Ae Fond Kiss... (2004)

I saw Loach's new work at the Berlin festival and was stunned. Usually, I'm not very much into his films as he gets a little to preachy for me at times. Still, I respect him for taking up subject matters other directors avoid nowadays - most of all British working class stories. "Ae fond kiss" to me is his masterpiece. It's the first film I've seen that really brings across all the complexities of intercultural relationships. It resists the temptation to judge or mock the conservative islamic family while making clear that its sympathies are with the bicultural couple. It doesn't give any easy answers but shows that sometimes you can only choose between bad and worse - but choose you must if you still want to be able to look at yourself in the mirror. A friend of mine is Afghan, and the film reminded me a lot of the problems she is going through, balancing between family tradition and Western culture. So if you're interested in a deep, aching but also hopeful look into the intercultural reality of our European societies, go and see "Ae fond kiss". Its Berlin awards are well deserved.

Fmovies: "Ae Fond Kiss" embodies all and more that we are used to from director,Ken Loach. The film is entertaining and moving from start to finish and makes interesting and true social comment about the way we live. Loach approaches the subjects of religion, race, national identity and cultural differences in a way that is sensitive, gritty and real to the audience. "Ae Fond Kiss" does not shy away from the truth and attempts to deal with issues in a far more serious and believable way than such films as "Bend it Like Beckham". An enjoyable film, and one which should gain huge attention and recognition from the U.S. However, we shouldn't hold our breath as we know.

Every romance film should be this way; the lovers bickering, throwing each other out of the apartment, taking shots at each other's families and generally not getting along in between periods of being so intensely in love that they forget everything but each other.

Sadly, most romance movies aren't like this at all.

Ae Fond Kiss, or Just a Kiss, is a gritty account of two blue-collar workers in love, one a Scottish girl and the other a product of an immigrant Pakistani family, all taking place in the not so glamorous city of Glasgow during the late 20th century. The Scottish girl is a music teacher at a Catholic school and meets the Pakistani boy when her guitar is broken during a racial incident. So far it follows much of the standard boy-meets-girl line. The romance takes off, they find they are getting along swell, and then the price comes due.

You can see it coming, the Muslim Pakistani family coming down on the boy for not going along with his arranged marriage, and him going on the outs with his family. But then the price comes due for his Scottish girlfriend, too, and that was a little harder to call. It comes down to both of them having to pay a price for their love, and the various tests of their willingness to do so. Even at the end, it was a bit uncertain, as such a romance would probably be. You can almost see them trying to decide if this is worth the trouble they are going through, or just a lust thing they will eventually get over.

The characters are likable, even when you don't agree with them. The father who doesn't want his son going out with a Catholic girl is not only likable, you can even see his point of view and the quandary he is in. The story line is believable, especially today, and the sub plots were intriguing.

I'm not normally much for romance films, unless there are a lot of naked chicks wobbling around, or the popcorn is really good, but I liked this movie quite a bit. Something in it appeals to even a die hard chick flick hater like me. It would make an excellent date movie, giving you something to discuss while providing that all important element of romance that leads to your hand sliding off the gear shift and squeezing her thigh while you make some pseudo-intellectual point about one of the various issues in the film.

There is no feel-good Hollywood ending here, it just sort of fades out, leaving you wondering what would happen with such a couple. Did they stay together? Did the boy reconcile with his family? But you don't feel cheated out of an ending, rather you are forced to confront how you, the viewer, would deal with the same or similar issues.

Ae Fond Kiss... fmovies. Ae Fond Kiss is Ken Loach's latest movie. It's a movie with that classic basic premise: a woman and a man from different cultures fall in love. Will their love survive what other people think and do? It's a premise we've seen a million times before. But that doesn't make Ae Fond Kiss a bad movie. No, quite the opposite: I think it's wonderful.

First of all, I think the script is amazing. While Casim's family probably is the biggest obstacle for the young couple to overcome, this is by no means a movie which portrays only the Moslems as the bad guys. Roisin's Catholic society isn't much better. This is one of the reasons why the movie is so engaging.

Another reason why I really liked this film is the fantastic performances by all the actors. Eva Birthistle is certainly the standout, but it would be unfair to name any other actor before the others. In short, it's a great cast.

Ae Fond Kiss is a well-played, sweet and very engaging movie. I liked it a lot. It's even a bit better than Loach's Sweet Sixteen. (8/10)

I was taken to this film sort of against my will, I wanted to see something else, and from the first five minutes I knew I was watching something special. Not to give anything away, but this film has a political side that is not often seen in films in the states, but it's not 'heavy handed' about it at all- the political comes out of the family situations. The actors are all wonderful, particularly the woman lead, and I completely believed every situation they were in. The music was unobtrusive and the camera work felt more like a documentary than a film.

But overall I was left with a feeling of joy that there are still films that try to say something, that aren't based on comic books, and that have real concerns that people struggle with. Bravo to Ken Loach and co.

I saw this at the Edinburgh Film Festival last night. I'm not a natural fan of Loach's work, although grew a little warmer to it after Sweet Sixteen.

What he's made here though is a believable, warming love-story. Aside from 'location-spotting' the Glasgow geography, there was a feeling throughout the film that's difficult to pin down (or articulate!); just a kind of "yeah, that's right, these people and these feelings are real".

Lead-wise, a great line up, Atta Yaqub plays a quiet Casim, and Eva Birthistle a brilliant but natural Roisin - there's nothing that stops you believing that this is a couple in love.

As for the rest of them - some excellent characters and some good acting. One criticism is Loach's practice of using non-actors - sometimes this leads to an almost TOO natural delivery of the script. The strength of the whole cast comes through though, and there's certainly no feeling of any tokenism or stereotype characters.

One actor who doesn't appear to have had much notice in any write-ups I've seen is Shabana Bakhsh, who plays Tahara Khan, Casim's youngest sister. She's fantastic. Again, falls a little foul of sometimes sounding overly natural... but what a star though. She was very believable as the rebellious, starting to get politically active, younger sister.

All-in-all, a great film, worth seeing. I think it's out on general release sometime in the early autumn - well worth the ticket.