and character driven like no other film. It is one of a kind and even after 14 years we have yet to see anything like it whether is an animated or a feature film.